Saturday, February 3, 2018

Mooby Reviews 2/4/18

Here are my newest film critiques...

#Captured                                                                   G
#ToldViaOnlineVideosAndFirstPersonCameras
#ConceptIsUnoriginal #FormatSomehowMakesItWork #Somewhat
#BibleThumpingPsychoTargetsHighSchoolKids
#TheseKidsMakeRisqueVideosFor$$$ #PsychoBelievesTheyreSinning #HeThinksGodWantsHimToKillThem #KillThemHeDoes #AllOnCameraObviously
#DeathsWereAverageButHarsh #WhyDidntHeUseTheAxeOnce? 
#WhatGodWouldCondoneWhatHeDoesToTheKids?
#HisGodWouldntCondoneWhatHeEndsUpDoingToHimself #IHateReligion
#PointsForNoHappyEnding #FilmWasBetterThanImagined #MildRecommendation 1/28/2018

Crooked House                                                           EH
A new whodunit film based on a novel of the same name by Agatha Christie.  While Agatha’s mysteries are quite legendary, if you’ve seen one adapted movie or read one book, you’ve pretty much seen and read them all.  This movie may take place in the 1950’s (shortly after the novels release), and the set design represents that quite well, but many whodunit mysteries have been released since then.  Therefore, fresh whodunit stories are basically obsolete.  This is a rather bland mystery in which I knew who the killer was immediately.  Not that the “unmasking” matters to me much anyway.  No one, at least this viewer, cares about the final reveal as long as they’re engaged beforehand and this film failed terribly in that department.  Even the ending that’s probably darker than I give credit for felt stale to me.  2/2/2018

The Doll Master                                                          VB
The doll looks like an ugly ventriloquist dummy.  The protagonist isn’t “supposed” to leave his house due to medication requirements following institutionalization.  Medication?  Institutionalized?  I don’t take anything seriously the whole time.  He does leave his house because his ugly doll is stolen from a film crew.  Nothing makes much sense.  Witchcraft is mentioned.  The budget is obviously low from the start.  The only positive thing is it was barely 77 minutes.  That’s still barely 77 minutes of my already meaningless life wasted.  I very much hated this movie, sincerely.  The end.  2/1/2018

Dream Boat                                                                EH
Documentary involving gay men from all over the world vacationing on the same gay cruise.  The fact some still feel uncomfortable opening up about their sexuality in parts of the world with places like gay cruises making them feel accepted, says something about our world not being as progressive as many like to think.  As much as I never felt part of our heteronormative society, I never really felt like I belonged in my own community either.  Films like this and gay cruises only represent a microcosmic part of LGBT existence.  Yes, I know the struggle of trying to fit in.  Yes, I understand the experience is different in other countries.  Everything discussed is nothing I haven’t heard before.  Most of the people were stereotypical too.  Naturally, there was some eye candy but, as mentioned before, eye candy (however much of it) does not a good movie make.  It’s sad how I would’ve actually preferred a silly fictional comedy like Boat Trip over this documentary about real gay men seeking refuge from the outside world on a real gay cruise.  1/25/2018

Flatliners                                                                     EH
Flatliners is one of those films I do remember seeing but can’t remember a damn thing other than containing Kevin Bacon and Kiefer Sutherland (Kiefer does make an appearance in this remake but Kevin does not).  I must not have liked it too much if I only saw it once, don’t own it, and don’t remember a damn thing like I said.  I didn’t care for this update at all whether it was faithful or not.  Why should remakes be faithful if we already know what happens from the original?  Why do remakes exist anyway?  Nevermind.  A group of medical students somehow find a way to play with death and realize, as they always do in the movies, that tampering with nature rarely (if ever) leads to any good conclusions.  It’s always an interesting concept which no one alive will ever be able to explain.  I don’t care what anyone says about their near death experiences or their shared stories after being revived from being declared dead, I won’t believe anything until I see for myself.  The characters just get a glimpse of the afterlife and their experiences are only a small part of the beginning before the movie turns into a standard body count film without actually having a body count (save one person) until ending sappily.  I think I would’ve preferred the movie solely involving them going to the afterlife several times which wasn’t always pretty for some.  1/28/2018

