Wednesday, May 29, 2019

The Witch in the Window


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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The Witch in the Window                                            VG
This ‘Shudder Exclusive’ may well be the best haunted house movie I’ve seen in quite some time.  It isn’t particularly scary, although one or two parts may frighten the more sensitive viewers, and there’s no violence or special effects; it’s just a simple yet effective, poignant New England gothic thriller that doesn’t overstay its welcome at barely 77-minutes.  The father-son dynamics alone are equally compelling and charming (the progressive father doesn’t assume his son is straight at one time).  The witch of the title, which is actually a ghost, makes her presence known quite early too.  What she wants isn’t exactly new, but it works well enough here, making the ending a bit melancholic yet not pussified like many ghost stories tend to be.   Unlike The Haunting of Hill House adaptation on Netflix, this is a fine example proving that horror and drama can effectively co-exist (brevity being an additional plus).  5/27/2019



Other movies I've seen and their ratings (see above):

Bleed (2016)  >>>B/EH

Death House  >>>VB

Ruin Me  >>>OK

Suburban Gothic  >>>OK


---Sean O.
5/29/2019

Sunday, May 26, 2019

Slasher: Season Three


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Slasher:  Season Three                                                OK/G
This season (currently available on Netflix), much like the preceding two, contains detailed characterizations and bloody violence when need be; one part puts the ‘death by blender’ scene in You’re Next to shame.  The victims this time are tenants in an apartment building and the killer is dubbed “The Druid” and looks like a Purge character.  Also like the other entries, this season contains a diverse cast comprising the gender/race/sexuality spectrum, maybe the most so far if I’m not mistaken, and I believe this series (especially this season) may top American Horror Story for having more LGBT representation; well, maybe not the T, so perhaps there should be a trans character(s) in future seasons to be completely inclusive?  This season was more engaging than season two but lost steam in the middle-ish for a bit; I definitely lean more towards G though.  I figured out who the killer was early on (the key sometimes is to pay attention to every single character no matter how many times they appear, and notice if they’re ever pursued by the killer or happen to be in the vicinity during a murder), but there’s more to the ending after the revelation at the end of episode seven (oh, there are 8 episodes like the other 2 seasons, roughly between 45 and 50 minutes each).  I binged this entire season in one day like I did the others; it has that addictive quality and the episodes go by pretty fast.  That being said, I can say I’m a fan of this anthology series for the most part and will definitely tune in for any subsequent seasons.  5/24/2019


Bonus reviews:


The Perfection                                                             OK/G
Reviews for this Netflix film were pretty cryptic in the details, so I won’t disclose too much information either, other than that it involves musical performers, paranoia, and revenge.  It begins as one type of movie before backtracking and becoming another, and there’s more than one Wild Things-ish twist which I feel lessened the film’s overall impact.  I was engrossed for a good deal and dark elements are within, but it’s another one of those films I anticipated but wasn’t as satisfied as I anticipated.  5/25/2019



Rim of the World                                                         EH/OK
This new Netflix film begins as a silly camp movie before becoming a silly alien invasion/post-apocalyptic movie.  Silly, but kind of fun (pretend ‘kind of’ is in big bold letters).  The fate of the world falls on four kids (a nerdy redhead, a misunderstood delinquent, an initially quiet Asian girl, and a mouthy black kid; or, in their own words, “a nerd, a criminal, an orphan, and a joke”) that meet at the titular camp and must travel to a facility with an item needed to save the world.  Do you think they end up saving the world?  Of course they do, or maybe they don’t (it’s not polite to spoil movies, especially in reviews), but whether they do or not, they face several obstacles (both human and alien) en route to the facility, all while referencing different types of pop culture.  The crappy CGI creatures look straight out of a videogame and don’t try to tell me that McG (the director) doesn’t have enough money/resources for better creature designs considering he made two Charlie’s Angels movies and one of the Terminator movies.  Overall, I don’t think this is entirely worth watching, it goes on longer than necessary, but you could do worse.  You could also do better.  5/25/2019



Other movies and TV show(s) I’ve seen and their ratings (see above):

Christmas Presence  >>>EH/OK

Dead Shack  >>>G

Deadwax:  Season One  >>>G
(Shudder)

