Saturday, October 27, 2018

Mooby Reviews 10/28/18

Here are my newest reviews...

Best.Worst.Weekend.Ever.:  Season One                    EH/OK

New Netflix series which I didn’t think had much potential during the first episode but thought could get better so I reluctantly continued.  Well, by episode three I could’ve stopped but figured since it was only 8 episodes all under 30 minutes, I’d stick it through since my mind would consistently nag at me for not finishing.  It involves three friends (two boys, one girl) that plan to attend Comic-Con in town during their last weekend before high school.  One thing after another goes wrong for them, but trust me, this series isn’t as fun as that may sound.  I just wasn’t feeling it.  It kind of has a Disney Channel vibe but more of a Nickelodeon series vibe, which wouldn’t be a bad thing at all, but I ultimately felt like I was too old for it and that’s never a good sign, especially for someone that enjoys all-ages entertainment.  I didn’t hate it by any means, but count me out if any more seasons are released.  10/23/2018

Down a Dark Hall                                                      OK/G

A “troubled” girl is forced to attend a boarding school in the middle of nowhere along with four other “troubled” girls.  She is warned by the headmistress (played by Uma Thurman) not to enter a specific room because it’s dangerous.  Clearly I don’t have to tell you that something is in that room and eventually one or more of the girls are going to enter it.  The girls are there for a reason and the reasoning was very clever (albeit familiar) and should’ve been expanded upon or introduced earlier.  It begins very much like a gothic thriller (staying that way for a while), becomes very bizarre for a bit, then finishes on a sappy note.  Credit is given for not knowing what to expect.  I also did not know it was based on a book by Lois Duncan, the late author of many young adult thrillers like Summer of Fear, I Know What You Did Last Summer, and Killing Mr. Griffin, so I am a bit curious to read it now and compare.  10/19/2018

Halloween                                                                   EH/OK
Of course I’m going to think John Carpenter’s Halloween made 40 years ago is going to be better than any Halloween film ever released (as will hardcore fans).  Not only is it one of the best slasher movies, but it’s one of the best horror movies.  It might even be fair to say it’s one of the best movies period, although that’s a very subjective and difficult analysis to make, especially if you love movies.  Bottom line, the original Halloween is great.  Although I always hate hearing about sequels and remakes (the latter infinitely more than the former), I actually thought this sequel disregarding any of the sequels after 1978 could’ve been feasible since it was a realistic continuation of the original Halloween universe.  It sure felt like a subpar sequel though (I didn’t have too much fun with this).  John Carpenter (the original director) even provided the score, which was the best part of the movie; I think he should’ve directed it as well considering he is still alive.  This movie is full of people doing stupid things in which I mentally yelled at them for, even Jamie Lee Curtis’s character at one time.  The majority of the kills were nothing special either, most of them predictable since we basically knew when and where someone was going to get it.  I know, typical slasher film right?  Right, but back in the Seventies and Eighties when they were popular and didn’t yet have years of films to compare to.  In 2018, they could’ve made it a little more unique with distinctive kills and suspense.  And do you think Michael Myers is finally defeated?  Do I really need to tell you that he’s never going to be destroyed no matter what, now or ever, whether it appears so or not?  Was this sequel good?  Not really.  Was it bad?  Not exactly.  (My favorite parts were an offscreen kill involving a flashlight and the last 20 minutes).  Was it unnecessary?  Kind of.  10/20/2018

Haunted:  Season One                                                OK/G
New six-episode Netflix series that very much reminded me of Amazon’s Lore in that documentary techniques are interspersed with narrative re-enactments.  Whereas Lore dealt with mythological tales/legends, Haunted deals with people telling their first-hand experiences with otherworldly beings.  Before every episode, it is stated that the following is a true story; not based on a true story, is a true story.  Whenever I hear about “real” ghost stories, I always take it as hearsay since I myself didn’t see what they saw.  I’ll believe when I see.  I’ll be scared as shit if I ever see a ghost, but it would also be nice to know there’s something else outside this mortal coil.  Now, just because I may not believe in ghosts, doesn’t mean I don’t like to see or read about them; they are fun and very chilling if done right.  The title of this docuseries refers more to the memories and experiences these people still face; one episode involves aliens and another is a mixture of a backwoods slasher and satanic possession.  I personally would’ve preferred a narrative anthology series, but this approach is fine…I guess, and very much the same way I felt about Lore.  For this series, I think the first three episodes were good and the last three were just okay (episodes 4 and 6 being the weakest), hence my divided rating.  The aliens from episode five (“Alien Infection”) were pretty fucking cool though, which we could use more of in visual entertainment.  Overall, not a bad series to check out; all the episodes are short too despite some still feeling longer than they actually were, which is not a plus, but none were exactly a waste of time.  And if you’re easily spooked, you might want to steer clear.  10/22/2018

Hotel Transylvania 3:  Summer Vacation                   OK/G
I did enjoy Hotel TransylvaniaHotel Transylvania 2 was decent for a sequel.  Aside from not understanding why you would watch part 3 first, you kind of have to be familiar with the franchise as there are no formal introductions here; it’s assumed you know everyone (that isn’t new) already, so watch them in order (have a marathon while you’re at it).  It does contain the same-old, albeit potent and always relevant, message about overlooking everyone’s differences, but it’s a decent addition to the series for anyone even somewhat fans of the first two.  This entry is generally fun and harmless for everyone, even containing parts specifically for the young’uns.  There’s also, what I thought was, a fairly worthy nod to Aladdin in one scene.  Why did they have to use the “Macarena” of all songs in another scene though?  10/27/2018

