Wednesday, September 6, 2017

Mooby Reviews 9/6/17

Here's my newest list of cinematic critiques...

Absolutely Anything                                                    B

Absolutely Anything is absolutely nothing!  I cringed when the dog poop got up, walked to the toilet, and flushed itself.  I told myself I was going to hate the movie after that and I pretty much did.  This is a silly poor man’s Bruce Almighty with bizarre aliens instead of God giving Simon Pegg powers.  The Monty Python crew were involved which explains the over-the-top absurdity.  I was never a fan of that comedic ensemble.  Mr. Pegg seemingly hasn’t done anything memorable since Shaun of the Dead and Hot Fuzz, which are both overrated (but I still like them) but masterpieces compared to this garbage.  9/4/2017

Descendants                                                                EH
Currently seems to be all the rage for the younger demographic.  My 6-year-old nieces rave about it.  I had no interest but figured I’d watch both and be the “hip” uncle.  The idea might evoke Once Upon a Time but I felt it was more akin to Steven Spielberg’s Hook in that it’s a live-action sequel occurring after the original stories.  I was also reminded of Hook during a pirate fight in the sequel (reviewed below).  The story involves the children of Disney villains given access to attend school with the children of Disney non-villains in case you didn’t know.  While the film wasn’t as corny as I expected, only one of the songs was mildly catchy but not enough to download on iTunes or Spotify, and the story involved common themes about “outcasts” slowly gaining acceptance and that the “coldest” people really might not be so cold after all.  Blah, blah, blah.  Sorry, I got bored.  Strictly for the youngsters and I bet the parents just pretend to tolerate it.  9/4/2017

Descendants 2                                                             OK

If you plan on watching this, unfortunately you do have to slog through the first one for introductions and seeing how everything led to this sequel.  It’ll take four hours to watch both movies just to let you know.  The songs are definitely better but I still don’t plan on downloading any of them.  They work while watching the movie, leave it at that.  The story is more engaging too, but I still wouldn’t necessarily say I’m a fan.  Sorry nieces, but at least we’ll have something to talk about and I won’t feel like the “old” unaware uncle.  9/4/2017

Funny Games (1997)                                                  G

This was my first time watching this original German-language version.  I already saw the remake that came out about ten years ago.  It seems like American studios waste little time remaking foreign movies.  I don’t remember much about the remake other than it starring Naomi Watts and Michael Pitt.  I looked in my archive when I solely gave ratings with mental critiques.  I’ve been rating films since early 2003, but before that, I would simply tell people if a movie was worth watching or not, often giving similar ratings like a couple that did film reviews in a section called “Two for the Show” in a local newspaper.  Anyway, apparently I gave the remake three out of four stars (I used to give star ratings from 0 to 4 like lots of other critics before giving my current letter ratings).  It looks like a re-watch is in order to see if my opinion changed, as it sometimes does.  I did like this one.  This is a harsh movie when all is said and done, all carried out by two young punks that initially appear harmless.  Casting unknowns does make the scenario more harrowing in the sense we might be watching a YouTube video the authorities don’t want anyone else to see.  One gripe I had was when the fourth wall was broken more than once, indicating we are watching a movie.  It ruins the tone a bit, but the director (Michael Haneke) did say on an interview that he wanted to address the notion of viewers being accomplices to murderers on screen.  Interesting concept similar to Hitchcock once stating that viewers are voyeurs, but I didn’t see any cameras and this wasn’t a found footage film.  Aside from that, it’s a brutal, oddly entertaining thriller from Austria.  8/27/2017

Inconceivable                                                              B
Nicolas Cage is unfortunately a has-been.  It’s inconceivable how he thought this snooze-inducer would change that.  It’s inconceivable how Lionsgate, an established distribution company, released this in the first place.  The title actually bears some relevance unlike the misleading Unforgettable (reviewed last blog).  Both movies sucked flabby boobies though.  I think this one might’ve been a teensy bit worse.  I dozed off more than I did during that unoriginal Rosario Dawson-starring crapfest.  A couple takes in a woman that’s crazier than she initially appears…you know the story.  Don’t watch this, leave it at that.  8/29/2017

The Lost City of Z                                                        EH
Percy Fawcett, the “real life Indiana Jones.”  This might’ve worked solely as a historical piece.  I expected an action/adventure film though and received an overlong, garrulous, sorta biopic with not much action and an unequal amount of adventure.  Sometimes fiction is more intriguing than reality as proven here; at least the Indiana Jones movies had decent amounts of fun.  9/1/2017

Point Break (1991)                                                      G
I’ve honestly never seen this before now.  Believe it or not, I haven’t seen every movie.  Apparently there was a remake not that long ago which I haven’t seen either.  Surfing does look fun.  I wanted to be a surfer for like one summer around 8th grade.  I wish I had the skills and patience; it does look exhilarating, especially on beautiful beaches.  What I liked about this movie was that it incorporated more than just surfing.  It’s an undercover film involving bank robberies, car chases, skydiving, and relationships (both romantic and camaraderie) in addition to the wave riding.  I dug the powerful ending too.  Kathryn Bigelow, I’m a big fan of your vampire opus, Near Dark, and this film proves you’ve directed well, but I still dislike The Hurt Locker despite winning best picture.  8/27/2017

Scales:  Mermaids Are Real                                        EH
Mermaids are interesting.  I’ve always been fascinated by them.  At once, this appeared to be a typically corny after school special or ABC Family channel movie.  Granted, there’s nothing necessarily wrong with that.  Unfortunately, this is a straight-up bland children’s movie devoid of any true cinematic value, minus the occasionally realistic awkward conversations between the young stars.  It’s less about the experience of being a mermaid (you know, actually being one in the water) and more about the perils of being one (sans tail) while on land.  I don’t remember disliking Aquamarine, that other mermaid movie starring JoJo; what ever happened to her?  Watch that instead.  Actually, scratch that.  Watch The Little Mermaid.  I know that that’s good.  8/24/2017

Sleight                                                                         OK
Pretty standard drug-dealing flick with some added sci-fi.  The whole time I felt this was leading somewhere but never quite reached.  Something was missing.  Our protagonist performs magic on the streets and deals drugs to get by with hopes of moving him and his little sister out of their neighborhood.  He has a bizarre and slightly grotesque way of pulling off his tricks.  Lastly, they couldn’t show what she saw at the end considering I felt cheated already?  8/30/2017

Twin Peaks:  The Return                                            
Only David Lynch could get away with this shit.  Yes, you should watch the original Twin Peaks series before watching this.  None of the characters are re-introduced and they’re all older.  Obviously, it’s been 25 years.  Fans will be just as mindfucked as newbies anyhow.  It appeared as if Mr. Lynch tried to out-surreal the original 30-episodes.  Twin Peaks was a regular American sitcom set in the Pacific Northwest that occasionally meandered down the rabbit hole.  This time, we’re permanently in the rabbit hole spending less time with many of the endearing characters.  One episode in particular would make Luis Bunuel and Salvador Dali ecstatic.  There are no easy answers as in most Lynch works, but as maddening, desultory and confusing as it was for the duration of its 18-episode season, I always wanted to tune in every week.  The Twin Peaks universe will always be a mystery and continue to be for years to come.  In another 25 years, the majority of the cast will either be really decrepit or dead unfortunately.  I didn’t rate this because if I gave it a positive review, I feel I’d be giving it too much credit for its own good, and not enough credit if given a negative review.  Fans of Twin Peaks will watch it anyway.  It will likely cause interesting discussions, demand repeat viewings, and linger subconsciously for years.  Proceed willingly and attentively.  9/4/2017

---Sean O.

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