Sunday, January 23, 2022

Last Night in Soho/Scream (2022)

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Last Night in Soho                                                       G
I’ve wanted to see this movie for a long time.  I hate when movies aren’t as good as you think they’ll be, or as you hope they’ll be (which tends to be the case with many modern movies).  I did end up liking this movie, but it is one of those you’ll need to wait until it’s over to truly know what you think.  It involves a girl in the English countryside that travels to London to attend school for fashion.  This girl is obsessed with the Sixties and can somehow travel back to that time period after she rents a room at an old lady’s house.  She is able to live vicariously through a female singer from that time as well as observe her.  It takes a while for the horror elements to kick in, but there is something oddly transfixing about what comes before.  It becomes a murder mystery of sorts wherein our female protagonist in the present tries to get to the bottom of; there are also supernatural elements.  It did get a bit disappointing at first because I wasn’t sure what type of movie it was going to become (assuming it was going to get worse) and the supernatural special effects weren’t that great.  There is a twist that actually did surprise me, one in which I should’ve foresaw, and everything makes sense after that, or at least makes more sense (hence why you should wait until it’s over to make judgments).  I didn’t think it was excellent, but I do still recommend it and wonder if it’ll age better.  1/22/2022

Scream                                                                                    OK
Scream 5.  Just call it Scream 5!  [There’s even one part that calls franchises out wherein they title a new film the same as the original.  This is a sequel, yes, not a remake or reboot or whatever, and I really only noticed references to the first film.  Needless to say, I don’t see why you would want to see this film if you haven’t seen the others though].  This is the first movie I’ve seen theatrically since the pandemic started almost two years ago (!) and can now say I’ve seen every single one of these films in the theater (the only other franchise that comes to mind I can say the same thing about is the Jurassic Park/World movies).  I was a big fan of the first Scream when it came out; I recently re-watched it (and the other predecessors) in preparation for this entry and, while it’s still decent (nostalgia or otherwise), I hate to say that it doesn’t exactly stand the test of time.  I always felt the sequels were just okay (the order I like them in, not counting this one, is 1, 4, 3, 2).  Scream 4 was released in 2011 and Scream 3 was released 11 years before that, so who’s to say there won’t be a Scream 6 11 years from now (or whenever)?  [Scream 3 was supposed to be the last entry at the time, but I don’t think I need to tell you that should never be said].  Now, if you’re a fan of the franchise and/or have seen all the other films, I think you’re going to watch this fifth entry regardless of what I or any other critic has to say about it (even if it’s simply out of curiosity).  Also, what do you really expect from a Scream movie, especially a fifth one released in 2022?  On one hand, I should say they’ve had so many years of films (not just the ones in this franchise) to compare to and should know what to avoid and whatnot, even though the series began as self-aware of the slasher subgenre itself.  On the other hand, I should say it’s hard to be original these days, especially in this subgenre (meta or not), and not expect them to be too original and keep my expectations low-to-middle.  Whatever.  I always judge a movie I take the time to sit through based on it alone, and I’ve enjoyed movies that didn’t feel too original (again, original isn’t really a description anymore).  That being said, did I enjoy this recent entry in the meta slasher franchise that’s the only one not directed by the late Wes Craven?  Well, it definitely wasn’t original (although it did call out several clichés) and the kills weren’t exactly grand (although some weren’t bad), and I wouldn’t exactly call it a welcome comeback, but it was okay.  Just okay.  It’s too soon to tell if it’ll age better, but the preceding entries certainly didn’t.  I didn’t hate it and if there’s anything positive I can say about it for now is that it was better than that other Nineties teen horror resurgence known as the I Know What You Did Last Summer TV series.  R.I.P.  Wes Craven.  1/21/2022

Bonus review:

Secrets of Sulphur Springs (Season Two)                   OK
(haiku review)
Only 8 eps. here.
Fine, but last one was better.
Clearly not over.  1/23/2022

*Available on Disney+.  Check out my haiku review for season one here---https://vampireclown82.blogspot.com/2021/10/oldahs-double-feature.html*

Other movies and TV show(s) I’ve seen and their ratings (see above):

The Addams Family 2  >>>EH/OK

Antlers  >>>EH

Archive 81 (Season One)  >>>OK/G
   (Netflix; 8 episodes)

Brazen   >>>EH
   (Netflix)

The Dry  >>>OK

The Last Matinee  >>>EH/OK
   (In Spanish with subtitles)

Last of the Grads  >>>EH/OK

The Tender Bar  >>>OK
   (Amazon Prime)

Yellowjackets (Season One)  >>>OK
   (Showtime; 10 episodes)

---Sean O.
1/23/2022

Friday, January 14, 2022

For the Sake of Vicious

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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For the Sake of Vicious                                               OK/G
This began as one type of movie that I really didn’t have too much hope for, it involving a man kidnapping and holding another man hostage in a woman’s house.  He believes the kidnapped man is responsible for raping his daughter and demands a confession from him.  They are all the least of each other’s problems as it eventually becomes a much more manic film; bloody too.  Oh yes, there is violence.  This is probably the craziest home invasion film I’ve seen in a long while, if not ever (part of the title is correct in that it can be vicious!).  It doesn’t really entail much at all, but I had fun with it once the ball got rolling after the uninspired beginning.  I’m probably going to have to watch it again.  No, I should say I want to watch it again.  It is barely 80-minutes after all.  1/9/2022