The Legend of Halloween Jack                                   EH/OK
This is one of those movies I disliked but almost kind of liked too (I’m still not recommending it).  If only it had a better budget, better acting, less talky scenes, and violence that wasn’t mostly offscreen; the violence we did see was horrendous which proves the budget wasn’t there---one scene in the beginning, the blood appeared to be CG before instantly disappearing?!  It is very much set up like a slasher film but more of a revenge-beyond-the-grave body count film in the vein of The Crow and Dark Night of the Scarecrow.  I would’ve been okay with the simple plot if there weren’t too many flaws as mentioned above.  The resurrected killer with a “scarecrow” mask was acceptable, but he appears much less than those many aforementioned talky scenes (apparently they couldn’t properly fill out a barely 83-minute film).  About that terrible acting---it was so appalling at times; one scene in particular occurs at a Halloween dance at the end in which it was almost hilarious at how awful it was, but more cringe-inducing instead.  There were clips of “classic” horror films shown in the beginning (I hate using the word classic because it’s subjective and socially instilled) and I’m not sure why because I don’t see this film ever becoming a “classic.”  10/24/2018


Mr. Mercedes:  Season One                                        OK/G
Latest Stephen King adaptation as a ten-episode series (all episodes close to an hour) involving a retired detective bringing himself back into a case in which the titular killer ran down several people at a job fair.  At least there was no beating around the bush as to the killer’s identity since it was revealed in the first episode.  The killer manages to evade those around him for the majority of the series, including the detective played by Brendan Gleeson, whom he taunts with computer videos and random items to indicate he knows where he lives, possibly putting those around him in danger.  Like much of King’s work, we see the mundanity of these people’s lives but never bore of them, which is one thing Mr. King excels at---characterization; but since it’s a King-based work, we know everything is eventually going to go to shit and it’s just a matter of when, where, who, and what?  The who (as usual) is fairly obvious and the when/where/what wasn’t exactly grand, but most of the characters, even the vile ones, were once again made lovable enough to make you continue watching.  Of course if you’re a hardcore King fan like me, you’re going to watch it anyway.  It’s not one of his better adaptations, but not exactly a waste of time either.  I haven’t read the book yet (I own it but it’s on my long list of titles to read) so I had nothing to compare to.  A second season was already made, but unless it contains more action and equally good characterizations, I already think it overstayed its welcome.  Knowing me though, I’m probably going to watch it anyway.  Hail to the King!  10/24/2018

Occupation                                                                  EH

It’s Independence Day, but not quite, only in Australia.  There are alien invaders, not tentacled, and they’re passable, concealed or not.  I actually thought it was going to be a pretty decent alien invasion film at first, despite looking like a low-budget direct-to-video release.  At two hours though, it felt like two movies, and I couldn’t wait for the “second movie” to be over.  10/26/2018


Three Identical Strangers                                            G

They say that everyone has a twin.  Well, imagine finding out you are a twin one day.  Better yet, imagine finding out you’re a triplet.  That’s the dilemma the three identical strangers, separated at a very early age from an adoption center in New York, faced in this documentary.  Apparently they became fairly famous when they all met in 1980, even owning a restaurant called Triplets at one time.  I was born in 1982 so of course I wouldn’t remember hearing about them, but I wonder if my parents or older relatives remember.  I’m sure it happens every day where people not only find out they were adopted, but at least a twin as well, so initially I didn’t understand what made their story so special.  Well, their story is definitely unique all right, seemingly straight out of a sci-fi or Twilight Zone tale.  I was surprised at how dark and depressing it actually became.  I don’t want to reveal too much in case you don’t know the actual story (like I didn’t beforehand).  This is compelling stuff indeed that might make you think twice about adoption agencies as well as bring up the nature vs. nurture debate and whether certain conditions may be hereditary.  It made me wonder if it would’ve been better as a narrative film, which might’ve worked or will work if made in the future, but presenting it as a documentary might’ve been the more effective route considering this truly bizarre tale involving a dark conspiracy actually happened.  Sometimes, at least here, truth really is stranger than fiction.  10/20/2018


Unfriended:  Dark Web                                               OK
In-name sequel only as it bears no connection to Unfriended, which makes me wonder why it wasn’t simply titled Dark Web?  I remember thinking Unfriended was decent for what it was worth and involved a girl haunting her tormenters online after she killed herself.  This one is filmed the same way as if viewed by one or more people online and involves a guy getting mixed in with dangerous activity after stealing a laptop from a lost and found.  He’s given ultimatums or else people will die and now all his friends he’s chatting with online are involved.  The format may not be so novel anymore, but it somehow still keeps you glued to the screen---some parts you actually have to lean forward or squint to read the Facebook messages which the filmmakers should’ve worked on enlarging somehow.  I ultimately didn’t think it got as dark as it could have and I’ve seen this all before (format and content), therefore making it an undistinguished entry.  10/18/2018

---Sean O.

