Saturday, December 24, 2022

Nanny/Glass Onion

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Nanny                                                                          OK/G
New film on Amazon Prime marketed as a horror drama, emphasis on the drama.  It works best as a character study above all.  The few “horror” elements we do see are kind of lame and the worst parts of the movie actually.  It involves a Senegalese woman in New York watching a couple’s young daughter in hopes of making enough money to bring over her young son from Africa.  She appears to be welcome at first until eventually she’s scolded for things like feeding the girl food she prepares herself and for not always keeping an eye on her (pertaining to one incident in the park).  The matriarch also hasn’t paid her for quite some time.  The ending is such a sucker punch to the gut; it is very depressing, thereby making it the most horrific aspect of the entire film.  12/17/2022

Glass Onion:  A Knives Out Mystery                          OK
According to my archives, I only gave Knives Out an EH rating; I definitely would’ve rated it higher the second time I watched it.  Only Daniel Craig’s detective character returns in this sequel (now available on Netflix) with a new set of characters, all of which congregate at the titular structure on an island in Greece for a murder mystery.  Initially things don’t go as planned, or so we’re lead to believe.  There are only so many ways to do a whodunit, let alone most types of movies, so a good group of characters are surely needed, which we do get to know most of them here a good deal.  Conventions are tinkered with a bit (it is sometimes well-written), but it is (expectedly) rather indistinguishable and does overstay its welcome at almost 2 ½ hours.  Like I said, there’s not too much you can expect from a whodunit/murder mystery/whatever-you-want-to-call-it anymore.  12/23/2022

Other movies I've seen and their ratings (see above):

Eyes Wide Shut  >>>OK/G

The Loneliest Boy in the World  >>>EH

The Minute You Wake Up Dead  >>>EH/OK

Perfect Blue  >>>EH
   (In Japanese with subtitles)

Sole Survivor (1984)  >>>EH

Spooky+  >>>B/EH

---Sean O.
12/24/2022

Saturday, December 17, 2022

Violent Night/Christmas Bloody Christmas

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Violent Night                                                               OK/G
David Harbour, he of Stranger Things fame, plays Santa, literally, in this new holiday film from the director of Dead Snow and Dead Snow 2.  Santa ends up stranded at a large house in Connecticut when criminals hold the family inside hostage in hopes of obtaining something (Large house?  Why wouldn’t someone want to steal from it?).  Things do get violent as the title states when Jolly Old St. Nick helps defend this family throughout the night.  Yes, Santa is the good guy, if you didn’t see previews or read about it, not quite like Billy in Silent Night, Deadly Night (although I think there may have been at least one nod to that film here).  I’m guessing this is going to be compared to Die Hard the most.  There were references and nods to Home Alone too (and I’d say those scenes were worthy).  I was impressed with some of the violence, particularly what happens after a decoration is shoved into an eyeball, and when Santa goes wild while a Bryan Adams song is playing.  It is often a typical action flick wherein the good guys inevitably prevail over the baddies, and I don’t think I’m giving anything away by saying that either; plus, I didn’t tell you how anyone was defeated (another violent scene I was impressed with, and shocked by, is what befalls the main baddie played by John Leguizamo).  Generally a fun film when all is said and done, even if it often does feel typical.  12/13/2022

Christmas Bloody Christmas                                      OK/G
I couldn’t wait to watch this after hearing it was a holiday horror film involving a robotic killer Santa Claus (which is now available on Shudder and AMC+).  I do love Yuletide horror movies.  I was actually reminded of Hardware in addition to Silent Night, Deadly Night.  Other than seeing a brief news segment stating the Santa’s were recalled, I don’t recall seeing or hearing how this human-size festive robot (with a very human demeanor) went rogue (not too much time is wasted before it does so either).  How the hell did this animatronic Kris Kringle know to look for an axe before he first went apeshit?  How did it know where the two main characters lived after spotting them walking from a distance before driving away?  There’s no way it would’ve been able to keep up with them.  How did it know how to operate a shotgun for the first time?  And how the hell did it know how to drive an ambulance?!!!  I’m willing to suspend all logic, sometimes, for entertainment if I actually enjoy it.  Clearly this film is flawed, but I did enjoy a decent amount of it.  I was likely expecting too much from it the first time while taking it all in.  Some of the violence may be over the top, but the film is sure nice to look at, and definitely not low-budget.  I liked getting to know the two main characters as well, they conversing about movies and music (in regards to one of their debates---Pet Sematary Two is certainly a worthy sequel, but it’s not better than its predecessor!; and at least she said Child’s Play 2 was her favorite of that franchise---mine too!).  This appears to be one of those “turn the brain off and enjoy the ride” features.  I’ll definitely watch it again…12/15/2022