The Foreigner                                                             EH
Jackie Chan plays a father seeking vengeance against terrorists that bombed a store his daughter happened to be in.  Any parent would likely feel the same way.  Many wouldn’t actually walk the walk like he does though, especially since he has nothing to lose considering he lost the rest of his family while immigrating to England and his daughter’s mother died giving birth.  The concept certainly isn’t foreign (!) which I would’ve forgiven if the film actually held my interest.  Mr. Chan still seemed to have it at his age during the few fight sequences, and it’s kinda sad I wished there were more of them considering I usually think too many such scenes bore me.  It might’ve made this film less lame.  1/28/2018

Geostorm                                                                    EH
I can’t think of a big-budget sci-fi action/disaster film that was particularly good.  Some were decent but most were awful.  Most big-budget sci-fi action films are silly-dilly and this one was no exception.  I laughed at parts I don’t think I was supposed to.  I’m sure I speak for many others when I say I don’t watch one of these films to listen to all the fictional scientific mumbo jumbo, but just to see some action!  I understand all that fictional scientific mumbo jumbo has to be part of the film and I wouldn’t even mind seeing people in their daily lives before the disaster, but you usually watch these films for the over-the-top effects!  Some of the special effects were pretty cool too, but they don’t happen as often as you would think and we only get glimpses when they do.  I almost think they were trying to save costs by limiting some of the action despite being a big-budget film.  A little more action and a little less mumbo jumbo and sappy Hollywood fluff might’ve prevented this from being another forgettable disaster flick.  2/1/2018

Ghost Witch                                                                 B
I apologize in advance if I repeat myself from past reviews.  Well, this film claims it was based on a true story.  What film isn’t these days, however preposterous?  A house that was once the scene of a brutal murder has since been haunted.  Familiar?  Said murder involves a Native American woman being slaughtered in a church where the house now stands.  The woman wasn’t played by a Native American either (that would be real whitewashing if an intended character wasn’t actually played by one) unless she was at least partial, but she looked more Mediterranean.  Anyway, a group of paranormal nerds go to said house to try and get footage.  Recognize yet?  Locals warn said group to leave the property because the land is cursed.  Am I repeating myself (or clichés) yet?!  Why don’t people ever listen when warned to get the fuck out?!  People obviously don’t watch movies in the movie world.  Now I know I’ve said that before more than once!  Those aren’t even the only issues I had with the film.  There appeared to be some continuity errors too.  For example, when a girl fills up the bathtub, it’s only half full when she gets in but somehow filled to the top after she’s pulled under.  Another example is when a girl slits her throat and the cut appeared to be pre-applied but under where the knife was slicing!  Ultimately, it was so damn boring.  Don’t waste your time with this one, I did it for you.  You’re welcome!  1/30/2018

The Houses October Built 2                                        G
I enjoyed the first one because it was fun traveling with the characters as they explored haunted attractions across the country before it concluded with an eerily ambiguous ending.  Seeing that the characters return, this one proves the last immersive attraction wasn’t real.  That does make it frustrating never knowing what to take seriously and there’s no vicarious thrill if some of the characters know it’s a joke.  It doesn’t make this sequel any less enjoyable though.  I liked experiencing these haunted attractions with this group again, one being a zombie run I never actually witnessed.  Haunted attractions are fun, however amateur, and these two movies proved I don’t need to be physically present to have fun as well.  In fact, if they continue this franchise, I think they should stick to going through attractions only (possibly outside the country as well) and ditch the final thrills that make us wonder what’s real or not; the gimmick is old already.  Come to think of it, there probably wouldn’t be any more sequels if the experience does turn out to be real and some members do actually die.  Therefore, they should use my suggestion!  1/25/2018