Wednesday, October 17, 2018

Mooby Reviews 10/17/18

I present to you my latest visual media criticisms...

Apostle                                                                                    OK/G

New film available on Netflix taking place in the past (of which time period I’m not quite sure), involving a man (Dan Stevens) traveling to a secluded village in order to rescue his sister.  Clearly something is not right with this isolated village (isolated is usually the first indication).  Not only must you travel a ways by boat to get to the island, but you then must walk a ways on land to reach the village nestled at the bottom of a mountain.  That’s just the first thing.  Dan’s character sees people cutting themselves through windows and sees the town leader lift up a door in his floor before descending.  You do eventually have all your questions answered.  I can see comparisons being made to The Wicker Man (either version) but it really isn’t exactly like that despite containing an isolated community full of crazy religious people.  There is an initial air of menace and I did enjoy much of this, but even at a little over 2 hours, I still felt it was a bit, I hate to say, lacking.  10/15/2018

Bad Samaritan                                                            OK/G

This film will surely make you think twice about valet drivers.  I mean, movies like Ferris Bueller’s Day Off should’ve already, but these valets actually drive to their homes as they eat at the restaurant and rob them.  That is until one of them finds a woman chained up in a guy’s house, thus beginning a cat-and-mouse chase.  It is derivative (not too many films aren’t these days) and may be predictable at times (predictability usually stems from derivability after all), but it was never exactly boring.  That is until the last half hour when it does begin to lose steam, but it was bound to happen being 110 minutes.  You could do a lot worse though, plus the protagonist was a compelling character and the “Bad Samaritan” was kind of creepy (played by David Tennant).  10/13/2018

Blood Mountain                                                          OK/G
Yet another found footage-ish film, this time involving three men on a bike ride excursion (bicycles not motorcycles) in the mountains.  The one guy wants to record everything to eventually show his newborn son.  It is filmed mostly via “head-cam,” meaning the cameras are attached to two of their helmets so we see everything they see, and of course there are omniscient views at times when the helmets are taken off and set aside.  The first-person POV shots of riding on the trails were actually really effective and fun too.  If you happened to get dizzy during the shaky footage of The Blair Witch Project, some parts of this film will give you motion sickness.  Eventually they come across people at a cabin after one of the riders goes missing and, as you can imagine, things quickly turn to shit and it becomes a typical survival/chase film for a bit.  One character reveals information towards the end that I did not see coming and closer to the end I was a bit confused, but I believe I pieced it all together after thinking about the entire film.  Decent indie horror feature that’s nothing new, in its found footage aspect and content, but its approach makes it work sometimes and indiscriminate horror fans might be momentarily pleased.  10/13/2018


Creeped Out:  Season One                                         G/VG
U.K./Canada kiddie horror anthology series recently made available on Netflix and I’m sure glad it was.  This series made me feel like an impressionable youngster again.  There’s definitely an Are You Afraid of the Dark? vibe as well as several Tales from the Crypt comeuppance conclusions, and even a Black Mirror-ish tale geared towards middle schoolers.  It is comprised of 13 episodes (technically 12 since one contains two parts) that are all under a half hour, therefore none overstay their welcome.  There is a voiceover narrator before and after each episode as well as a voiceless character dubbed The Curious donning a hoodie and mask resembling something from The Strangers.  The Curious is just there, much like Sam from Trick ‘r Treat, and was a cool character that could possibly become iconic.  I don’t believe I disliked a single episode, some naturally not as good as others, with “The Call” being my least favorite but still not necessarily a waste of time.  Personal favorites included “Bravery Badge,” “Kindlesticks,” and “Side Show.”  “Side Show” was the two-parter and contained a twist that was very clever indeed.  The majority of them weren’t too original at all, but that doesn’t mean they weren’t fun, and they all contained a modicum of suspense.  There’re a few scenes here and there that might scare the most timid viewers (I know some kids scare easier than others), but the series is generally innocuous and a good introduction to the genre for today’s impressionable youth.  I think it’ll find its audience primarily amongst preteens while teenagers might think they’re “too cool” for it unless they’re still young at heart.  I, for one, am going to be 36 and I got a kick out of it (I love them anthology shows, kiddie or not).  Bring on season two (which is planned as of this writing), and three, and four, and five, and so on…10/8/2018

The First Purge                                                           G

It’s amazing how four Purge movies have been made so far, as well as a current ten-episode TV series.  They’ve all seemed to work though since there are so many different ways to tell it.  I don’t believe I’ve disliked any so far and I’ve been enjoying the show for the most part even though it’s starting to weaken (I figured ten episodes isn’t too much to commit to).  They’re kind of like the Final Destination films whereas they might not be anything special but they’re all fun and you simply have to take them for what they are.  I mean, we all have animalistic instincts and would love to be able to let our anger out on certain people with no consequences, but the very thought of actually having a Purge night once a year is a very frightening concept.  It’s frightening how it could actually happen in the future.  This fourth film in the series is a “prequel” since it goes back to the beginnings of the American experiment in which all crime (including murder) is legal for 12 hours one night of the year.  This film wasn’t great but I’m giving it a mild recommendation because I enjoyed it enough, especially for being a sequel/prequel to a franchise whose concept should’ve been worn out after the first time.  It becomes a microcosmic apocalypse with plenty of action and violence and is the best gangster film (sort of) I’ve seen in a while.  It is definitely political too but timely and could be seen as a commentary on how shady the U.S. government can be regarding certain social issues.  Since I’ve liked them all so far (definitely not loved) and continue to watch the show every week, I’m not going to say I won’t watch anymore made in the future…unless they actually do start sucking.  10/9/2018