Miss Bala  >>>OK

Tyrel  >>>OK

You Might Be the Killer  >>>G


---Sean O.
5/26/2019

Tuesday, May 21, 2019

Slasher: Season One and Two


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Slasher:  Season One                                                  G
I finally got around to watching this show (an anthology series like that of American Horror Story or True Detective) I put on my long list of ‘to-watch’ titles, thanks to social media for reminding me of it.  In the beginning, I wondered how an 8-episode series (available on Netflix) being generally 43 minutes each (almost 6 hours!) could effectively sustain itself considering a slasher film under 90 minutes overstays its welcome half the time, if not more than.  Well, as you can see by my rating, it did work and characterization was a big factor in making that happen.  Characterization is very important to a slasher feature as we typically spend more time with the potential victims than the villain.  If they only focused on the kills (as impressive as they may be), the film would be no more than 15 minutes and completely lack characterization, making it more akin to a snuff film.  Part of the fun in the Friday the 13th films, in addition to Jason Voorhees and all his kills, are the many characters we get to meet before all but one (or two sometimes) meet their demise.  This series takes place in a small town called Waterbury where a young woman returns with her husband to the house her parents were murdered in almost 30 years prior (which is one of the first scenes you see).  Being it’s a small town, everyone pretty much knows everyone and most people have secrets.  There are a good deal of characters and we get to know them all well enough regardless of how early they bite it.  There’s enough to keep you occupied, regardless of originality, which made me binge-watch the entire season in less than 24 hours.  And there is violence, not often, but quite gory at times.  I did figure out who the killer was fairly early, but, come on, I’ve seen enough of these to pay attention to every character.  Also, as I know I’ve mentioned before, I don’t really care who the person behind the mask is as long as I enjoy the rest of it (as I mostly did here).  Plus, the killer usually isn’t revealed until the end (here, it’s the end of the 7th episode), so we have to be occupied before that, otherwise it’ll be a dull movie or TV show (which this surprisingly wasn’t).  On to season two (see below) and season three is premiering this week as of this writing, so it looks like I chose a good time to begin this series, as should other slasher fans who haven’t yet!  5/19/2019

Slasher:  Season Two                                                  OK
Well, like many sequels (even though this is an anthology series), this season wasn’t as good as the first (see above).  I definitely didn’t hate it though and don’t regret watching it, and I still binge-watched it in one day like I did the first.  The episodes were a bit longer this time (roughly ten minutes give or take) and the characterizations weren’t always as captivating; some I didn’t get to know well enough, some I could care less about (not uncommon for a slasher feature though).  The setting was more fitting this time for a general slasher---a former camp, now a commune, isolated, transportation destroyed (gas siphoned from vehicles), communication cut off (I believe this took place in the past as I don’t recall cell phones), too far to walk due to the cold---but I got bored more than once (must’ve been those extra ten minutes!).  It takes place in the present at the (now) commune, but there are many flashbacks to when it was a camp five years prior and a group of camp counselors (now at the commune) were responsible for a murder.  I think it would’ve been better if the story took place during camp to feel more slasher-y, but the creators sort of managed to make it work the finalized way.  The deaths are definitely gorier, making at least one of the “sequel rules” from Scream 2 true here (the deaths are more elaborate in sequels), but, like I said, this isn’t a sequel and the only connection to season one was the re-appearance of some of the performers (not characters).  I actually didn’t figure out the killer this time, but when they were revealed (at the end of episode 6), it was simply a ‘whatever’ reaction.  There was a twist though that took me by surprise, not fresh, but I didn’t expect it here, and it ironically brought to mind the original Friday the 13th.  I liked this season more than disliked it, but like many sequels and anthology shows/series for that matter, they can’t always be good or equally as good as other parts (as nice as that would be).  I’m still looking forward to season three being released this week (as of this writing)!  5/21/2019



Other movies I've seen and their ratings (see above):

Aquaman  >>>OK/G

Arctic  >>>OK

Everybody Knows  >>>EH/OK

Isn’t It Romantic  >>>EH

The Man Who Killed Hitler and then the Bigfoot  >>>EH/OK

Wanda Sykes:  Not Normal  >>>OK/G


---Sean O.
5/22/2019

Thursday, May 16, 2019

Clown Motel

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Clown Motel                                                                EH/OK
Social media has its pros and cons; a con being most people have access to it at their fingertips every waking moment of every day (yes, some of us, myself included, still prefer using the internet the old-fashioned way with a computer screen, keyboard and mouse, but that doesn’t mean us “old-fashioned” types aren’t consumed by it either); a pro being I come across ads in which I can view movies for free before their release date, as was the case with this movie involving the real motel located in Nevada.  Not only am I always interested in new horror movies being released, but I’m even more interested whenever it involves clowns (don’t even ask me why I’ve always had a fascination with evil clowns because I can’t even answer it).  Granted, they’re not always good and unfortunately there’s more bad than good ones or even just okay ones, but that never stops me from watching them.  If you took away the clowns and the story took place at another hotel in the middle of nowhere, this would be just another unoriginal haunted location film.  My biggest gripe was that the clowns weren’t frightening at all (coulrophobes might think otherwise, but if you’re afraid of clowns in general, wouldn’t you be afraid of innocuous ones like Ronald McDonald and Krusty the Clown as well?), nor were any of them particularly memorable (two of them were even played by the original Jason Voorhees and Michael Myers!).  There is a bit of violence, but not enough to make me feel any different, although I have never seen someone murdered with a windshield wiper before (that I will remember)!  Although I may have been disappointed with this, I don’t regret watching it and still want to visit the real location.  That is how you know if you like a movie or not, by watching it, is it not?  And although it may be disappointing when you don’t like a movie you’ve been looking forward to watching, I think it’s worse not being able to see it at all (thanks again Facebook)!  Perhaps my fellow clown lovers will like it better---we need as many clown horror movies as we can get.  I just hope one day there’re more good/okay ones than below-average/bad ones.  Check out these websites for more info on the film:  (https://www.indiegogo.com/projects/clown-motel-dark-horror-film-finishing-fund#/), (https://www.facebook.com/ClownMotel2016/).  5/14/2019


