Wednesday, October 9, 2024

V/H/S/Beyond

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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V/H/S/Beyond                                                              G
This is the seventh film of the anthology franchise!  Ninth if you include the two spin-offs!  [The only other ones I reviewed were V/H/S/99, as a haiku review, in here---https://vampireclown82.blogspot.com/2022/11/speak-no-evil.html, and V/H/S/85 in here---https://vampireclown82.blogspot.com/2023/11/vhs85.html; in the latter review, you’ll see my ratings only for the other four, plus links to reviews of the spin-offs, Siren and Kids vs. Aliens].  I’ll admit I wasn’t too enthused upon hearing this one was going to be more sci-fi; don’t get me wrong, I like my fair share of sci-fi flicks---The Faculty, Annihilation (review of that in here---https://vampireclown82.blogspot.com/2018/03/mooby-reviews-3818.html), Alien isn’t bad (just the first one from memory), and I guess pretty much any movie with aliens would count (in that case, Killer Klowns from Outer Space, Night of the Creeps, Critters, Attack the Block, E.T., Mac and Me, lol, just to name some)---and it could very well be a cousin genre to horror, but I guess I’m just not a fan of hokey special effects, especially digital ones, often associated with them (even practical ones have been corny too, John Carpenter’s The Thing being an example, the effects the main reason I’m not a fan of it).  Sci-fi as a theme though, I’m all for (to me, The Twilight Zone is a better series than The Outer Limits).  This film certainly had otherworldly elements, but obviously caters to the horror crowd, given the franchise’s roots.  The wraparound segment is presented as a docuseries about alien encounters, the other segments “recordings” of such encounters.  It starts off with a bang in an entry that plays like a shoot ‘em up zombie videogame in a derelict house; the undead, or whatever they are, have a distinct look (they aren’t the only creatures here either); bloody good fun segment that does not disappoint.  The second one was probably my least fave.  It takes place in India (yes, that means subtitles) and involves a female pop singer with a deadly secret; it’s rather formulaic, but very gory (seems like a tactic often used these days to compensate for what lacks in the script).  The third one was another good one involving a birthday skydiving excursion gone wrong, very wrong.  Those that make it on the ground aren’t safe from harm either.  The extraterrestrials here undoubtedly give the ones in the V/H/S/2 segment, as well as its spin-off (Kids vs. Aliens), a hefty run for their money, and probably most evil aliens in entertainment.  I wish this segment was longer (hey, Kids vs. Aliens happened).  The next one involved a dog lady with a rather sinister agenda.  This one was probably the least sci-fi, although likely qualifies conceptually, a concept not exactly unique, but, again, the violence that occurs makes the segment a little more unique.  Lastly, a girl filming in the Mojave Desert enters a spaceship that, at first, appears to have beneficial advantages, but notice how I put ‘at first’ in big bold letters!  This one should’ve been a bit longer; not that I wanted it to be, but it should’ve because it felt a bit lacking (I didn’t dislike it though, nor did I any of them).  Like many an anthology, it may not have been perfect collectively (as least two of the segments were great though), but I enjoyed it enough, more than I thought given I wasn’t looking forward to it too much, to recommend it.  10/4/2024

Bonus reviews:

Hold Your Breath                                                        OK/G
Southern gothic film on Hulu taking place in Oklahoma during the 1930s (shot in New Mexico though).  A woman (Sarah Paulson) lives with her two daughters on a farm while her husband is away working.  Dust storms occur frequently which can make one sick, maybe even die if caught in one (hence they try sealing every crevice in the house during them).  An entity may be in these storms too, based on a ghost story the young girls read.  There was a very eerie quality to this film, a pervading sense of unease, which I did admire.  It does end up feeling clichéd though, style ultimately trumping substance, but such style it does have…10/3/2024

It’s What’s Inside                                                         EH/OK
Ever wanted to be someone else?  A group of friends get to do just that in this Netflix thriller when they get together the night before a wedding.  One of their friends whom they haven’t seen for a while (you’ll see why) brings a machine that somehow allows them all to switch bodies with someone else in attendance.  There was something I admired about this film, there really was, in that it defied expectations, in addition to being well-shot with some nice use of color here and there.  I liked how it didn’t go the body count route it was set up to be, and what I thought it would be (there are deaths though, but not in the way you think).  However…this made me think too much, and not in the way meaningful discussions will be generated afterwards, but in the way you need to stop watching several times to take notes and keep track of everything.  There’s eight people you need to follow and I couldn’t take keeping up with who was who and when, even though they did have pictures of the real people attached to the bodies they were in, occasionally showing the real people in a parallel shot (that aforementioned nice use of color).  I couldn’t imagine reading this in a book (it’s not, it was written and directed by Greg Jardin, this being his feature-length debut), because if it was confusing watching this all visually…cue head shake!  Mr. Jardin, clearly you have ambition, but you tried a little too hard here, buddy.  10/4/2024

