Saturday, August 25, 2018

Mooby Reviews 8/26/18

I present to you my latest film criticisms...

Action Point                                                                B/EH

Mr. Johnny Knoxville, he of Jackass fame.  There’s at least one other Jackass alumni here as well.  Speaking of Jackass, I did watch that show upon its release and saw all the theatrically-released films.  The series had that “how could MTV even consider airing this” ineptitude juxtaposed with the “I can’t look away” aspect, and it was funny sometimes too.  This film is worse than any of the Jackass movies or any single episode I’ve seen.  If you’ve seen a preview, you’ve seen the best parts (if you can even call them worthy).  I knew this was doomed from the beginning when introduced to an alcoholic brown bear (yes, literally).  That shit wouldn’t even be funny in a parody.  This should’ve been fun taking place at an amusement park (shabby or not) in 1979.  I only recall laughing out loud once and I could’ve forgiven the film for not being funny as long as it was fun, which it’s not (save for maybe one part towards the end).  It mostly involves competition with a new amusement park nearby and a troubled daddy-daughter relationship.  Adventureland this is not (now that’s a good movie featuring an amusement park you should check out if you haven’t already).  8/25/2018

BlacKkKlansman                                                        OK/G

Spike Lee.  The man behind many controversial yet deep pictures involving race relations or the human experience in general, particularly for the black American (fitting considering he’s the most prominent black American filmmaker).  Who better than him to direct this film about a black man (cop too) infiltrating the KKK via telephone in the early ‘70’s in Colorado?  While this film is deep at times and definitely controversial (generally light-hearted), I guess I expected it to be even more deep and more controversial coming from Spike given the subject matter.  I guess I expected it to be more ominous than facetious or at least balanced between the two.  I guess I also expected a grand finale like the ending of Inglourious Basterds despite being based on a true story.  I also didn’t buy Topher Grace’s performance as the Grand Wizard, David Duke, of the Ku Klux Klan for one second.  The whole time he appeared on screen I kept saying to myself, “Hey, it’s Topher Grace!”  Perhaps Spike should’ve cast someone that looks as creepy as the real man, but maybe that was all part of the overall comedic tone?  It generally keeps your interest at 2 hours and 15 minutes though.  I’m always interested in what Mr. Lee puts out.  Surprisingly this is the first movie of his I saw in the theater!  Naturally, like all prestigious directors, he has good films (Do the Right Thing, Summer of Sam, Jungle Fever, 25th Hour) as well as not-so-good films (Girl 6, She Hate Me, Da Sweet Blood of Jesus) and this one falls somewhere in the middle.  Well, maybe a little above the middle.  8/15/2018

Breaking In                                                                 EH
A woman returns to her childhood home in hopes of selling it after her father is murdered.  The house is large and isolated (perfect setting for an invasion, no?).  Her father’s murderers planned on invading the home and are already there (initially hidden) when the daughter arrives with her two kids.  The villains want something in the house (money like usual) and the woman won’t tell them where it is (in a safe maybe?) or how to obtain it when they do find it (usually a code is needed, right?).  Thus complications ensue for at least an hour as the two kids are held captive inside while mama bear fights and taunts the villains both inside and outside the home.  There really was no suspense knowing the woman and her kids would likely survive by the end (waste your time to find out).  If all this sounds interesting or somehow innovative, then this movie might work for you.  Those that don’t think it sounds interesting or innovative in the slightest, well…you are who my rating is for.  Gabrielle Union does kick ass though and doesn’t seem to age.  8/25/2018

Dark Crimes                                                               EH
Jim Carrey may forever be known for his comedic roles, but he’s done the occasional serious role (Eternal Sunshine of the Spotless Mind, The Number 23) to hinder any performance from being unconvincing.  Now, that never means the movie itself is going to be good (case in point here).  This Poland-set film begins promising like a True Detective or Seven-ish thriller but gradually gets much worse after that, or bland more appropriately.  Mr. Carrey plays a detective that re-opens a case and accuses a man that obviously isn’t guilty---at least in movie world he’d be too obvious.  Nothing much happens until the big reveal which isn’t that big at all since I didn’t care by then.  The only crime here is Jim agreeing to be a part of it.  8/18/2018

