Thursday, August 29, 2019

Brightburn/The Banana Splits Movie


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Brightburn                                                                   G/VG
This was marketed as a superhero film for horror fans and I’d say that’s a fairly accurate description.  The “superhero” (anti-superhero more like it), Brandon Breyer (Brightburn is the name of the town the movie takes place in), does have a superhero origin story and he may look and act like a superhero (supervillain more like it), but this is definitely more of a horror movie (the creators even confirmed that was the intention); kind of like The Omen with superhero touches.  Not only is this film effectively well-shot and violent as hell when called for (it might contain the most brutal eye damage I’ve seen in cinema aside from Lucio Fulci’s Zombie, but that’s likely up for debate), but Brandon Breyer is an evil character through and through (likely innately so) and there is no happy ending.  I liked that.  8/25/2019



The Banana Splits Movie                                            G
I have never once seen an episode of The Banana Splits, a children’s show in which this film is based, featuring humans in animal costumes (animatronic here) that ran from the late Sixties to the early Seventies (that might also be why since I wasn’t even born yet, but that makes nary a difference).  It may have been an interesting concept making a horror movie featuring the same characters, but that depends on who you’re asking.  I wonder how many of those that actually liked it as a children’s show will like the horror approach.  If you know me well enough, of course I liked the idea (probably even if I actually did watch the show).  It didn’t make me want to watch the actual show now that I’ve seen it as a horror movie, but it was fun although a tad formulaic; gory too; “fake” gory for the most part, but gory (R-rated for violence alone if I’m not mistaken); all practical too!  Now I think I’m ready for an R-rated Zoobilee Zoo horror movie and that’s a children’s show I actually did watch!  8/29/2019



Other movies I've seen and their ratings (see above):

Isabelle  >>>B

Play or Die  >>>B/EH

The Secret Life of Pets 2  >>>G

Zombillenium  >>>EH

---Sean O.
8/29/2019

Thursday, August 22, 2019

47 Meters Down: Uncaged


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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47 Meters Down:  Uncaged                                        G/VG
This sequel really could’ve been its own movie titled Uncaged.  It bears a few similarities to the first that you’ll notice solely on the fact that it is a sequel, but there are no direct references.  The biggest (and arguably only) connection is the same director.  Now, did I like it?  Yeah, I did actually (hopefully my rating, which is the same split one I gave the first, indicated that).  Summertime has basically become synonymous with shark movies and it’s now safe to say they’re good again after last year’s disappointment that was The Meg.  I’ve watched The Shallows every summer since it was released in 2016 and this film’s preceding entry was enjoyable the following summer (you can read my reviews for all three of those films in the archives---www.abcreviewarchive.blogspot.com).  Much like the first film, the underwater shots were equally as compelling as the shark scenes (they need to be since you can’t effectively have a shark attack every second; hell, Jaws didn’t) with that sense of dread knowing a shark could appear at any time since you’re watching a shark movie; it’s just a matter of when, where and how (and sharks aren’t the only danger the characters face).  I don’t want to give anything away either (I’m not sure if it was written about or in a preview), but it’s the first shark movie I’ve seen where a shark had a particular defect (and the first film was the first time I saw a particular twist in one).  Granted, the film isn’t great (like Jaws or The Shallows) and is sometimes predictable (I’m actually surprised I didn’t see a “Deep Blue Sea” moment coming), but I had enough fun and enjoyed it the same way I did the first (hence the same rating, although different films) to recommend it.  I’ll definitely be curious if the director (Johannes Roberts) releases a third one but simultaneously apprehensive because you never know when follow-ups will stop being worthy.  8/17/2019



Other movies I've seen and their ratings (see above):

Cohen and Tate  >>>OK

A Dog’s Journey  >>>G

El Chicano  >>>OK

How High 2  >>>EH

Wonder Park  >>>G

Zombie Tidal Wave  >>>OK
            (SyFy)