Other movies I've seen and their ratings (see above):

The Apology (2022)  >>>OK/G

Mad God  >>>OK/G
   (Shudder)

Who Killed Santa? A Murderville Murder Mystery  >>>EH/OK
            (Netflix)

A Wounded Fawn  >>>EH/OK

---Sean O.
12/17/2022

Tuesday, December 13, 2022

Guillermo del Toro's Pinocchio

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Guillermo del Toro’s Pinocchio                                  OK/G
Two Pinocchio movies in one year?!  [You can check out my review for the other one released on Disney+ in here---https://vampireclown82.blogspot.com/2022/09/snapperamerican-horror-stories-season-2.html].   According to research, there are at least 17 Pinocchio films (Pinocchio’s Revenge not being one that came up), and that’s not including TV variations.  No, I haven’t seen them all, not even close, the original 1940 Disney film never being one of my favorites from the company.  I was actually looking forward to this stop-motion Netflix release a bit since Guillermo del Toro was involved, he having style (often more than substance).  There definitely is style, the style itself being its primary redeeming quality.  Don’t get me wrong, if this was live-action, or even a different kind of animation, this likely would’ve been just another unnecessary update (there are only so many ways you can tell the same story).  Many of the familiar elements are here, but some stuff was omitted and some stuff was added---something I sort of admired about it.  Being that it’s roughly two hours, I got a bit impatient with it.  I didn’t expect there to be songs in this version either, but there weren’t too many.  Unique execution on the oft-adapted tale, that might get better with viewings, but I don’t think we need any more features involving the titular wooden puppet.  12/12/2022

Bonus review:

Let the Right One In (Season One)                             OK
I’m a fan of the 2008 Swedish film of the same name; I didn’t love it at first; I had to watch it more than once to eventually love it.  The 2010 remake, Let Me In, felt too fast-paced (as American remakes of non-American films often are) and was released much too soon after the original.  This new Showtime series is predominantly a drama; well, the original film was ultimately an indie coming-of-age film that contained vampires; this series contains vampires, and there is violence like the film, but it’s primarily a drama.  The story generally remains intact---a young vampire girl is protected by an older man (her father here) and befriends a young boy living in the same apartment building; the setting trades Sweden for New York.  Whereas the film generally focused on the young boy and his vamp friend while occasionally featuring ancillary characters, bullying being the central theme, this series focuses on more than just those two, such as both their single parents and people looking for a cure; the bullying here is just a minor subplot.  Being that it’s ten episodes roughly 50-minutes each (give or take), it does feel drawn out, even with all the other characters.  Perhaps I was instinctively comparing to the movie?  Or perhaps if I never saw the movie, or remake even, would I have appreciated this more?  Like always, questions I’ll never have answered, and this series would’ve never existed without the film, which itself wouldn’t have existed without the book it was based on by John Ajvide Lindqvist (I’m a fan of that book too).  This series was just okay, as my rating indicates.  As of now, there are no talks of a season two, but it’s definitely not over based on the ending of the last episode.  If they do continue, I won’t be in a rush to watch it, nor do I think I’ll really care, but I say that now…12/9/2022

Other movies I've seen and their ratings (see above):

Dig (2022)  >>>EH

Emily the Criminal  >>>OK

Everything Everywhere All at Once  >>>OK
   (In Chinese with subtitles, and English)

Mistletoe Time Machine  >>>EH
               (Tubi)

What We Found  >>>EH/OK

---Sean O.
12/13/2022

Wednesday, December 7, 2022

Clerks III

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Clerks III                                                                     G
Kevin Smith (Silent Bob) was one of my favorite filmmakers at one time.  I still say that he is one of them based on his pre-Jersey Girl oeuvre, plus Clerks II.  Sure, I didn’t mind Jersey Girl, Zack and Miri Make a Porno, Red State, and Tusk, but they felt like they could’ve been made by other filmmakers.  I hated Cop Out, Yoga Hosers, and Jay and Silent Bob Reboot (you can check out my vitriolic reviews of Yoga in here---https://vampireclown82.blogspot.com/2016/12/mooby-reviews-121316.html, and Reboot in here---https://vampireclown82.blogspot.com/2020/01/creepshow-season-onejay-and-silent-bob.html).  In other words, Mr. Smith was in dire need of a comeback.  Clerks is definitely my favorite of his films, one of my favorite films in general probably, and Clerks II was a worthy follow-up; I also love the six-episode Clerks animated series that I wish had more episodes.  In other words, I love this specific part of Kevin Smith’s cinematic universe.  This threequel felt like a biopic of sorts for Mr. Smith in that it rivaled parts of his own life, i.e. having a heart attack and making a film about working in a convenience store (which was how Clerks was birthed in the first place).  Sometimes it felt like a behind-the-scenes making of the first movie, mockumentary-style (on a side note, you can check out my review of the documentary on Kevin Smith, Clerk., in here---https://vampireclown82.blogspot.com/2022/01/clerkthe-feast.html).  Because of that, there are many references to the Clerks universe, as well as other Smith films, that only fans will pick up.  Luckily a large portion of it remained in the signature Clerks style.  Now, I didn’t think it was as good as Clerks, hell, I didn’t think Clerks II was as good as its predecessor either, but they both had a lot to live up to.  I enjoyed enough of this long-awaited film that makes a fitting end to the franchise (I don’t think it would feel right to make another one and you’ll understand why).  I found myself laughing out loud a couple times and the conclusion was rather poignant without feeling sappy.  In other words, I can accept this as a comeback for Kevin after all those bombs he gave us.  12/6/2022