Ghost Stories                                                               G
Anthology films, gotta love ‘em.  At least I do.  This U.K. collection involves three “cases” given to a skeptic man (in the wraparound segment) making a living by debunking anything supernatural.  The tales take place at an abandoned asylum at night, the dark woods at night, and a huge house at night during the winter---common settings for ghost stories!  That doesn’t make them any less chilling, or effective rather.  Ghost stories always seem to be more frightening taking place at night.  I’ll never forget a meme I once saw that is truer than true:  “During the day, I don’t believe in ghosts.  At night, I’m a little more open-minded.”  I’m a skeptic but my imagination always likes to fuck with me.  Anyway, there is a far outdated twist at the end and the film as a whole is far from innovative, but I thoroughly enjoyed all three segments (although too short in my opinion) enough to warrant a recommendation.  10/13/2018

Goosebumps 2:  Haunted Halloween                         OK/G
You don’t need to see the first movie or be familiar with the book series or TV show to watch this, despite containing a reference to the first movie and several book titles being mentioned.  Again, like any sequel regardless of connection to any predecessors, why would you care to see a sequel first or without being slightly familiar with the franchise?  The point is, you can watch this without necessarily needing to know any info or returning characters.  Jack Black does return as R.L. Stine briefly, Slappy the ventriloquist dummy returns as the prominent villain (containing the wit of the Cryptkeeper), and you might recognize a returning creature like the Abominable Snowman, but most of the creatures here are brand new, some of them pretty gnarly (the gummy bears, the balloon spider, the pumpkin scarecrow, some of the pumpkins).  This theatrical sequel was generally fun in the way family Halloween films of yore have been, but it still felt too short and got a bit showy towards the end.  I can say that I had more fun with this than I did the first time I saw the first Goosebumps movie (it did get a bit better the second time), and I think younger viewers (the general target audience) should enjoy it with the possibility of becoming a film they look back at nostalgically.  10/15/2018

Hotel Artemis                                                              EH
The titular hotel provides help to criminals only (at least those are the rules) and they must be members or are turned away.  The year is 2028 and riots on the streets are out of hand (doesn’t sound much different than the present).  The cast is star-studded but this film is lifeless.  It gets a bit exciting (violent too) towards the end, a bit, but it doesn’t last long.  I shouldn’t be apologizing since my time was wasted but, sorry, I just didn’t enjoy my stay for the most part.  10/10/2018

Malevolent                                                                   OK
“None of the dead ever come back.  But some of them stay.”  Something along those lines were quoted in the beginning of this new Netflix movie taking place in Scotland I assume (Glasgow was sprawled across the screen in the beginning but London was mentioned another time) in 1986.  A brother and sister are part of a business where they pretend to rid ghosts from people’s homes until one visit somehow causes the sister to actually see and hear them.  It begins like a clichéd ghost story and stays that way for quite a bit until becoming another movie (or subgenre more appropriately) during the last quarter which is cliché in itself, making the film more that type of movie and therefore makes the entire film unoriginal.  It’s a shame too because it was so well-made and could’ve actually been somewhat creepy if it focused solely on being a supernatural horror movie.  10/9/2018

Sollers Point                                                                OK
So-so independent film about a lower-class guy in Maryland recently taken off house arrest and trying to get his act back together.  Of course there’s the expected inspirational advice given by some of those close to him, but ultimately he just gets in trouble with those he comes across (mostly from his past) and doesn’t seem to get anywhere.  Not a bad film, just nothing special.  10/17/2018

Terror in the Woods                                                    OK/G
This Lifetime TV movie was obviously inspired by the Slenderman case.  It even states it was based on a true story in the beginning (hmm…).  The supernatural creature here is called Suzerain instead of Slenderman and it’s found on Creepy Storypedia instead of Creepypasta (hmm…).  Two sixth grade girls lure another girl into the woods in an attempt to sacrifice her in order to save them and their families from the Suzerain.  Should sound familiar to anyone familiar with the Slenderman case.  On one hand, it does realistically portray what it’s like being an insecure sixth grader, almost as much as, if not better than, Eighth Grade.  The acting may not have been superb but, one, it’s a Lifetime TV movie and, two, the performers were actually that age which may have added some authenticity to it.  Clearly these girls, much like the real ones, were too immature to fully comprehend what they were actually doing.  The one girl even clearly had a mental illness which the parents swept under the rug by claiming she was too young to have one.  While this may not be flawless (as can be expected given the format and channel it aired on), it really wasn’t that bad considering the format and channel it aired on.  10/15/2018


