Thursday, August 11, 2016

Mooby Reviews 8/12/2016

Here's some new film reviews:
(Been two weeks....)

The Adonis Factor                                                      OK

Looks aren’t everything?  “That’s just something ugly people say (Jim Carrey, Liar Liar).”  This documentary about the superficiality of gay men could pertain to anybody.  We’re all arguably superficial when it comes to sexuality.  How would we know who we’re attracted to?  Gay men have generally been portrayed as skinny, muscular and smooth-skinned in the media.  Therefore, that’s what most gay men want whether they fit that description or not.  Everyone has their own idea of beauty and this feature emphasizes that.  Being an ugly gay man is very unfortunate, I would know!  Then again, Bruce Vilanch appears and look how successful he is.  8/11/2016

Gravy                                                                          B
A cannibalistic trio take over a restaurant on Halloween.  The dark subject matter doesn’t mesh well with the facetious tone.  There’s gore but nothing is funny nor fun.  It’s too tongue-in-cheek and I couldn’t wait for it to be over!  8/11/2016

Monsterland                                                                OK/G
Horror anthologies.  Oh, how I love thee!  I can’t get enough of them.  Even if they mostly suck I always look forward to watching them.  This fun, campy collection contains ten (if you include the wraparound segment) short films involving different “monsters” that are all actually worth watching.  Even “Happy Memories” which is basically a puppet show probably enjoyed better with hallucinogens or liquor.  Roughly under five minutes about an unseen monster, “Don’t Go into the Lake,” is my personal fave.  I didn’t much care for the parasite resembling an uglier version of the worm in Labyrinth in “The Grey Matter” but the story was decent overall.  True horror fans will recognize an evil kiddie from a certain Stephen King adaptation in “Hag.”  Like I implied, I didn’t hate any of these entries.  This film is like bar food:  it may not be the best quality but it satisfies in the moment.  8/9/2016

Puerto Ricans in Paris                                                EH
A title like this suggests parody.  If not parody, definitely not something to be taken seriously.  The title says it all, but I didn’t think it was too funny.  Take away the Puerto Ricans and call it Dominicans in Paris, Cubans in Paris, Cherokee Indians in Paris, Koreans in Paris, you get the idea, and it would be the same movie.  Perhaps if Rosie Perez (who plays the wife of one of the police officers sent to the titular city to retrieve a handbag) tagged along it might’ve been funnier and more distinctive since she’s known for being stereotypically Boricua.  8/6/2016

Restoration                                                                  B
Yet another non-theatrical modern horror release (directed by Zach Ward---the bully “with the yellow eyes” from Christmas Story; he also has an acting part) with a slow build-up, occasional jump scares and an ending you should’ve foreseen or probably won’t care by then if not.  I fell asleep on and off so that’s what I remember.  Good movies are what need restoring nowadays.  8/7/2016

Road Games                                                               G
I guessed several outcomes for this French thriller (in both English and French) and only one of them happened.  I’ve seen enough movies to figure out modern endings or if I somehow don’t figure it out, I’m usually not surprised anymore.  Twist endings are overdone.  A lot of times filmmakers cheat by tacking them on terrible movies to make us rethink or rewatch.  The entire movie, or most of it, should enthrall beforehand with the twist being an added bonus.  That being said, this movie is tense, ominous and interesting enough to recommend.  The twist is old hat but works somewhat and made me rethink and possibly want to rewatch.  In a positive way though, not just because I know how it turns out.  Make sure you watch (or fast-forward) to the end of the credits, unless you like things more open-ended.  8/8/2016

Sharknado:  The 4th Awakens                                     OK
Well, here we go again!  Here’s a portion of my Sharknado 3 review a couple months ago:  It delivers exactly what you would expect (for the third time) but the series should end here, lest the “guilty pleasure” will no longer be a pleasure.  Well, the guilty pleasure may be dimming but considering a fourth one was made and I’m reviewing it, says a whole lot.  Basically, the beginning and end are awesome with the middle being filler.  Innumerous cameos abound like usual.  There’s several references to The Wizard of Oz and a too-cheeky-for-its-own-good nod to The Texas Chainsaw Massacre (with Caroline Williams from Texas Chainsaw Massacre 2 no less).  Sharknados aren’t the only thing our heroes have to battle.  This time there’s bouldernados, oilnados, lavanados, lightningnados, cownados (yes, seriously) and other ‘nados.  Inevitably, the ending left it open for a 5th.  I made it this far so if they keep making them, I’m gonna keep watching.  8/6/2016

Viral                                                                            OK/G
This film begins as a high school teen movie and gradually becomes a lock-ourselves-in-a-house thriller about a parasitic virus causing the end of the world.  As far as apocalyptic movies go, you could do a lot worse.  8/6/2016

Zombieworld                                                               OK
Structured as an anthology but more like a Quentin Tarantino film (where the characters never intertwine) or Love Actually (with zombies).  There’s several stories of the undead (presented as news stories in the “wraparound” segment) in different parts of the world and one at a different time (Biblical times to be exact).  The Jesus segment in the beginning and the final entry on the beach are the goriest.  The Jesus segment uses a certain seafood as a weapon and piles on the gore Dead Alive-lawnmower style.  Most of the entries offer nothing relatively novel which I understand is hard in these post-Walking Dead times but they should be distinguished like Zombieland.  Personal standouts include a “misunderstood” zombie tale set in West Virginia, a first-person POV taking shelter in an abandoned house before being consumed, and a Zombieland-like interspersed trilogy about surviving a zombie apocalypse.  Currently, this is paired with Monsterland (reviewed above) at Walmart for only $10.  Think of it as paying for a Grindhouse double feature you can keep forever.  8/10/2016

---Sean O.

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