Bonus review:

Woodlands Dark and Days Bewitched:  A History
            Of Folk Horror                                               OK
(haiku review)
Doc on folk horror.
Thorough and informative.
A bit lengthy though.  1/10/2022

Other movies I've seen and their ratings (see above):

Caveat  >>>EH/OK

The Dead Ones  >>>EH/OK

Dune (2021)  >>>B

Nightshade  >>>EH

---Sean O.
1/14/2022

Saturday, January 8, 2022

Titane

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Titane                                                                          OK
When I first heard of this French film (yes, that means subtitles), it said it involved a girl that has sex with cars.  I got curious, not only because it got good reviews, but also because it was directed by the same person behind the coming-of-age cannibal film, Raw, which I was a fan of (you can read my review for that here---https://vampireclown82.blogspot.com/2017/06/mooby-reviews-61117.html).  Well, the female protagonist here does have sex with automobiles at least twice (possibly stemming from a titanium plate she received in her head after a car accident when she was younger), but it’s not as explicit as you’d think (might even be humorous if the film had a different tone; this sexual fetish does have consequences too).  That’s only a small fraction of the entire film anyway.  Said female protagonist murders a bunch of people before passing herself off as an aged boy that went missing years ago.  The father of the missing boy is convinced it is his son and welcomes her back into his life.  I’m pretty sure the father (and mother at one time) had to know she wasn’t their grown son, even before specific scenes that would prove she wasn’t, but, then again, I’m not so sure.  This film is truly bizarre, but not in the mindfuck sense.  It’s still bizarre though; definitely unique.  Bizarre doesn’t always mean compelling though (I was bored more than once).  I liked Julia Ducournau’s first film better, but I am curious as to what she’ll give us next.  1/6/2022

Bonus review:

Slasher:  Flesh & Blood                                              OK
(haiku review)
Season 4.  Shudder.
8 eps.  It’s gory as hell.
Fine, but felt drawn out.  1/6/2022

*[check out my review for season one and two here---https://vampireclown82.blogspot.com/2019/05/slasher-season-one-and-two.html, and season three here---https://vampireclown82.blogspot.com/2019/05/slasher-season-three.html]*

Other movies I've seen and their ratings (see above):

Satan’s Servant  >>>EH

Superdeep  >>>EH/OK

Woodland  >>>EH

---Sean O.
1/8/2022

Tuesday, January 4, 2022

Clerk./The Feast

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Clerk.                                                                          G
Kevin Smith.  Also known as Silent Bob.  To me, Kevin Smith stopped making movies after Jay and Silent Bob Strike Back, but returned briefly to give us Clerks II.  Some of his other movies may not have been bad, but they weren’t Kevin Smith movies to me (and I think many other pre-Jersey Girl fans can agree; hopefully his upcoming Clerks III is worth it, because he is long overdue for a comeback).  This documentary chronicles the filmmaker’s (or multi-hyphenate’s) journey from the legendary Clerks all the way to his completely disappointing Jay and Silent Bob Reboot.  A good portion of the material presented won’t be much news to the average Smith fan, but not too much time is spent on any one film or accomplishment to make any of it feel too drawn out.  I generally enjoyed it even when it covered the years I wasn’t as much a fan (luckily crap like Cop Out and Yoga Hosers weren’t discussed very long).  Parts of his life outside of film are included too.  You hear from family and friends throughout, friends being mostly celebrities.  Even if you aren’t too aware of Kevin Smith but do know of him, this doc would be a good introduction (I don’t recall any spoilers given for any of the films).  I do think it’s ultimately for fans of the man though, it being a love letter of sorts.  I can’t deny how significant he’s been in part of my life.  At one time, he’s one of the filmmakers that made me want to be a director.  And he’s a fellow Jersey boy, which I always thought was cool.  12/31/2021

The Feast
A Welsh horror film that I heard of through Rue Morgue magazine, as is often the case with films that aren’t mainstream (yes, there are subtitles; I thought they spoke English in Wales; shows how much I know).  It begins fairly straightforward in an extremely arthouse way, involving a young woman going to a house of four to serve them and some guests dinner.  You can sense something unexpected is eventually going to transpire, especially if you know you’re watching a horror film and that Rue Morgue covered it (I’m always interested in what they cover, as much as I’ve disagreed with them before).  This movie ends up being twisted as all hell; one part I even found disturbing.  Despite how twisted it truly gets, I think I might have actually taken something from it (there’s mention of a local folklore and everything, as surreal as it may get, kind of makes sense with that info).  I really don’t know what to rate it, so I won’t for now.  I read an interview in which the director said you’ll likely have to watch it at least twice to pick up on everything, maybe even more times, so I’ll take his word for it and watch again (just not now; I usually don’t watch the same movie so close together).  I don’t know whether I should tell people to watch either, and to whom I should tell, because I think many horror and non-horror fans will both have the same ‘WTF’ reaction (I am curious to hear other thoughts though).  This film clearly isn’t for everyone.  1/2/2022

Other movies I've seen and their ratings (see above):

The Alpines  >>>B/EH

Butcher, Baker, Nightmare Maker  >>>EH/OK
(a.k.a. Night Warning)

The Night House  >>>OK/G
(this rating may change after I watch it again, because I did like it better after reading about it and finding out what really happened)

Tokyo Godfathers  >>>OK/G

Woe  >>>EH

---Sean O.
1/4/2022