Thrill Ride                                                                   OK
A group of kids attempt to save their Dad’s business by going to an indoor amusement park in Chicago called Happyland where Al Capone allegedly hid a treasure when he built the place in the early Thirties.  This family film is average (nothing more, nothing less) and slightly resembles a Disney Channel feature but not exactly; there’s actually a few mild curse words (I guess that explains the PG rating).  It’s fun occasionally and there’re several semi-successful attempts at past-meets-present humor (statues from the past are brought to life).  The special effects are kinda terrible but few and far between and don’t completely ruin the movie.  This is strictly for the ‘under high school’ crowd; the parents and older siblings likely won’t care one way or the other.  10/11/2018

Truth or Dare                                                              OK/G

How many of these movies are there going to be?  One was just released theatrically by Blumhouse this year!  This one was also released this year (under the radar), directed by Nick Simon and containing a cameo by Heather Langenkamp (“Nancy” from the original A Nightmare on Elm Street for those that don’t know).  Do you think a group of people play the titular game?  (I’ve never seen it played where questions and dares are written on pieces of paper instead of being stated per turn though).  Are they all forced to play and don’t take it seriously until they’re shown what happens when one refuses?  Are losers like me going to keep watching these movies?  (To be less self-deprecating, I’ll say horror nerds like me, but the labels could be synonymous).  Yes, yes, and yes.  Based on my rating though, you can probably guess a BUT is coming.  Well…BUT I actually didn’t mind this entry.  It gets dark at times and has some wince-inducing moments, giving it more of a Saw vibe, plus there’s an interesting approach to presenting a literal haunted house.  Put it this way, I enjoyed it more than the recent Blumhouse release.  10/14/2018


22 July                                                                         OK/G

Yes, I remember hearing about that fateful day in 2011 in Norway that left 77 people dead.  This film available on Netflix chronicles the events and their aftereffects.  It begins right away with the bombing at a government building in Oslo, followed by the mass shooting at a camp on an island.  We then follow the gunman, who holds conservative anti-immigrant ideologies, from his arrest all the way to trial.  It’s amazing how someone like him can even have a trial when he clearly committed the crimes and even more amazing how people like him can simply plead insanity.  We not only see how the aftermath deeply impacted survivors and their loved ones, particularly one family, but also the lawyer defending the Knights Templar terrorist despite stating upfront how much he disagrees with what he did.  I personally think it would’ve been a better movie, more harrowing too, if we spent the majority of the film getting to know the victims at the camp (and government building) before the known tragedy; but this approach, although a bit lengthy at almost 2 ½ hours, was okay and I’m sure won’t be the last we see on the subject.  10/11/2018

Western                                                                       B
This isn’t exactly a western, not in the American sense at least.  It takes place in Bulgaria where a group of German men are working near a town that looks stuck in the past according to some.  Allegedly there was a history of Germans in this town which occasionally causes some animosity amongst the townspeople and workers.  It could’ve also stemmed from a minor altercation between a German worker and a female Bulgarian.  This was one of those in which you kept thinking it was going to get good but never quite does.  It was two hours too!  It doesn’t even work as a character study, not effectively at least.  Waste of friggin’ time!  10/16/2018


The Witch Files                                                           OK/G
Much like the werewolf film, the witch film is a subgenre that’s underrepresented and doesn’t contain many worthy titles (at least in horror).  Sure, there are many films, horror or not, that contain witches but aren’t strictly focused on them.  The Wizard of Oz is ultimately a family fantasy simply containing them.  I have yet to see a witch film I can truly call a masterpiece.  The Witches may be good for nostalgia and for being based on a Roald Dahl novel, but I enjoyed it more in my younger years.  The Craft is fun and may have achieved a bit of cult status, but it’s definitely no masterpiece by a long shot.  Wicked Lake is a decent indie film that’s far from great and hasn’t achieved any kind of status (shocking considering Al Jourgensen from Ministry was involved).  The Witch was good but definitely overrated in my opinion.  If the comic book, Wytches, ever becomes a movie or series, I can see that having potential cult status since I was a big fan of the reading material.  Anyway, this movie involves a group of teen girls in Maine that dabble in witchcraft after meeting up with a goth girl recently returned to town.  This movie wasn’t bad.  Corny?  Sort of, in the Afterschool Special/TV movie variety which is never necessarily a bad thing.  It’s more enjoyable and more fitting as a teen movie featuring witches than as a witch movie involving teens.  It is a found footage movie of sorts since everything is filmed, but the format doesn’t distract the overall narrative.  I know there’s a great witch movie out there waiting to get made or seen by my eyes, but I can settle for passable ones like this in the meantime.  10/10/2018

---Sean O.

Sunday, October 7, 2018

Mooby Reviews 10/7/18


Here be my newest additions to my film criticism canon...