Deadpool 2                                                                 EH
I wasn’t much a fan of Deadpool.  It won for one of the most overrated films of 2016 for me (www.bestworstarchive.blogspot.com) and you can check out or re-read my review for it in the archives (www.abcreviewarchive.blogspot.com).  So why did I watch the sequel?  For about the umpteenth time (if you’ve been keeping up since day one or enough times)…my OCD.  I liked this one even less.  This became the Scary Movie of superhero movies, mostly parodying X-Men and The Terminator here.  I know these movies were intended to be taken lightly, but the fourth-wall breaking and tongue-planted-firmly-in-cheek of it all doesn’t work for me and appears to attempt humor while failing horribly.  I actually kinda hated it from the get-go and didn’t like it much better during its 2-hour run time; the only mild exception being the final fight scene.  Another bone for me to pick is the use of the word ‘pumpkinfucker.’  To Rhett Reese, Paul Wernick and Ryan Reynolds (those are the screenwriters---it took three people to write this now that I mention that?!!!):  You are all officially on my mental hit list.  That is my word and I can have people testify that I’ve been using it way before this stupid movie came out.  I could probably provide visible proof if I go into my Facebook archives since I know for a fact I’ve said it in posts.  Now people that hear me say it for the first time are going to think I got it from Deadpool…pumpkinfuckers!!!!!  Anyway, Deadpool definitely has its fans, this critic not being one of them.  I’m not going to say I won’t watch Deadpool 3 or 4 (for the umpteenth time…my OCD) although I didn’t watch Cars 3 because I wasn’t crazy about Cars and hated Cars 2 (much like I feel about this franchise thus far), so maybe I have been getting a little better with my OCD…8/22/2018

First Reformed                                                            EH/OK
The title refers to the church in which Ethan Hawke plays one of its clergymen.  There are hints of darker things to come but it leads to an unsatisfying conclusion, ultimately making this a slow character study of a man gradually deteriorating physically and mentally.  I didn’t buy Cedric the Entertainer’s (credited here as Cedric Kyles) serious performance either.  8/22/2018

How to Talk to Girls at Parties                                   OK
Coming-of-age story set in 1977 in England when punk rock was big.  It also involves aliens that resemble humans.  It contains dark themes overcome by a daffiness not unlike Dude, Where’s My Car? while ultimately involving stale notions of individuality and “the grass being greener on the other side” (here, it’s more like the planet is greener on the other side).  There’s a love story too, and just before I thought there was going to be an unhappy conclusion, there’s a sappy epilogue set 15 years later.  Neil Gaiman (whom I’m a fan of) penned the short story (which I haven’t read) in which this film is based, but didn’t write the screenplay.  All the elements for a good story are here, but it lacks cohesion tonally and in general organization.  8/25/2018

Incident in a Ghostland                                               OK/G
H.P. Lovecraft is referenced more than once here but the film isn’t twisted like that of the late author, but it is twisted in a different way.  There’s a creepy house, an ice cream truck (or candy truck as it’s called), dolls (doll enthusiasts like myself should be pleased), and two very demented psychopaths.  It has the plot of a ‘70’s or ‘80’s horror film as well as the feel of an early ‘00’s entry, particularly the New French Extremity (ironically, the French director behind the original Martyrs helmed this, filmed in Canada in English with the occasional French spoken).  One of the victims (consisting of a mom and her two daughters) of the two very demented psychopaths is an aspiring novelist (the aforementioned author being a big influence), so that should hint from the get-go what might be in store.  It doesn’t necessarily make the movie worse by any means, but it occasionally gets perplexing as to what might or might not be reality.  My rating is temporary (like other instances) because this has one of those “better upon each viewing” vibes, but for now I lean very much towards G because it’s one of those films horror fans should admire more than not.  8/18/2018

Marrowbone                                                               OK/G
The title refers to both the name adopted by a family in hiding after traveling from England to America, and to the house in which they are hiding.  There is a reason to why they traveled across the ocean and to why they’re hiding.  It begins as a somewhat compelling drama focusing on this immigrant family and hints a couple times at being a gothic ghost story.  Once all the questions are answered, it ultimately becomes a psychological drama with a very derivative twisteroo (I saw that word in a review years ago) that’s far overdone.  I don’t want to give examples of what it reminded me of in case you want to see it, and I’m absolutely not dismissing it, it just would’ve been a much better movie (being the same exact movie) had it been released at least 20 years ago.  8/16/2018