It Stains the Sands Red                                                G
Another zombie movie?  Set almost entirely in the desert with just two characters, one undead?  You could say I wasn’t exactly enthusiastic about this.  If you know zombies only die when you shoot them in the head, why do you still aim at other spots?  And when you shoot them in places other than the head and they happen to go down, that’s your chance to go shoot them in the head to make sure they stay down!!!  I really hate when I have to mentally yell at characters.  “Blondie” is basically as brain-dead as the zombie on her tail, but I can forgive her since she’s a crackhead.  Did she seriously think throwing a stick would make a zombie go fetch it?  Throwing something else makes him fetch though.  Ladies (premenopausal ones that reached menstruation at least), having your period during a zombie apocalypse just might save your life or give you a running head start.  That’s the thing though, Blondie barely runs at all the entire time.  She walks through the desert with “Zombie Man” closely behind, even taunting him occasionally and having one-way conversations.  She even nicknames him Smalls (for a reason she suggests he might be lacking in a certain area).  Smalls proves that slow zombies will eventually catch up and don’t give up on their prey.  I can’t deny how entertaining most of it was, especially Blondie’s asininity, and the twisted concept actually makes it a zombie film quite unlike any other.  I wouldn’t exactly call it an excellent film, barely even good, but I’m giving it a mild recommendation based on proving the zombie subgenre might not exactly be 100% dead (!) after all.  Never thought I’d say that!  1/31/2018

The Killing of a Sacred Deer                                      G/VG
This is a horror movie.  Psychologically.  The only monsters are the human kind.  At least one human in the form of a teenage boy named Martin who lost his father during a surgery performed by a family man played by Colin Farrell.  Colin’s character meets up with Martin often, possibly out of guilt?  It must be tough for medical workers dealing with unsuccessful procedures that (I hope) were no fault of their own.  Martin is obviously off his rocker from the moment we meet him and proves it as the film goes on.  This would be a rather typical ‘eye for an eye’ tale if it weren’t so solemn and demented when all is said and done.  Other forces may be involved and I liked the ambiguity of it.  It’s a gloriously dark film that might linger with you afterwards.  1/24/2018

M.F.A.                                                                         EH/OK
I believe this was already called I Spit on Your Grave III.  That remake sequel was released before the #metoo movement though and this film was tamer, save an off-screen scissor stabbing and a post-razor blade suicide.  The girl here attends a party where she hooks up with a dude she likes before he forces her to be anally raped even after she says no repeatedly.  She even goes back to the house the next day asking for an apology and when he doesn’t comply, a fight ensues causing his accidental death.  This, in turn, enables her to track down other rapists nearby that faced minimal to zero punishment and enacting some “justice” of her own.  Regardless of the subject matter, this is nothing I haven’t seen before, done better.  M.F.A. is D.O.A. however relevant.  Yes, it’s a shame that many are sexually assaulted and aren’t always taken seriously when reporting such incidents, even being slut-shamed by others including their friends.  Bottom line is, as mentioned in the film itself, you can try making as much awareness as you want, but people are always going to go against what they’re taught.  And, as proven here, murdering the assaulters isn’t a justifiable means of revenge if you get caught.  The film’s intentions may be potent, but I don’t think it will do anything to change the world after what’s already been tried.  It is a shame, really.  2/3/2018

The Recall                                                                   OK
A group of friends travel to a cabin in the woods until….aliens arrive.  The alien design is actually pretty cool too.  Head only, that is.  Neck down, not so much.  It’s a shame too because they were practical (a rarity these days).  Their bodies were almost anatomical and kinda gross too.  The storyline is actually satisfactory and this isn’t the worst alien invasion film I’ve seen, but I have an equal amount of criticisms and praises for both the story and visuals (not just the aliens either) so I can’t fully recommend it.  This all probably looked great on paper.  1/25/2018

Una                                                                             G

What an ironic time for this to come out during the #metoo movement.  Proponents might not think this film is a good example though.  It involves an unorthodox relationship between a 13-year-old girl and an older man (played by Ben Mendelsohn) and how it negatively affected both their lives thereafter.  The relationship was entirely consensual despite being completely immoral.  Both parties were at fault, especially the guy for acting on his pedophilic impulses.  Most people reach puberty by age 13 and many have fantasies or at least masturbate to the idea of being with an older person, so the young girl was simply succumbing to her urges even though she should’ve been old enough to know the relationship would’ve never worked out.  Rooney Mara (playing the girl 17 years later) confronts Ben’s character with a changed name at his job and their interactions (however expected some may be) are likely to cause contentious debates.  This film contains many disturbing themes and I almost feel disgusted for liking it, but I can’t deny how riveting it was and successful in displaying how certain behaviors and relationships never turn out well for anyone involved.  1/24/2018

---Sean O.

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