Bonus review:

Wolf Creek:  Season One                                            G
Six-episode series, totaling roughly 5 hours with the longest one being an hour, based off the film of the same name that’s claimed to be a ‘Shudder Exclusive,’ but you can also get it On Demand via Lionsgate for $2.99 an episode.  If you really want to watch it though, I suggest you try Shudder free for a week or month depending on which promo you get (Rue Morgue gave me a code for a free month, thank you!).  I would imagine fans of Wolf Creek and maybe Wolf Creek 2 as well (I enjoyed the first one, the second one was decent) will be the only ones to care checking this out, even though you don’t necessarily have to watch those first.  I don’t recall any direct references to either film, but the same wisecracking serial killer Mick Taylor (played by John Jarratt again) is back.  In the first episode, he murders an American teenage girl’s entire family while vacationing at a billabong (an Australian lake) and she manages to escape, thus vowing revenge even if that means traveling all across Australia (which she largely does).  She comes across other troubles during her trek and kudos to the creators for that since a 6-episode spinoff would’ve been rather lame had it solely consisted of a cat-and-mouse plot with the occasional, and likely formulaic, murder by Mr. Taylor.  The episodes generally go by pretty fast and I grew quite fond of the main characters, namely the teenage girl and a police officer sort of on her trail from the get-go.  Greg McLean, the writer and director of both Wolf Creek and Wolf Creek 2, only returns here as the director of the final episode, ironically titled “Wolf Creek,” where we get a bit of a backstory on Mick Taylor that doesn’t necessarily ruin anything we’ve seen already (every serial killer, fictional or not, does have one after all).  Since I knew a season two was already made (currently not available on Shudder or Demand apparently), I had a feeling Mick wouldn’t be defeated, much like his indestructible American counterparts (Jason, Michael), but why can’t movie/TV characters (especially in this day and age) ever make sure the person is actually dead before leaving their body?  Anyway, this spinoff series may have been unnecessary and predictable at times, but I still enjoyed it, as should anyone that was even just a casual fan of the first film (I, myself, didn’t love the first Wolf Creek, but I liked it).  5/16/2019


Other movies I've seen and their ratings (see above):

Cold Pursuit  >>>OK

Lake Bodom  >>>OK

Terrified  >>>OK

Toad Road  >>>EH

Vice  >>>EH


---Sean O.
5/16/2019

Saturday, May 11, 2019

The Amityville Murders/The Lego Movie 2: The Second Part


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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The Amityville Murders                                               OK
According to Wikipedia, this is the 23rd film involving that haunted house on 112 Ocean Avenue in Amityville, New York.  This is essentially a remake of Amityville II:  The Possession which was actually what the allegedly true story was based on, making it a prequel to the first film released in 1979.  Not only was Amityville II the first one I saw, but also one of the first horror movies I saw and it freaked me the hell out as a young kid, realizing years later what movie it actually was.  This one wasn’t as creepy (of course I’m much older now though and probably wouldn’t think The Possession was creepy either if I saw it for the first time now), but it does give the DeFeo family more characterization, albeit of a stereotypical Italian-American family.  Those that have never seen an Amityville movie (I, myself, haven’t even seen half of those 23) or aren’t too familiar with the allegedly true story may enjoy this (it’s surprisingly well-made), but, to me, this is simply just another remake that could never make me forget the original (for both nostalgic and first impression reasons).  5/7/2019