The Package                                                               EH
Netflix film in which the title doesn’t exactly refer to a package you might think, unless you consistently have a dirty mind.  Well, I guess I just gave it away.  A group of friends go on a camping trip (the wooded location is the best part of the movie; I’d like to visit the real place) and one of the dude’s penis’ accidentally gets cut off.  Of course none of their cell phones work (after one successful call to 911) before another accident causes all the phones to disappear completely.  He’s airlifted to a hospital before the remaining friends realize the wrong cooler (one had his dismembered package on ice) was sent with him in order to perform the surgery.  Thus begins mishap after mishap as the others trek across the woods to get to the hospital in time.  Some parts may have been funny in theory, but this is generally an asinine comedy that’ll be forgotten after I revise and post this in my blog entry (the one you’re reading right now).  8/16/2018

The Ravenous                                                              OK
New zombie film from Netflix.  Yes, yet another zombie film.  The zombies here are more like the infected from 28 Days Later in that they’re fast and only appear undead.  There’s no origin given but I don’t think seasoned viewers care too much anymore since there’s only so many ways an epidemic can occur (virus, experiment gone bad, chemical spill, something in the air, etc.).  The location is Canada, the French part, so that means there’re subtitles for those not fluent in French.  It’s not quite like the aforementioned Danny Boyle film, but I’ve noticed similarities to The Road and The Walking Dead amongst others.  In other words, it wasn’t very original, but what is anymore?  Every genre and subgenre is always going to contain films compared to others with a few distinguishing exceptions here and there.  Many films have been made in just a little over a century (since the birth of cinema), so there’s not too many ways to make original films anymore.  Some will be better than others while some will be worse.  It strictly comes down to how much you enjoyed watching the particular movie during that time.  A buddy of mine said there’s a joy in watching movies for the first time which is exactly why I keep watching new movies.  I didn’t hate this movie nor do I think I’ll ever watch it again.  I would say watch it only if looking for something new and there’s nothing else to choose from, but I think I’d rather tell you to watch better zombie movies like those from George Romero or The Return of the Living Dead(s), or even the aforementioned 28 Days Later and its sequel, 28 Weeks Later; or check out my “Ten Favorite Zombie Films” list on my other blog, Ten Best Lists, for other suggestions, or just ask me.  8/19/2018


Scary Stories for Kids                                                  B
Anthology from 2005 (but looks older and not in a good way) featuring a ghost host named Gator Butt Willie (yes, seriously) telling stories to three kids in the wraparound segment.  In this poorly-shot short film, the segments include killer vines, a mirror and spells, and a house full of doors with “dangers” behind them.  There’s also a “bonus” story told and not shown that wasn’t too bad which goes to show that sometimes stories are better left to the imagination.  It is barely a half hour but there’re much better things you can spend a half hour doing, such as watching episodes of better kiddie horror like Are You Afraid of the Dark?, Tales from the Cryptkeeper, and Goosebumps (although I would just tell you to read the books instead but the show was infinitely better than this garbage intended for those aged 6-11 according to a synopsis).  8/15/2018

Slender Man                                                                OK/G

Slender Man.  The mythological, faceless being resembling a cross between Jack Skellington and a Lovecraftian beast created online in 2009.  Here, he appears in a fictional narrative haunting four teenage girls that watch one of his videos online (won’t characters in horror movies ever learn?).  The plot may resemble that of a dead teenager movie and there’s a few fake jump scares, plus a few annoyingly loud scenes featuring frenetic imagery belonging in a Marilyn Manson or Aphex Twin video, but the film does have a consistently gloomy vibe and is very well-shot.  We actually do see what happens to those that go missing and the creature’s transformation at the end wasn’t disappointing at all even though I didn’t expect to see him as anything other than a shadowy figure of a man.  As of this writing, it only has 1 out of 5 stars on All Movie and an 11% rating (based off 35 critics) on Rotten Tomatoes.  It is definitely not that bad.  I can almost recommend it.  It’s not worth paying the matinee price for (but no movie is) other than bargain/discount times and I might even say wait for the DVD release, but I don’t think it’s a waste of time at all for the most part.  That’s just me though.  8/16/2018

