Saturday, April 6, 2024

Lisa Frankenstein

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Lisa Frankenstein                                                        OK/G
Yet another film taking place in the ‘80’s (1989 here).  Sure, lots of good things (music, movies) came from that decade, but it seems like modern movies occurring during the era try to be more Eighties than the actual Eighties were.  This horror-comedy captured the time period well enough (the soundtrack, for the most part, is great); it is a little bit Tim Burton, a little bit John Hughes, a little bit My Boyfriend’s Back, and a little bit May (which was itself a variation of Frankenstein), but basically a “rom-com with zombie (singular),” as opposed to Shaun of the Dead being a “rom-com with zombies (plural).”  Lisa is a teenage girl without much of a social life that ends up hanging out with a zombie boy (you do learn how he’s resurrected) whose tombstone she visited often in a local cemetery.  He seems pretty composed for being dead since 1837.  I can usually overlook logic though when watching movies, especially since this is indeed a zombie film.  [How did he know how to drive a car right away?  I don’t think there were cars before 1837.  I guess the same way we don’t know how Michael Myers knew how to drive a car in the original Halloween either].  The comedy doesn’t always work, especially in the beginning, but most of the violence is passable (considering it’s only rated PG-13).  I definitely didn’t dislike this film, nor did I love it, but there is something slightly appealing about it despite feeling derivative (what do you expect from an Eighties-set movie released in 2024?); it did seem a bit short too, even at roughly 100-minutes.  4/3/2024

Bonus reviews:

Slay                                                                             OK/G
Four drag queens end up at a small town bar in the middle of nowhere after an accidental booking (I don’t remember getting an exact location, although I think I heard Denver mentioned once, but it was filmed in South Africa).  This small town bar contains patrons resembling stereotypical close-minded small town types that (unsurprisingly) don’t take too kindly to these drag queens performing there.  They are the least of each other’s problems though before a newly-turned vampire arrives and “recruits” other creatures of the night, making this To Wong Foo meets From Dusk Till Dawn (I sensed a bit of a Feast vibe too).  This actually wasn’t too bad, considering it was a Tubi exclusive (meaning free, with ads) and didn’t receive too much media coverage.  You do get to know a good deal of the characters real well and there’s enough vamp action; the use of one primary location works well too.  I didn’t love it, but it’s a fairly decent addition to the bloodsucker subgenre, as well as queer representation.  3/27/2024

Taylor Swift: The Eras Tour (Taylor’s Version)
“Taylor’s Version” is the one available on Disney+, labeled such because it includes a few more songs than the theatrical release.  It is roughly three hours (comprising material from every one of her albums, hence the Eras, and is solely a Taylor Swift concert its entire length, no interviews or montages throughout) with about 30-minutes of acoustic performances after the credits.  Am I a Swiftie?  No, not at all, but she does have some good tunes.  Why would I bother with this three hour concert film of hers?  She is currently a big deal (let’s face it, as good as Travis Kelce may or may not be at football, he wouldn’t be in the spotlight nearly as much if he wasn’t dating her), and I’ll likely never attend one of her concerts in person.  Plus, I wouldn’t have bothered if I disliked her, which I don’t (I do have a very eclectic musical taste, listening to mostly everything besides country and R&B, but even liking some songs here and there from those genres).  Concerts may be cool and all, but many times I would rather watch them at home; that way, I can avoid crowds and adjust the volume to my liking (plus take breaks, like I did here); you also have the best view this way.  The sold-out concert for the titular tour featured here took place in L.A. on the last night of the U.S. run.  There didn’t appear to be any intermissions as Taylor played straight through amongst different sets alongside dancers and musicians.  I did like some of the songs performed, ones I knew and ones I didn’t; some I just felt indifferent, also for ones I knew and ones I didn’t.  I did have to watch it in three separate segments, as a little past the hour mark was a bit too much for me at a time (I’m sure an actual Swiftie, like my nieces, would tell you otherwise though).  I didn’t give this a rating, because it is strictly for Swifties, or even just the casual fans, which consists of a diverse group of people based on the audience members (I heard more than one F-bomb uttered by the singer---I thought she was for all ages!).  I wasn’t converted to a Swiftie after watching, but at least I can now say I “saw” her in concert.  3/25/2024

Other movies and TV show(s) I’ve seen and their ratings (see above):

Dead Hot (Season One)  >>>OK
            (Tubi; 6 episodes)

Don’t Look Away  >>>B

Easter Bloody Easter  >>>EH/OK

Mall  >>>EH

Night Swim  >>>OK

Wish (2023)  >>>OK

---Sean O.
4/6/2024

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