Assassination Nation                                                   G

It’s probably been said before and I’ll say it again, the internet can be a wonderful thing but also a very dangerous thing, as evidenced here.  Don’t people know in this digital age that if they’re involved in anything illicit or something they want kept private not to post pictures of it on the internet, or make sure no recording devices are present?  There’s basically no such thing as privacy anymore and there’re things called hackers, as evidenced here, and the FBI.  I lived through a time before social media controlled us and all it took was rumors/word-of-mouth to ruin our lives; as long as the people spreading the rumors were popular or said rumors pertained to those generally disliked, others believed them without proof (I would know).  This movie takes place in Salem although nothing indicated so, but having been there twice I can say it really holds no historical value anymore and looks like a modern town, much like this looked like it could’ve been any suburban town in America.  I do remember reading about the parallels between the Salem Witch Trials and what befalls this town and it certainly makes an interesting correlation in retrospect.  Someone manages to hack into the entire town’s computer system and let’s just say lives are ruined as you can imagine, culminating in a very deadly night.  The mastermind revelation did actually surprise me but it could be I wasn’t really concerned about it, and it was kind of silly in theory, but also proof that anyone and everyone with an internet connection can cause damage in the real world.  Stylistically and thematically, I was reminded of Spring Breakers, Black Mirror and The Purge, although this isn’t quite like any of them at all.  Of course there are going to be Heathers comparisons as well.  I thought this was the better post-Heathers modern destructive teen movie compared to Tragedy Girls, which was a bit too satirical for me.  This is still no Heathers though, and it didn’t get quite as dark as I hoped it would, but maybe time will convince me otherwise.  9/23/2018

A Ciambra                                                                  OK/G
Italian film (yes, that means subtitles) involving a family of Gypsies living in a very poor area often raided by the police.  The focus is primarily on a young boy named Pio who often has to steal and sell to provide for his family after his older brother is arrested.  It’s an often raw portrayal of life in these communities, but, at two hours, there’re stagnant bits as well.  9/25/2018

Dead Night                                                                  OK/G
I really thought I was going to hate this movie based on the clunky and disjointed beginning.  It does get better, or more twisted I should say, and quite violent too, and goes down avenues I did not expect.  There isn’t much I can say without revealing too much, so all I’ll say is---a family rents a cabin in the beautiful Pacific Northwest woods during the winter and strange things happen.  There was more than one recognizable genre face and name in front of and behind the camera, so clearly this film had high ambitions.  While I did end up liking it a whole lot more after the messy first third, I still felt bewildered and unsatisfied when it was over.  It sure made me ponder what I just watched though.  10/6/2018

Hell Fest                                                                      OK/G
Haunted attractions.  What a perfect place to kill people and make it look like part of the attraction.  At least that’s the mentality of the killer in this film and probably countless others in real life.  I’m actually surprised we don’t hear more about real dead bodies being found in these attractions.  Haunted attractions and haunted houses are usually corny fun, especially during the Halloween season, and these sets were generally fun to sit through.  The jump scares may have been annoying but acceptable considering they were expected, much like the real events/locations.  I may have been reminded of The Houses October Built and its sequel, but this is basically a slasher film through and through.  I find it very hard to believe the masked killer managed to take the knife from the cart without being seen by a single person; only in the movies.  He did manage to use other weapons but still.  The kills are so-so, nothing grand, and much of it may have been predictable, but what do you expect from a slasher film made in 2018?  At least the circumstances kept the tired storyline interesting; hell, the setting and kills are basically what distinguish these films.  It definitely wasn’t a masterpiece or even that great, but it was moderately enjoyable (more than not) for what it’s worth just in time for the season.  10/2/2018

Hold the Dark                                                             G
New Netflix Alaska-set film which I initially thought was going to be a natural horror film involving wolves turned into something else entirely.  This film was full of surprises, bloody too.  No surprise considering it comes from the director of Green Room, another bloody film that warped expectations.  I was a little perplexed by the ambiguous ending, so I read an article online containing spoilers to see if I missed something and it revealed information one would have to extensively think about if you hadn’t read the book (of the same name, by William Giraldi, and I haven’t) in which this was based on.  Apparently other critics felt the same way about the ending too, so I don’t feel so bad.  Regardless, the film on its own was generally as cold (pun intended) as the Alaskan landscape in which it’s set (I felt the cold while watching too).  I was thoroughly intrigued.  10/2/2018

Hot Summer Nights                                                     OK/G
The setting is Cape Cod during the summer of 1991.  It is (mostly) based on a true story.  I like how they emphasized mostly in parenthesis because most films based on true stories are usually always fabricated, minimally or completely.  A teenage boy goes to stay with his aunt in the Massachusetts town after his father passes, making him neither a townie or a “summer person”---he’s not the latter because he’s not rich according to the voiceover.  It’s coming-of-age and involves drugs, romantic hook-ups, and the very real Hurricane Bob that hit New England during August of that year (I wonder if that was the only true part of the story).  Yes, it’s all been seen before (disregarding the hurricane), but it was decent and I liked most of the pop songs from that general time period on the soundtrack.  It might be better for someone seeing a movie like this for the first time, especially Post-Millennials unaware of similar films before their time, but it’s forgettable for cinema savvy peeps like myself.  10/6/2018

The House with a Clock in Its Walls                           OK/G
Eli Roth directed films like Cabin Fever, Hostel, Hostel: Part II, and The Green Inferno.  He also directed this family friendly film based on a book by John Bellairs (which I have not read).  The fact Eli was behind this was the only reason I was interested.  That, and I do like family films, especially kiddie horror ones.  It’s not even a kiddie horror movie really, more of a fantasy with a few dark elements.  It involves magic and warlocks in 1955 when an orphaned boy goes to live with his uncle (played by Jack Black).  I was reminded of the Goosebumps movie (not because Jack starred in both) and The Haunted Mansion movie, although this is even lighter than those.  I can see comparisons being made to Harry Potter but it’s not really like that at all despite both containing young boys learning magic.  I am curious as to why Mr. Roth chose to tackle this but kudos for trying something different without failing for the most part.  It definitely has its moments (Those giant dolls!  Those evil barfing pumpkins!), works as a coming-of-age movie for a bit, has a few LOL parts, and is diverting at best, but overall felt like a typical Saturday night movie shown on basic cable back in the day, and the ending felt kind of rushed.  Wait for it to be released on Netflix or whatever.  9/25/2018