To All the Boys I’ve Loved Before                               EH
A girl in high school has a box containing five unsent letters written to her crushes throughout her life.  Those letters are purposely sent to the recipients by her little sister.  Quite the predicament!  Especially for an introverted teenager.  One ends up being gay and two were from a long time ago, one letter being returned to her.  One proposes they pretend to be together in hopes of making his ex jealous and for her to avoid another crush since he recently broke up with her older sister.  I’m sure I don’t have to tell you they actually end up together despite the leading girl’s voiceover claiming otherwise at first.  Sounds like many a movie, Jim and the crazy band geek being one example that comes to mind (American Pie 2).  Of course there’re complications in between---jealousies, fights, break-ups---you know, typical teen movie stuff, typical teen stuff.  The diversity police should be happy an Asian-American is the lead, but I can still see some mentioning the generalization that many people, including Asians themselves, don’t find Asian men attractive since none of the straight girl’s crushes here were Asian.  Whatever, diversity doesn’t necessarily equal innovative as proven here.  I initially thought this was going to be a different teen rom-com, demographics aside.  Dear Netflix, if you’re going to call movies you release Netflix Originals, why not at least make them somewhat original?  Please.  8/19/2018


A Wrinkle in Time                                                       B
I read the book by Madeleine L’Engle in 6th grade (I’m going to be 36 soon) and don’t remember a damn thing, not even if I liked it or not.  I don’t recall seeing any other visual adaptations, but I can tell you that this movie was AWFUL!!!  It’s a corny live-action Disney movie worse than most Disney Channel TV movies that are often intended to be corny.  The film is all over the place, looks overblown, the acting is terrible (yes, even Oprah), and the overall message is that love conquers all.  Blah, blah, blah.  I wanted to turn it off after around 20 minutes (it was almost 2 hours).  I really wish my OCD didn’t stop me from ending movies before they’re finished.  I really can’t describe too well why I hated it so much (other than what I mentioned above).  I would tell you to see for yourself which I don’t recommend, so you just have to take my word for it (as well as 150 out of 250 critics on Rotten Tomatoes).  I hated almost every inch of this movie.  8/15/2018

---Sean O.

Sunday, August 12, 2018

Mooby Reviews 8/12/18

My current film bashings (mostly)...

Acrimony                                                                     EH
I’m unsure why Tyler Perry, he of Diary of a Mad Black Woman fame and other Madea (his cinematic alter ego) comedies, decided to put his name in front of the title since I don’t recall another movie titled Acrimony.  It isn’t exactly original either and it's 2 hours!  It’s basically a diary of a mad black woman (!) told via flashbacks to a therapist.  In standard domestic thriller/Lifetime TV movie fashion, a girl meets a boy, they fall in love, everything seems peachy at first, then the problems begin.  He isn’t abusive, at least not physically, he just drains her financially and emotionally.  The film basically makes both genders look bad.  The guy is portrayed as a cheating bum that can’t support himself while the girl is the sole breadwinner that continuously falls for his bullshit.  For a woman that appeared to initially have anger issues and not take any shit, I find it hard to believe she would’ve put up with his bullshit for one second.  She even calls herself out on going back to him and staying with him?!  On one hand, feminists should love the fact she’s the provider and he’s dependent but their selectivity would likely shine through since they wouldn’t feel she should have to support him and didn't kick him to the curb sooner.  The woman, played by Taraji P. Henson, doesn’t want him when he’s hard-up and causes financial troubles for her and her family, but when he suddenly gets money and provides her with some, she automatically wants him back and gets jealous when he’s with another woman.  Then it briefly becomes the Fatal Attraction/Obsessed clone you were expecting it to be all along.  This film was a joke but, unlike the Madea films, it wasn’t intended to be. 
7/28/2018


