Thursday, February 27, 2020

Color Out of Space/Lords of Chaos


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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Color Out of Space                                                     G

I wanted to see this film ever since reading about it in Fangoria and then Rue Morgue (two of my favorite magazines).  Seeing that it was going to be theatrically released at the end of January, I forced myself to finally get around to reading the short story (“The Colour Out of Space”) by H.P. Lovecraft in preparation.  I really liked the short story and couldn’t wait to see the movie, actually hoping it would be a faithful adaptation.  Well, the end of January comes around and the movie isn’t playing anywhere near me!  I was bummed, as you can imagine, but saw it was being released on video (DVD/Blu-ray) at the end of this month, so I said I could wait as much as I didn’t want to.  I put it on the top of my Netflix queue this week and it wasn’t sent to me, so I went to rent it at Redbox (I waited too damn long).  Was it worth the wait?  Yes and no, ultimately yes.  I wasn’t a fan of some of the special effects, namely the ones involving alpacas and a mother/son hybrid, but I still didn’t hate them and both were practical (they reminded me too much of John Carpenter’s The Thing, a movie I think is highly overrated and I seem to be in the minority with my opinion, especially in the horror world).  The effects were a combination of practical and CGI, some naturally had to be CGI (like the colors) and many of those I forgave (although there’s a CGI cat I wasn’t a fan of).  Ultimately, I liked it better on paper (as a short story), but I was still mesmerized by much of it, as I hoped I’d be, and satisfied enough by the time it ended despite my aforementioned misgivings.  I’ve never seen any other adapted versions of this story, except for maybe The Curse, but this was more of a direct adaptation.  This is also Richard Stanley’s first feature film in over 20 years (not counting documentaries and a segment in The Theater Bizarre), having been fired from 1996’s The Island of Dr. Moreau (if interested in the entire story, just Google his name or there’s a documentary titled Lost Soul which I haven’t seen).  I am a fan of his first film, Hardware, and finally got around to seeing Dust Devil (it was just okay) not that long ago after reading about it in conjunction with this film’s article in Rue Morgue.  He’s mentioned plans on adapting another Lovecraft work, The Dunwich Horror, and I’d definitely be interested; I just have to make sure I get around to reading that short story beforehand.  2/26/2020


Lords of Chaos                                                            VG
Mayhem.  That infamous Norwegian black metal band in which one member committed suicide and another was murdered by another band member.  I always knew the story surrounding the band, as any metalhead or open-minded music historian likely would, but that’s all I ever knew about them.  Black metal was never my favorite metal subgenre, but I have listened to bands like Emperor, Dimmu Borgir, Chthonic, and, probably the most famous of them all, Cradle of Filth, Mayhem not being one I ever truly got into.  I am definitely fascinated by the subculture surrounding the subgenre though (as with most metal given it’s been one of my favorite music genres since 7th grade; I’m 37 now).  The beginning stated this was “based on truth, lies, and what actually happened,” but as with any work based on “fact,” I’m sure there were parts to this story that may have been slightly fabricated.  As with anything based on history though, I viewed this as its own entity and whether it entertained me or not.  It did.  I enjoyed this movie as should any open-minded metalhead, music historian, or just historian, but I can certainly never speak for anyone else, especially if they know more about the overall story than I did (that being said, I’d be curious to hear what Mayhem fans think).  It ultimately gave the members a human quality, if that’s even the right description for a group of misanthropic, church-burning musicians in which some are actually violent, even going so far as labeling other death metal bands (particularly Swedish death metal) as “life metal” since they appear to celebrate life (their words, not mine).  It is fairly brutal at times for sensitive viewers, as can be expected given the subject matter (I even flinched once or twice), but I personally recommend it, highly.  2/24/2020


Bonus review:


Brahms:  The Boy II                                                    OK
I wasn’t originally planning on seeing this sequel right away, but after seeing it received a low rating on Rotten Tomatoes (11% out of 36 critics as of this writing, but even less when I checked a day or two ago) and that I still have a Cinemark gift card, I decided to go during bargain times!  What can I say?  I love when I like critically panned movies just as much as acclaimed movies (strange mentality, I know), so I went in hoping I would like it.  Also, upon hearing of this sequel, it made me wonder how it could be effectively done considering the twist at the end of The Boy (I won’t reveal it in case you haven’t seen it).  Speaking of that twist, I felt it was a bit of a letdown that ruined an otherwise pretty good movie. [By the way, there’s another movie called The Boy released in 2015 directed by Craig Macneill that I recommend!]  So did this sequel (directed again by William Brent Bell) manage to be effective after the first film and did I end up being one of its few fans?  Well…they did manage to make it work after the previous film’s twist and the revelations in this film made me dislike that twist just a little bit less (just a little bit), enough to maybe give it another viewing.  And while this film may be largely flat, it does look good (much like its predecessor) and isn’t the worst sequel I’ve seen, let alone movie.  That’s about as nice as I can get which is probably nicer than what many others would have to say.  It was free too (for me) and not too long, so…2/25/2020



Other movies I've seen and their ratings (see above):

Hotel Mumbai  >>>OK/G

Into the Dark:  All That We Destroy  >>>EH
            (Hulu)

Into the Dark:  I’m Just F*cking with You  >>>G
            (Hulu)

Rocketman  >>>OK


---Sean O.
2/27/2020

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