The LEGO Movie 2:  The Second Part                       OK
The LEGO Movie was a big surprise to me; it was quite awesome.  This sequel, sadly, wasn’t entirely awesome (like many sequels).  Sure, it was creative at times, I laughed a few times, and some of the songs were catchy, but I just wasn’t entranced like I was the first time.  Halfway through I actually couldn’t wait for it to end (never a good sign) before picking up a little bit, and the frequent sardonic dialogue befitting a silly comedy didn’t work for me (yes, not even in a LEGO movie).  I definitely didn’t dislike it (you’re naturally going to see The Second Part if you saw and liked the first part), I enjoyed it more than The LEGO NINJAGO Movie, but everything can’t always be awesome (like The LEGO Movie).  And you might want to watch the first one first if you haven’t since the twist at the end of The LEGO Movie is often brought into play here (I would’ve been amazed if they managed to top that twist).  5/7/2019


Bonus review:


Chambers:  Season One                                             G
New Netflix series with ten episodes ranging from 38 to 51 minutes revolving around a teenage girl (an American Indian, character-wise at least; a biography indicates the actress is half-Apache---points for mostly non-stereotypical representation) receiving a heart transplant from another teenage girl that recently passed from an alleged suicide.  She begins having flashbacks that appear to be from the dead girl’s life.  The concept of transplanted body parts as well as memories doesn’t sound too original at all (The Eye being one example coming to mind; either version but I was thinking of the original of course).  It wasn’t anything spectacular in retrospect, but the performances are generally good and there was a certain appeal that made me want to continue; the episodes generally go by really fast too (much like Stranger Things).  Plus, the main mystery is revealed at the end (culminating with a rather feminist slant) with the suggestion of another season (which isn’t official yet) that could be much darker (although shows ending with hints of better prospects don’t make me anticipate anything anymore).  Mild recommendation.  5/7/2019



Other movies I've seen and their ratings (see above):

Bad Reputation  >>>OK

The Kid Who Would Be King  >>>OK/G

Prospect  >>>OK

Welcome to Marwen  >>>OK


---Sean O.
5/11/2019

Wednesday, May 1, 2019

The Chilling Adventures of Sabrina (Part 2)


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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The Chilling Adventures of Sabrina:  Part 2               EH
I didn’t like the first part (they’re actually called parts instead of seasons) of Sabrina initially (check out my review in the archives---www.abcreviewarchive.blogspot.com), but after some convincing from fellow horror fans (both professional and non), I continued and ended up slightly enthralled, enough to want to keep watching.  This time, unfortunately, I wasn’t spellbound.  I actually put it off for over a week halfway through and forced myself to continue (never a good sign) since I made it this far and hoped it may have gotten better…it didn’t.  One of my complaints about the first part was the uneven combination of “teenybopper”-ness and dark.  Sadly, I would’ve actually preferred some of the teenybopper this time.  As for the dark, every time I thought it was going to lead somewhere, it didn’t last long and switched gears abruptly.  There was way too much going on this time with seemingly more romantic aspects as well as a bunch of listless dialogue.  This part consisted of nine episodes where the shortest was 54 minutes and the longest was 64---that definitely aided in making them all drag.  Shows can be just as effective in half the time (only an anthology show might be necessary for longer episodes).  Episode 4 was a bit interesting in that it took a Pulp Fiction/Go route by focusing on different characters in segments, but even that one had me checking the time.  The last episode (#9) had me thinking it may have gone somewhere dark but ultimately just ended up teasing me.  It’s already been confirmed there will be at least a part three and four.  The very end of this part suggested part three could be compelling, but I’ve been teased one time too many to think it might actually end up being worth it (sorry, cliffhangers don’t necessarily work for us seasoned viewers).  Given how much I disliked this season, it’s going to take much convincing and several review readings (something I try to avoid as much as possible beforehand) to make me tune in the next round.  Sorry (even though I shouldn’t apologize since I wasted my time), but I just wasn’t feeling it this season (or part).  Not one bit.  4/25/2019


Bonus review:


Serenity                                                                       G
This bears the same name as that 2005 movie based on the Firefly series (I, of course, hated it because I never watched Firefly), but this movie is quite different.  It involves a woman (played by Anne Hathaway) bribing a fisherman (played by Matthew McConaughey), whom she has a past and a son with, to murder her husband and make it look like an accident.  Sounds like a set-up for many a thriller we’ve all seen before, no?  This movie involves more than that though.  The revelations may not be too fresh, but it almost did feel fresh here and kind of worked in a slightly amateurish way.  I was kind of reminded of Identity, and if you saw that film and watch this, you might understand my comparison.  This wasn’t nearly as dark though, nor as good, but was still decent and generally well-thought out; surprisingly poignant too when all is said and done.  Proof you should always be your own critic (as I always emphasize) considering it only scored 19% based off 173 critics on Rotten Tomatoes.  5/1/2019



Other movies I've seen and their ratings (see above):

Green Book  >>>G

The Hole in the Ground  >>>OK/G

Trick or Treats  >>>OK


---Sean O.
5/1/2019