Disobedience                                                               OK
Jewish lesbians, played by Rachel Weisz and Rachel McAdams.  There is a slightly explicit sex scene for all you functioning straight/bi men and gay/bi women; one part involving saliva is rather gross too.  McAdams’ character is actually married to a man.  It’s amazing how homosexuality still isn’t completely acceptable in 2018.  The other thing that amazes me is how a historically oppressed group can hate another group (yes, it's hate if you don’t “agree” with homosexuality or are against it in any way, it’s just a nice way of saying it, don’t even argue with me).  Jews are probably the most persecuted religious group in history (the Holocaust was only part of it)---while Jewish ultimately refers to religion, it basically evolved into a nationality much like Italian or German whether coming from Israel or not---so how could they be homophobic?  The same goes for other historically oppressed groups like Black Americans and American Indians---both groups have been homophobic just like, or even more than, everyone else.  Yes, Christianity may have been forced on many but that’s beside the point.  The point is, and I’ve said it before, homophobia transcends race and culture and religion (that isn’t secular) has often been the catalyst for it, in addition to societal expectations.  Did I like this film about two women that couldn’t be together because of the community they were born into?  Story-wise, it was okay.  While still reflecting many current homophobic attitudes, whether blatant or more reserved but accepting, it isn’t anything I haven’t seen before.  It’s also leisurely paced with one conclusion being too fitting and basically expected however sweet.  The ultimate ending felt wrong, like the preceding events were all for nil...like life for many I suppose.  The fact we keep seeing similar LGBT stories where acceptance still isn’t 100% goes to show the world still needs to change. 
7/27/2018

Eighth Grade                                                              OK/G

I hated eighth grade.  Of course 1996 was much different than 2018.  Actually, according to a calendar, this takes place in 2017 but still.  We had fire drills, not school shooting drills (seriously, how can hiding under a desk protect you from a gunman?).  We didn’t have various forms of social media and smartphone apps and the internet itself was still pretty much in its infancy.  People wrote letters to each other by hand (at least those with friends did).  Books, music (via CD’s on CD players or Discmans), and movies were what kept us entertained (at least for my unpopular self).  There will always be cliques though and those deemed different will always be picked on or ignored whether online or in person.  Back in 1996, rumors and lies via word-of-mouth were what ruined lives.  This film follows a girl named Kayla during her last week of eighth grade.  She is unpopular, makes “self-help” videos on YouTube, and isn’t exactly a model which I hate to say since beauty is subjective, but she doesn’t exactly have guys (or girls) swooning over her, online or in person.  In certain situations, she made me mentally scream at her by acting in ways that would definitely make her unpopular.  There were several genuine depictions of how awkward it can be for an insecure person at that age, but the film wasn’t raw like Welcome to the Dollhouse or Thirteen or as quirky as Napoleon Dynamite to ever become a classic.  8/5/2018

Extinction                                                                    OK
New Netflix film that begins as a War of the Worlds-type ripoff looking like an overwrought video game you’re watching someone else play.  There’s a midway twist that actually took me by surprise and did make the film somewhat better (hence my rating going from EH to OK), but not enough to save the entire movie.  I think the overall story probably looked better on paper (or screen).  8/6/2018

House of the Witch                                                      B
An abandoned house that’s allegedly haunted.  Every town has one.  At least every small town in America.  At least in the movies.  A group of young peeps go to said house on Halloween night.  Someone else went to said house earlier in hopes of scaring them upon their arrival.  It isn’t long before the young peeps realize something more deadly awaits them.  Then you have at least another hour of a formulaic-as-hell body count movie with some ghastly (and I don’t mean in a good way) effects.  The film wasn’t even halfway over when I wanted it to be.  Never a good sign!  8/8/2018

The Lucky Man                                                           B
A man posing as a healing pastor travels to different churches along with his girlfriend to scam people for money in order to feed his blow addiction.  That’s basically it.  Oh, he actually does have a godlike power to heal people too.  It ultimately ends up being too faith-based for me with themes of either ‘never tempt with fate’ or ‘what goes around, comes around’ or both.  I hated it.  8/11/2018