---Sean O.
8/22/2019

Wednesday, August 14, 2019

Scary Stories to Tell in the Dark


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Scary Stories to Tell in the Dark                                 OK/G
I recently re-read all three collections of short stories by Alvin Schwartz in which this film, helmed by the director of Trollhunter and The Autopsy of Jane Doe and produced by Guillermo del Toro, is based.  As can be expected, not all the stories were adapted but the writers did a satisfactory job of incorporating the ones that were used (“The Big Toe,” “Harold,” “The Red Spot,” just to name a few) into a cohesive story.  I liked how some of them ended differently (and a bit darker) than their stories did.  The film was well-shot and the creature designs were passable (except for maybe The Jangly Man), but I really wish they didn’t opt for a pussified, excuse me, weak (read: clichéd) ending.  In other words, I enjoyed three-quarters of this and was really let down by the last quarter.  Judging by the ending and the many stories that haven’t been adapted yet, I have a feeling this isn’t the end of what we’ll be seeing, and I will absolutely keep watching, but here’s to hoping there’re zero letdowns next time (if possible although impossible nowadays).  8/12/2019



Other movies I've seen and their ratings (see above):

American Hangman  >>>EH/OK

The Clovehitch Killer  >>>OK

The Curse of La Llorona  >>>EH

High Life  >>>OK

The New Kids  >>>OK


---Sean O.
8/14/2019

Sunday, August 4, 2019

Capsized: Blood in the Water/Scream: Season Three


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Capsized:  Blood in the Water                         OK/G
TV movie that premiered during Shark Week this year based on a true story about a group of five people ending up (ahem) capsized after a storm on their way to Florida from Maryland at the end of October in 1982 (shortly before I was born).  [I always thought there should be actual movies during Shark Week].  Their momentary saving grace is a life raft that keeps them afloat and protects them from the sharks beneath.  It’s kind of like Open Water but not quite; they didn’t have a raft for protection in Open Water; plus I was reminded of The Perfect Storm in the beginning and then several “lost at sea” TV movies I’ve seen (one that came to mind involved a family lost at sea and the father jumps in at one time to catch a turtle for food; I don’t remember the title though).  This is primarily about the ordeal that follows the capsizing and how they deal with the situation; the sharks are just an added danger in addition to starvation and dehydration (everyone knows you shouldn’t drink ocean water and that proves fatal for at least one member).  This really wasn’t that bad for a TV movie made in 2019.  They did a satisfactory enough job of juxtaposing real shark footage with the performers too (points for no apparent CGI!).  8/3/2019



Scream:  Season Three                                               G
It took me until hearing of this season to finally sit down and watch this entire series I never got around to.  I do like the Wes Craven film series in which this is obviously based (well, I like Scream, the sequels were just okay with Scream 2 being my least fave), and even though Scary Movie parodied them, they themselves were parodies, or self-referential more appropriately, set up as thrillers.  Sometimes slasher movies overstay their welcome, so I wasn’t sure how a series with 40-plus minute episodes could sustain itself before becoming dull.  One character in the beginning of season one even mentions those very thoughts and I thought they would try to contradict that, but season one was a very drawn-out teen series with the occasional murder that I forced myself to continue watching and that’s never good.  Season Two contained the same characters (at least the survivors) and the same location with even more episodes, but somehow I liked it better because the characters grew on me and the episodes seemed to be a bit quicker (I also liked how each episode bore the title of a horror movie); there was even a “bonus” episode that felt like its own movie.  This season has different characters and a different location with fewer episodes (six; the first had ten and the second had thirteen).  If they changed characters and location this time, why wasn’t the second season different from the first or why wasn’t this season a continuation of the first two?  Whatever, I gave this a mild recommendation solely on the fact it was only six episodes and I liked most of the characters, but it’s really nothing special if you’ve seen the Scream movies and the other two seasons and enough slasher movies for that matter.  Like always though, why stop now if you made it this far?  It won’t take as long as the others to watch either.  You also don’t have to watch the first two seasons before this since it’s a different location and characters (like I said) and contains no references to them either.  F.Y.I.:  On Demand has the last two episodes out of order (at least it did for me), so make sure you watch the episode titled “Blindspots” before “Endgame.”  8/3/2019



Other movies and TV show(s) I’ve seen and their ratings (see above):

Hellboy (2019)  >>>B/EH

The Intruder  >>>EH/OK

The Poison Rose  >>>OK

Scream:  Season Two  >>>OK/G

Ugly Dolls  >>>EH/OK


---Sean O.
8/4/2019