Lake Placid:  Legacy                                                  EH
Let’s see, there’ve been five other movies previously if you include the crossover, Lake Placid vs. Anaconda.  I guess that would make this Lake Placid 5?  I’m not entirely sure since the fourth one was called The Final Chapter, proving you should never believe a franchise is ever truly over.  There is a reference to the first one, indicating this film provides the basis for how the New England incident started, which kind of ruins the first one if you ask me.  I thought the first one was decent, not great, but don’t recall caring much for any of the sequels and this one can be added to that group.  I actually don’t remember thinking the aforementioned crossover was too bad (my archives indicated I gave it an OK rating), but it could be my expectations were lower than low beforehand (but same for all the others so nevermind).  This film begins in Seattle, Washington (other side of the country completely from the others) before moving to an undisclosed location (appears to be an island in the middle of the ocean) where a group of people discover a previous group was slaughtered.  Before you can yell ‘forewarning,’ a creature destroys the boat in the lake which strands the group on land near a facility where they gradually learn Frankenstein-ian experiments and stem cell research were being conducted.  The creature is crappy mutated CGI (I really expected nothing less in 2018), although not as crappy as it could’ve been (the aforementioned experimentations might actually make it plausible), and I could’ve overlooked it if the movie was actually fun.  It’s not.  It’s generally a bland body count movie (albeit a rather gory one at times) that tries being smart with its added subplot to the overall franchise.  File this under ‘Unnecessary Sequels’ or, better yet, ‘Unnecessary Sequels after a Preceding Final Entry’---either way, emphasis on the unnecessary.  10/1/2018


The Midnight Man                                                       EH/OK
A group of kids in the Fifties play a game in which the titular demon is summoned and there are rules to abide by in order to survive.  That’s the prologue, and it’s a pretty bloody one, before we enter the present day where one of the survivors from said prologue is old, of course (played by Lin Shaye---what supernatural horror movie isn’t she in these days?), and her teenage granddaughter gets suckered into playing the game with her boyfriend and a girl friend.  The eponymous demon has the ability to project your fears into your mind if any of the game rules are broken.  The film is well-shot (IFC Midnight films usually are) and it certainly has its moments, and its fair share of blood, plus a slightly clever twist towards the end, but it reeks of conventionality and the demon is often witty which, in turn, weakens its impressively creepy visage.  Ironically, Freddy Krueger himself (Robert Englund), the wittiest cinematic boogeyman of them all, makes an appearance.  It ends with a typical scenario suggesting the possibility of a sequel.  No thank you!  9/29/2018
Midnight Man                                                              G
I knew not of this Irish film from 2013 which the above title was a remake of until I saw the special features for the above DVD.  That makes The Midnight Man above unoriginal in more ways than one now that I know it was a remake.  Had I seen this one first, my opinion of the above remake would’ve likely been much worse.  This film got everything right, but isn’t the point of remakes (other than “introducing” the story to modern audiences and pissing off fans of the original) to try and improve on everything the original did wrong?  They usually never do anyway since most original films (the good ones) don’t need to be improved.  This film was infinitely more atmospheric, no surprise given Ireland is allegedly the birthplace of Halloween, and even creepy at times.  Don’t even watch the remake reviewed above and just watch this one directed by Rob Kennedy, at least first; I wish I would’ve.  9/29/2018



Overboard                                                                   EH
The only part that sticks out from the Kurt Russell/Goldie Hawn version was when Goldie swiftly made sandwiches for the kids, probably because I thought it was funny.  The genders are swapped for this remake.  It’s a typical “Prince and the Pauper”-type tale, only this and the original are based on revenge more than “see how the other half lives.”  I mean, who wouldn’t want to torture someone that wronged them and get away with it while they can?  There are a very few funny parts, mainly in the beginning, but it ultimately ends up being predictably icky, in the sentimental sense.  Even if you hadn’t seen the original, you can probably foresee how things are going to turn out.  Go ahead and waste almost two hours if you don’t believe me.  9/26/2018

