Wednesday, May 18, 2016

movie reviews 5/19/2016

Some more film reviews:

The Darkness                                                              EH

Such a shame this movie wasn’t that good.  It stars Kevin Bacon and was directed by the same guy that made Wolf Creek and Rogue, both of which I’m a fan.  While not extremely terrible (I could say that about lots of modern horror releases) it’s far from good, barely even okay.  The whole time I thought it was going to get good but was continuously teased by built-up dread being cut away each time.  Similar to many films of yesteryear, once we find out the reasoning for the curse and how to defeat it, interest instantly dissipates.  The bittersweet ending only makes it worse.  Skip this and watch Poltergeist.  The original, not the unworthy remake!  5/15/2016

Green Room                                                                G
Thriller displaying how each wrong choice continuously leads to disastrous results.  None of the events here would’ve happened if someone didn’t forget their cell phone in a certain room (green maybe?).  Had this film taken place around the time the band’s music (hardcore punk a la Minor Threat and Dead Kennedys) blossomed, there would’ve been no cellular forgotten.  But then, of course, we wouldn’t have a mooby.  Dumbfounding at first and pointless overall, but I’m recommending it due to unknowing where it goes and being pretty fucking violent at times!  5/18/2016

#Horror                                                                       VG
#disturbing #nasty #harrowing
Those hashtags don’t refer to the horror element either.  With a title like #Horror I expected a typically lame direct-to-video modern horror release.  I actually got something much better from a female director’s first feature.  I was engrossed by almost every inch of this movie.  These girls were so mean to each other that I think this should’ve been called Mean Girls over the Lindsay Lohan vehicle---they were nice compared to these rich preteens.  Realistic portrayal of middle school-ers hypocritically dishing out hurtful words yet devastated when receiving verbal abuse.  Proof this kind of behavior transcends class and being rich doesn’t necessarily equal happiness.  One of the characters states that “it sucks to be 12” especially since (SPOILER but not really since “based on a true story”) none of them will live to be teenagers.  #goodstuff  5/9/2016

Laughing Matters…The Men                                      OK
I have to be bias and say I looked forward to watching this over the women segments of Laughing Matters.  Being a gay man myself, I like to see others represented.  Even though we’re all (gays and lesbians) in the same fight, gay men generally have different struggles than lesbians.  How many times have you seen “straight” men experiment with other men or knew about men openly dating other men to break from women?  Like most stand-up films, there’s hits and misses equally.  Out of the six comedians, we are presented with one stereotypical gay man (also Filipino), Bruce Vilanch and four non-stereotypical gay men (one black, one Jewish).  Personally, I thought only one was good-looking, ironically agreeing with one of his statements the most.  I enjoyed the special features which included more performances plus interview sessions.  Like one of the men states on an interview, as evident in this film, gay people (men in particular here) are all different.  Much like straight people.  We just need more media like this to prove that.  5/14/2016

Laughing Matters…Next Gen                                     OK
Laughing Matters and Laughing Matters…More! involved lesbian comedians.  Laughing Matters…The Men dealt with gay male comics.  Now we have Laughing Matters…Next Gen that combines both gay (three, two being stereotypical) and lesbian (three as well, one being stereotypical) stand-up comedians.  Similar to the previous entries, this one consists of a multi-ethnic, relatively unknown group using their “uncommon lifestyle” as a platform for their stand-up routines.  If you enjoyed the other films, even slightly, you mine as well give this a shot.  I don’t know what else you would expect if you keep watching after three times?  5/18/2016

The Mountain of the Cannibal God                            OK/G
Decent entry in the “cannibal” subgenre from the late 1970s starring an almost unrecognizable Stacy Keach, the recognizable actor with the cleft lip from American History X and other films.  I quoted cannibal only because it was marketed as such, has the word in the title and, ultimately, it’s really only a cannibal film during the last quarter of its past 100-minute run time.  The first ¾ are an adventure/jungle film with some amazing wildlife footage; my favorites being a turtle attacking a gator and a gator attacking a human in the river.  The cannibal portion of the film doesn’t necessarily disappoint (for horror fans) but other viewers will be disappointed, simultaneously repulsed, due to the sudden shift in narrative.  Unless you don’t mind seeing genital mutilation, bestiality, female masturbation and a midget’s head-bashing I suggest you stop watching after the 75-minute mark (the director himself said he wasn’t happy with the ending but it’s what the distributors demanded).  There is a slight twist that was probably ahead of its time and the aforementioned atrocities certainly look convincing, but there’s a reason why this never achieved the cult status of Cannibal Holocaust and Cannibal Ferox (aka Make Them Die Slowly).  5/10/2016

Mustang                                                                      OK
Somewhat intriguing yet sluggish Turkish film that should make American women grateful for all their unrealized privileges.  Unsure of the time period; could be timeless but no one has cell phones, televisions aren’t digital and there’s no computers in sight.  Women are labeled whores just for having shoulder wars with boys in the ocean, forced into unwanted marriages and a long-haired man is called queer.  I don’t think it takes place in present time but maybe Turkey hasn’t progressed?  I’m not sure.  Ultimately it’s a coming-of-age tale centered around five sisters living sheltered lives in a patriarchal society.  I just wish it held my interest throughout, not just parts.  5/12/2016

---Sean O.

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