Monday, June 29, 2020

Sea Fever


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Sea Fever                                                                    G
Irish film involving a fishermen crew heading out to sea with a female college student tagging along (apparently redheads signify bad luck).  They eventually come across a creature that I can almost say is Lovecraftian, but not quite, maybe a cousin to The Old Ones, that attaches itself to the boat, releasing some kind of parasite.  Let’s just say it gradually gets worse for the passengers after that.  I’ve read about comparisons to John Carpenter’s The Thing (a film I find very overrated) and I can see where some might make an association.  I can also see comparisons (thematically) to another film with Fever in it, Eli Roth’s first film that was eventually remade horribly, but this is still kind of its own film despite feeling a bit derivative.  I can ultimately say I enjoyed this nautical sci-fi horror film that doesn’t feel like it takes up too much of your time.  6/29/2020


Bonus review:


You Don’t Nomi                                                          G
Showgirls is a vastly underrated movie, in my opinion.  Not only did it win worst picture of the year it came out (1995) at the Razzies (the opposite end of the Oscars, for those unaware), in addition to 6 other awards out of 13 nominations, but also the worst movie of the decade (1990-2000)!  Now, it’s certainly no masterpiece (masterpiece of shit, as this film labels it) and deserved no Oscar nominations, but it’s not nearly as bad as others have made it out to be (it received 1 ½ out of 5 stars on All Movie and 22% out of 54 critics on Rotten Tomatoes).  I don’t even think its so-bad-its-good; just good, not great; it being a simplistic slice-of-life film about a young woman (played by Elizabeth Berkley) yearning to successfully dance in Las Vegas.  The production values are clearly high and it was directed by Paul Verhoeven (he who made RoboCop, Total Recall, and Basic Instinct before this) and written by Joe Eszterhas (he who wrote Flashdance and Basic Instinct before this), so it’s not like it was a cheapie effort made by and starring nobodies (although it makes we wonder how different the reception would’ve been if it was).  I heard about this documentary after a fellow high school alumni and documentary filmmaker, Tommy Avallone (The Bill Murray Stories, Waldo on Weed), posted a trailer for it on social media.  I don’t think this film will change what opinion you already have about the 1995 film in question, but it should hold the interest of anyone that’s even slightly a fan of it.  That being said, I’m not sure if any of its detractors (and there are many) would be interested, because I don’t think I’d care too much about a 90-minute documentary on a film I wasn’t a fan of.  It does veer into other discussions, such as Paul Verhoeven’s other films or the career of Elizabeth Berkley, but it all ties in to that infamous NC-17 rated film (which wasn’t even a rating until 1990 when it replaced the X rating).  It ultimately contains specific opinions and theories, one being that the movie resonated with gay men in particular---I never thought of it like that, but it’s a compelling notion---and I always like hearing other opinions as well as having film discussions (which documentaries like this are equivalent to).  Again, I still don’t understand all the hatred for Showgirls, even though film criticism is 100% subjective, and at least this documentary appears to be on the same wavelength.  And again, I would say this is more for fans of the actual film, but if you like hearing thoughts on movies, whether you liked them or not, especially if they became cult hits, I think you know what I’d say…6/28/2020



Other movies I've seen and their ratings (see above):

Okko’s Inn  >>>OK/G

Strange But True  >>>OK/G


---Sean O.
6/29/2020

Wednesday, June 17, 2020

The Woods: Season One


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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The Woods:  Season One                                            G
Harlan Coben’s name seems to be synonymous with Netflix lately.  I’ve never read a single one of his novels, but this is the third adapted series of his, available on Netflix, that I’ve seen; the other two being Safe and The Stranger (I didn’t review The Stranger, just rated it, but you can check out my review for Safe in the archives at www.abcreviewarchive.blogspot.com).  This mystery series takes place in Poland (yes, that means subtitles if you don’t speak Polish, but, like always, you can adjust the audio and subtitles however you please before each episode) during 2019 with flashbacks to 1994 at a summer camp where four teens disappeared and only two dead bodies were found.  A prosecutor that was a teen attending that camp in 1994 has always wondered what happened to his sister (one of those that disappeared and wasn’t found) and tries getting to the bottom of it after the other missing person resurfaces.  Although I thought it could’ve been even a bit shorter, it is very bingeable at only 6 episodes, ranging from 47 to 55 minutes each that go by fairly quick, and you can rest assured that there are no loose ends.  I wasn’t disappointed.  6/15/2020



