Sunday, May 29, 2016

mooby reviews 5/29/2016

Some film reviews (5/29/2016):

Drown                                                                         OK/G

This Australian movie is so gay.  Literally.  I don’t see how anyone other than gay men or straight women would somehow enjoy this film about a male lifesaving swim team (I guess that’s right?) with endless homoerotic images.  Unless, of course, one is open-minded.  There’s not much story other than a gay man joining the team amidst another character’s homophobia due to his possible homosexuality.  I can appreciate eye candy but it does not a good movie make.  If I want to look at porn or scantily clad people, something called the internet and magazines were invented; keep the mediums separate.  So, if you like to see shirtless men, naked men or men in skimpy outfits, you might be grateful to have eyes.  Otherwise, this might not be the movie for you.  5/22/2016

400 Days                                                                     OK/G
The first half of this mystery/sci-fi film shows the overly proven theory that people tend to go crazy when living in enclosed spaces for too long.  Luckily it doesn’t overstay its welcome by taking place entirely in the underground bunker, which is a tested stand-in for being in space.  The second half is nightmarish as our four protagonists exit the bunker to see something apparently went wrong before the 400 days were up.  The ambiguous ending is what stopped me from giving this film a strictly G rating.  I can appreciate ambiguity and subjective conclusions (David Lynch fan here) but this film left me with unanswered questions and my conclusion sorta negates the entire film.  5/28/2016

JeruZalem                                                                   G
Here we have a different kind of zombie film.  From Israel.  Hence the Z in the title.  They’re actually more like winged demons from Hell and probably only called zombies due to “resurrection” mentioned.  We’re told in the prologue that Jerusalem is one of three openings to Hell.  The film is seen through “smart glass” which are advanced glasses including every modern technological advancement---these glasses can take pictures, you can text on them, use GPS, play music, you name it.  Forget phones having everything at your fingertips, everyone will be using their glasses in the near future!  The girl wearing said glasses plus her friend, both American, travel to Israel intending to go to Tel Aviv.  Don’t characters watch movies?  They meet a “cute” boy on the plane ride over and decide to follow him (usually never ends well in movies---here, we wouldn’t have had one) to Jerusalem instead.  The film begins as a travelogue a la Hostel before segueing into thriller territory by beginning with a possible terrorist attack leading to the aforementioned winged demons attacking on Judgment Day (or night).  Another idiotic movie mistake:  someone doesn’t want to kill their infected friend/loved one until it’s too late (again, not ending well).  This movie was actually better than I anticipated so I’m giving it a mild recommendation.  The zombies are more like a backdrop as they don’t appear much.  Perhaps less is more? 5/28/2016

Kindergarten Cop 2                                                    EH
I still remember seeing Kindergarten Cop in the theater almost 25 years ago.  Yes, 25 years ago!  How come a sequel was made ¼ of a century later, released straight-to-DVD?  This is more of a remake than a sequel since made so far apart, plus none of the original characters make an appearance nor are referenced.  Would I have liked it less if it was a remake over a sequel?  Not likely.  Is this movie harmless?  Yes, for the most part despite being rated PG-13.  Is it absolutely terrible?  Not entirely.  Well, kinda.  I liked it better when “The Terminator” was the teacher.  5/20/2016

Norm of the North                                                       EH
Maybe I’m not too keen on modern animation that doesn’t have the Disney or Pixar trademark attached?  Sure, this film about a talking polar bear moving to New York from the Arctic and back is harmless, but it’s also bland and instantly forgettable.  Everything happens as is expected.  Undestined to become a classic but if society proves me wrong in the future, I might give this movie another shot.  Might.  Years from now.  5/28/2016

Pick-Up Summer                                                         G
80s teen/comedy film (1980 to be exact) from the director of the original My Bloody Valentine.  That’s how I heard about this Canadian film and wanted to see it when I read about that slasher film from the Great White North.  80s movie I haven’t seen yet sealed the deal more though.  Contains everything you would expect from a teen film:  rivalries, getting in trouble, getting laid, teens obviously played by older actors.  Arcades and pinball machines give it that 80s touch.  Apparently transgenders were acknowledged in 1980 as one character jokes about another getting a sex change (Sleepaway Camp came out three years later).  Fun.  5/25/2016

Regression                                                                   G
Here’s a decent thriller from the director of The Others, which is probably the best post-millennium Gothic ghost film in my opinion.  That being said, he certainly has style.  This film is a dark police procedural akin to Seven (stylistically), dealing with Satanism in Minnesota circa 1990Ethan Hawke is very good.  Addresses the notion that memories are ultimately what we make of them and sometimes we perceive what we want to believe.  Certainly style over substance but gets a marginal recommendation for the style and performances.  Everything remains a mystery, much like the film itself, by the conclusion.  Similar to my above comment about memories being subjective, this film will surely warrant different interpretations.  5/20/2016

Vendetta                                                                      EH/OK
I hate to admit I’m not the biggest fan of the Soska sisters.  It’s a shame because I admire their ambition, eclecticism and love for horror.  Evidently, I like their reputation more than their actual filmography.  I liked their first feature, Dead Hooker in a Trunk; I thought it was different, but that’s the last good film they made so far.  I like Katharine Isabelle but wasn’t a fan of American Mary because I’m not into body modification.  See No Evil 2 was no different than any old slasher flick, plus I wasn’t the biggest fan of the first one.  Plus I’m not really a fan of hospitals and films set in them (confession:  I’m not the biggest fan of the original Halloween II for this reason).  Now, here’s Vendetta, a bloody revenge flick set in a prison.  Bloody for sure, but I like gore in the right movie.  Horror movies specifically.  Similar to disliking hospitals, I’m not really a fan of prison-set media.  Unless it’s written by Stephen King, stars Wentworth Miller and Dominic Purcell, or Shutter Island…there might be more.  This movie isn’t entirely bad.  It’s good for the type of film it tries to be and its intended audience.  I like Ben Hollingsworth too.  Does anyone even know him?  He stars in the new medical show Code Black (which I don’t watch…hospitals remember?) and appeared sporadically in the cancelled Backstrom, plus Joy Ride 3 and The Joneses.  I wish he was in it more.  Oh well, I’m going to continue supporting the Soska twins hoping they make a film I actually like other than Dead Hooker5/20/2016

---Sean O.

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