Bonus reviews:

Nutcracker Massacre                                                  EH/OK
What will they think of next?  Sometimes, as in this instance, I wonder why they never thought of it before.  The nutcracker in this massacre isn’t a miniature model that instantly comes to mind, but a human-size one with two fixed faces (the typical nutcracker look and an evil, open-mouthed one which appears when he’s doing something wicked; you will see how he becomes sentient and what makes him evil).  In a (ahem) nutshell…
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Pros---No CGI used and the design was passable; a different weapon used each kill (i.e. candy canes, ice skate, hammer, and another kind of nutcracker that becomes a literal definition); festive
Cons---Slow for an 86-minute movie; predictable (yes, even for a slasher movie); obviously low-budget; some kills poorly executed; horrible acting (I know, what should I have expected?)
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Do I recommend this?  Ehh.  Not really.  I don’t know.  Only if you’re curious.  It is the time of year to watch it (and something new).  It’s free too (available on Tubi).  The cons definitely outweigh the pros, but I enjoyed it more than The Killing Tree (which I reviewed not that long ago in here---https://vampireclown82.blogspot.com/2022/11/this-is-gwarthe-long-night.html).  If you’re looking for a fun, cheesy holiday horror movie to watch, I would just tell you to check out (or re-watch) Jack Frost and its sequel, Jack Frost 2:  Revenge of the Mutant Killer Snowman (which are both also available on Tubi, meaning free, always).  12/3/2022

Silent Night, Bloody Night 2:  Revival             EH/OK
The 1972 film, Silent Night, Bloody Night, was never one of my favorites, as a horror film and/or holiday one (not to be confused with Silent Night, Deadly Night, a holiday horror film I am a fan of).  I don’t dislike it, I saw it a couple times (even re-watching before this), and it does contain a double axe murder that was likely edgy for its time; it’s one of those wherein the script is better than the visual aspect.  I pretty much felt the same way about this sequel released in 2015 (I know not how it bypassed me all these years).  Now, if you’ve never seen the first film (both are available on Tubi), you might not need to before this since, much like the first sequel to Silent Night, Deadly Night, a large portion of it is presented in flashbacks here (you might be able to kill two birds by just watching this one, even though the first one is better).  As for the parts of this roughly 90-minute film that aren’t flashbacks, it’s barely average at best, much like Silent Night, Deadly Night Part 2.  I mean, I can never go wrong with a holiday horror movie; I just wish more effort was put forth considering there were more resources and leniency in 2015 than 1972.  If they were trying to replicate the look/quality of the first film (which has a gritty appeal), they succeeded there since it felt like it could’ve been made not long afterwards (not counting the modern references, of course).  That aforementioned double axe murder (which was mostly off-screen; it was 1972!) was better executed than the majority of violence here; one involving a drunk Santa comes to mind the most.  The acting was horrendous here too; yes, worse than the first round.  Unnecessary sequel?  Well, it was made over 40 years later and presents a large portion of its predecessor in flashback (at least all the important parts), its predecessor not being great to begin with.  It’s a shame when scripts are better than the visual representation; these two films combined definitely make a compelling, at times disturbing, story.  Happy horrordays!  12/5/2022

Mickey Saves Christmas                                              B
(haiku review)
Love Disney; not this!
The look of this new short sucked!
Content was bland too.  12/4/2022

*Available on Disney+*

Other movies I've seen and their ratings (see above):

Amityville Christmas Vacation  >>>OK

Christmas Twister  >>>EH

Falling for Christmas  >>>OK
            (Netflix)

Red Snow (2021)  >>>OK

Troll (2022)  >>>OK
   (Netflix; In Norwegian with subtitles)

---Sean O.
12/7/2022