The Meg                                                                      OK
I’ve been looking forward to this since it was mentioned that Jason Statham would star in a shark movie and not just any shark movie, but one with a friggin’ megalodon!  What a disappointment this was!  I had high hopes and really thought they were going to strike three with summer-released shark movies that began with a bang in 2016 (The Shallows) and followed with the completely acceptable 47 Meters Down last year.  It’s hard to tell how much better the original R-rated version would’ve been.  I understand these movies have to begin with all the necessary but boring exposition and introductions before the bulk of the anticipated mayhem, but it seemed to take a very long time before the ball got rolling.  The characters are clichéd to the core (sassy black guy, tough female, precocious child, proud parent not addressing so until it’s too late) and many of the shark attack scenes are predictable or not exactly notable.  I’m not saying I didn’t enjoy any of this because I did, particularly how the massive beast was ultimately destroyed, but it just wasn’t fun enough or frightening enough to be mega.  On a side note, there actually is a fairly worthy Thai cover of Toni Basil’s “Mickey.”  8/12/2018

Revenge                                                                       OK
A woman is violated by three men, left for dead, and exacts revenge on them one by one.  Sounds familiar, no?  I Spit on Your Grave maybe?  Both versions and the remake’s sequels?  I know there’re others but the Meir Zarchi 1978 cult classic always comes to mind first.  The woman here was only raped by one of the men offscreen, but the other guy that saw it about to happen and did nothing is just as guilty.  The man the woman went to the isolated house in the desert with can’t very much come to her defense since he’s married (yeah, he’s cheating) and all three men will go to jail for 15 years.  I can hear all the conservative (and some liberal) criticizers saying the woman deserved what happened to her for being scantily clad amongst three men (whom were there in the desert to hunt like they always do) and basically coming on to them.  Consent is still consent though and no one deserves to be sexually assaulted.  There is bloodshed to be had, especially the ending, but the film is too long with each revenge sequence drawn-out when already knowing the wronged woman is going to prevail each time.  I thought having a woman behind the camera would make this rape/revenge tale a little more distinctive, but it pretty much delivers exactly what you’d expect, nothing more.  8/7/2018


Spinning Man                                                              EH

Guy Pearce.  Pierce Brosnan.  Minnie Driver.  Thriller.  Well, more of a mystery.  It can’t be that bad, can it?  Well…the entire time (the film is 100 minutes) you’re wondering if Guy Pearce’s character, who is a philosophy professor (philosophy can make you go crazy), is guilty of a crime or simply being framed with mounting evidence.  The ending is completely flat.  Waste of time and talent.  8/4/2018


Tully                                                                            OK
I can’t speak from personal experience but I can understand how hard motherhood (or parenthood for that matter) can be.  On the other hand, people choose to have kids and if they have more than one, they should know what they might be getting into.  While I think babies are adorable and kids can be equally irritating and funny, I can’t imagine having to take care of them 24-7.  I’ve gotten antsy just watching my nieces (I don’t have any nephews) for a little bit, so props to the parents out there that chose to have kids; it can be a thankless, unpaid job.  Charlize Theron plays a mother of three that doesn’t hold back when needing to let her frustration out.  Her brother suggests a night nanny to take care of the new baby while she sleeps.  Initially, she thinks that’s a shady idea and who wouldn’t?  There’ve been plenty of movies showing what dangers could occur (which she even acknowledges).  What if she (I’m only being gender specific due to the circumstances) steals the baby?  What if she kills you and your family?  Eventually she gives in and the eponymous nanny becomes the “angel” sent by God or fate (whatever you believe in), making Charlize’s character a better, or less stressed, person.  Blah, blah, blah.  I did like how some characters truthfully dealt with certain situations and I liked how I was uncertain of the outcome (it thematically involves something other than motherhood), but I wasn’t entirely satisfied when the credits rolled.  8/4/2018



You Were Never Really Here                                      EH/OK
I recall Joaquin Phoenix saying he was no longer going to be acting at one time.  His performance wasn’t bad here at all, I’m just saying; proof you should never believe when artists (especially musicians) bid their farewells.  This is basically a sophisticated body count movie with Mr. Phoenix being the “good guy.”  It had a dark undertone but I ultimately felt like I was really here before but something was missing this time around.  8/11/2018

---Sean O.