Puppet Master:  The Littlest Reich                              OK

This is the 12th entry in the Puppet Master series not counting any spinoffs (yeah, you read that right---12th!!!!).  The fifth one was even called The Final Chapter.  What is it with franchises, especially of the horror variety, labeling a sequel as final but not keeping their word?  Prequels count as sequels in a way too.  I’ve seen at least the first nine (I own a collection containing the first nine, that’s how I know) and think the second one is my favorite.  It’s not even close to being my favorite franchise.  I don’t dislike the movies, but I can live with or without them.  You don’t even have to be too familiar with the franchise to watch this one, but, like always, why would you care to see a 12th Puppet Master movie if you’ve never seen a single preceding one?  Here, a recently divorced guy goes to a convention with his new girlfriend and nerdy employer where a bunch of Toulon’s creations are hoped to be sold in commemoration of his 30th anniversary killing spree (Toulon is the evil creator of the murderous dolls for those that don’t know).  If you’re familiar with the franchise at all, you can probably guess what eventually happens.  The puppets, most of them (some new to the series), are pretty rad; I might even like some of the updated ones better than the originals.  This film is basically a showcase for the puppets to cause bloody mayhem.  The film is bloody, there’s no doubt about that, some of it nauseating too, but much of it is a bit too over-the-top.  There is another one planned based on the ending (why stop at 12, right?), so evidently this entry was intended as only part of something bigger (felt like it too).  10/3/2018

The Row                                                                      OK
The title refers to more than one thing, not just the name of the sorority house.  This isn’t exactly The House on Sorority Row, or even its remake, Sorority Row.  It is a slasher film, but it’s also a police procedural and a regular college film with the feel of a TV movie or low-budget direct-to-video release.  That may have actually been part of its appeal though while also being part of its shortcomings.  I think they should’ve focused solely on the slasher aspect by elaborating on it and adding some more distinctive kills, like those in Sorority Row.  Like I’ve said before, I really could care less who the killer is in these movies anymore, but it makes me wonder how they weren’t found out sooner here in regards to information that was always public; only in the movies.  This movie wasn’t bad, but it never stay focused for too long at a time and the slasher aspect, which is what it ultimately intended to be, was barely average at best.  10/3/2018


The Sitter                                                                     OK/G

What a generic AF title!  Sounds like the title of many babysitter-in-peril films.  A search on All Movie came up with at least four similar titles, one being that stupid comedy starring Jonah Hill.  The original U.K. title for this was Charlotte Wakes.  That sounds kind of dumb too.  Anyway, a girl takes a job house sitting a couple’s huge isolated house for a long weekend.  Sound familiar?  It actually reminded me of The Boy in the sense she’s all alone in a huge house babysitting a non-human (here, a cat), as well as another movie I won’t mention lest I give something away (which I actually figured out after a bit).  There was also a direct reference to Rosemary’s Baby in one scene.  When all is said and done, it was kind of exactly like that film I won’t mention (ask me and I’ll tell), only this didn’t take place in the Seventies and there was no pizza involved.  You know what though?  This low-budget film was actually eerily foreboding for a while and wasn’t quite like typical babysitter-in-peril films.  Sure, there’re faults---certain rooms of this big house didn’t have electricity?, people still investigate strange noises at night instead of waiting until morning?, people sneak into a house without knocking or ringing the bell which causes a false alarm---but nowadays it’s tough to avoid all of them and it really doesn’t get predictable until the end.  I did like that film I won’t mention better, but this babysitter-in-peril entry was okay too.  If you watch this via DVD (it’s available at Redbox as of now), there’s an 11-minute film called Night Land as an extra feature that’s delightfully eerie---I give that a G rating.  9/27/2018


Strange Nature                                                            OK/G
Pretty good film taking place in Duluth, Minnesota (to be exact) that begins like it would be a natural horror film, but is really an ecological thriller with a touch of a creature feature.  First, the frogs are deformed.  Then, newborn babies are deformed.  Something even deadlier was formed and hinted at early on.  Is it something in the water?  Is it the new pesticides contaminating the local wildlife?  Is it the local deformed man and his deformed daughter infecting the lake after swimming in it?  This film is very well-shot, the characters are compelling, and the creature effects are practical---enough of a reason alone to recommend it---and definitely passable however freakish, but drags quite a bit in the middle.  Regardless, I’m definitely more for this film than against it.  9/26/2018



Tales from the Hood 2                                                OK
Tales from the Hood is one of my favorite anthology films.  It is nearly perfect.  Not only were all the segments, including the wraparound, intriguing, but the entire film contained an underlying sense of dread.  Plus, it was simultaneously a commentary on the conditions of many black American communities.  This sequel also deals with race but more in the sense of what it’s like being a modern black American in general; it ultimately felt less ‘hood-y.  The same director returns along with a sidekick that was the writer of the first, plus Spike Lee returns as executive producer.  This time, Keith David, a man more recognizable by face than name, plays the “Cryptkeeper” instead of Clarence Williams III (Prince’s dad in Purple Rain) in the wraparound segment.  There are four other tales again, the first and last being the best in my opinion, the middle ones slightly average and nothing special, but none were completely terrible.  A creepy doll from the first anthology makes a cameo in a much different doll vignette this time and what a twisted segment it is.  The last story ends kind of depressingly while still managing to be potent in a deep alternate history/“butterfly effect” storyline.  This movie, as many sequels do, certainly had a lot to live up to.  No, it’s not as good, nor did I expect it to be.  I would’ve been very flabbergasted if it was.  There appeared to be a bit more comedy than expected and not the comic relief kind in most horror movies, but the tongue-in-cheek kind belonging in parodies.  All in all, it certainly wasn’t the worst anthology film I’ve seen, but it is still a sequel after all to a much greater predecessor.  There was no “Welcome to Hell…Motherfuckers!” either.  Well…nevermind.  10/5/2018

---Sean O.