Other movies I've seen and their ratings (see above):

Da 5 Bloods  >>>OK/G
    (Netflix)

The Quarry  >>>OK


---Sean O.
6/17/2020

Friday, June 12, 2020

We Summon the Darkness


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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We Summon the Darkness                                          OK/G
Three chicks go to a heavy metal concert in Indiana.  They meet up with three dudes they had an incident with on the way.  They all go to a party at one of their houses after the concert.  Given the title and that the film takes place in 1988 (a time when Satanic panic was prevalent), you know one trio are going to be the villains and the other the victims, and it isn’t hard to figure out which (if you’ve seen enough movies).  It’s actually a bit of a clever twist in regards to why they’re doing what they’re doing, making a specific group of people look bad, that not being a complaint, at least not from this viewer.  Naturally, things don’t go as planned and one mishap after another happens, blood being spilled at times.  It is predictable here and there (almost as if it actually was made in 1988), but I had enough fun with it to tell you (you mostly being fans of these types of films) to give it a look.  Just don’t expect a masterpiece, although it might’ve gained a bit of cult status had it actually been released in 1988 (I don’t know).  6/10/2020


Bonus review:


Curon:  Season One                                                    OK
New seven-episode (between 41 and 51 minutes each) Italian series available on Netflix (I don’t think I need to tell you that Italian means subtitles for those not fluent in Italian, but you can adjust the audio and subtitles to your liking before each episode).  It’s a thriller mystery but also a teen/familial drama that started off interestingly with great characterizations, and has many good ideas contained within, but it eventually loses steam (closer to the end) and misses the mark when all is said and done.  The titular town apparently has a history to it and everyone has a doppelganger that emerges from a lake surrounding a bell tower.  Jordan Peele’s Us also showed us that we all have a doppelganger.  Whereas that film gave us an explanation, however implausible, I must’ve missed why everyone has a doppelganger in this series, if it was mentioned at all.  Sure, curses and apparitions were mentioned and the town has a history involving the first two World Wars, but, again, I must’ve missed the connection if there was one.  There was also mention of the notion that we all have two wolves inside of us, a good and bad one, so maybe I didn’t look into it too well?  It seems like a season two could be a possibility (currently there are no indications of it happening), so maybe more will be explained in the future?  Maybe, but I have to be satisfied with each individual entry/season whenever it comes to movie franchises, TV shows, what have you.  6/12/2020



Other movies I've seen and their ratings (see above):

Outback (2020)   >>>EH

The River Murders   >>>OK


---Sean O.
6/12/2020

Wednesday, June 3, 2020

The Vast of Night


The Vast of Night                                                        G
This Amazon Original film was said to have been inspired by The Twilight Zone (I hope I don’t have to clarify that that means the original Rod Serling series) and I can certainly attest to that (the movie is actually presented on a box TV as part of a series entitled Paradox Theater).  It takes place in New Mexico during the Fifties (according to a synopsis) although I don’t recall anything indicating exactly when; I just knew it was before 1974 based on what one character said, but I should’ve figured it was the Fifties if it was emulating that aforementioned anthology series.  Much like The Twilight Zone, it takes a simplistic yet effective approach to its execution, basically “less is more” and it completely works with predominantly dialogue in its 90-minutes.  This sci-fi thriller was very suspenseful in telling instead of showing and sometimes, despite what many writing professors will tell you, that can be just as effective as showing instead of telling (one of the best examples is the scene in Jaws where Quint describes what happened with the USS Indianapolis).  I don’t want to reveal too much as I do recommend you check it out for yourself, especially if you like the original Twilight Zone.  6/2/2020


---Sean O.
6/3/2020