Other movies I've seen and their ratings (see above):

Blackwater Lane  >>>EH

Didi (2024)  >>>OK/G
   (Sometimes in Mandarin with subtitles)

King on Screen  >>>OK

Sasquatch Sunset  >>>OK

---Sean O.
10/9/2024

Thursday, October 3, 2024

Winnie-the-Pooh: Blood and Honey II

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Winnie-the-Pooh:  Blood and Honey II                       OK
Sequel to the much-maligned predecessor (released last year) nominated for five Razzie Awards and winning all five, including worst picture!  I don’t understand why it was hated as much as it was; I probably wrote one of the nicest reviews for it (which you can read in here---https://vampireclown82.blogspot.com/2023/10/zombie-townpet-sematary-bloodlines.html).  Everyone is their own critic though, right?  [I don’t understand all the hate (and Razzies) Showgirls got either, while shite like Oppenheimer won so many praiseworthy awards; I probably gave that one of the most scathing reviews in here---https://vampireclown82.blogspot.com/2024/02/bad-cgi-gator.html].  Now, even though I was very curious (and, undeniably, somewhat anxious) about this sequel, my expectations weren’t that high, but they were a bit higher than low because critics said this was an improvement over the first one (which, again, I didn’t think was that horrible).  [This one, as of this writing, received a 46% rating on Rotten Tomatoes out of 41 critics, whereas part one only got 3% out of 62 critics].  Well, I didn’t think it was better than the first one.  I didn’t dislike it; there is violence, to be sure, some of it worthy.  It was an okay follow-up.  The director is still the same, but it did feel like a different movie (still being a slasher movie though).  Owl and Tigger join in on the mayhem this time; both of them talk too (Piglet spoke at one time as well); Owl kind of reminded me of the Creeper from Jeepers Creepers.  Pooh and Piglet both have different looks (Pooh looking meaner, Piglet looking worse than before), and Christopher Robin is played by a different actor.  Plus, we get a backstory on the creatures, one blatantly cribbed from another movie I won’t reveal in case of a spoiler.  I can’t say this was an unnecessary sequel, given the franchise, but I was a teensy little bit disappointed since I expected it to be better.  That’s just my opinion though, right?  And that’s what I get for listening to other critics, right?  *wink*  A third film was already mentioned shortly after this one’s release.  Obviously I’m going to watch it.  OCD aside, I am still curious…10/2/2024

Bonus reviews:

What You Wish For                                                     G
Culinary thriller that was better than I thought it would be; I enjoyed it more than The Menu.  In it, Nick Stahl plays a chef that leaves the States (for a reason) to meet up with a buddy in some Spanish-speaking country.  He eventually has to prepare a meal for a group of rich people, and let’s just say some of the ingredients demanded are a little specific.  10/1/2024

Horror’s Greatest                                                      
New docuseries on Shudder containing five episodes (roughly ranging from 50-60 minutes each; all now available) covering different horror film categories/topics, they being Tropes and Clichés, Giant Monsters, Japanese Horror, Horror Comedies, and Stephen King Adaptations, in that order.  I always enjoy talking about horror and hearing others give their two cents (several people do here), so I didn’t dislike this series, even when films I either haven’t seen or disliked were discussed (like many in the Giant Monsters episode).  I can’t believe they didn’t include Idle Hands in the Horror Comedies segment, which is not only underrated, but one of the best horror comedies!   They didn’t discuss any of the Chucky movies in that episode either (I only recall a brief clip of Bride of Chucky)!  They should’ve discussed the original Pet Sematary in the Stephen King Adaptations one too, not just include it on an extra list they showed in every episode (it should’ve also been on the ‘Must See’ titles at the end instead of Doctor Sleep and the IT remake)!  And there was no talk of the original IT, which is much better than both parts of the remake (which was discussed)!  Personal opinions aside, I still enjoyed this series enough to recommend for horror fans.  I’d welcome more episodes, even if they were continuations of some of these (Stephen King Adaptations, as an example, could definitely be covered in more than one hour episode).  [F.Y.I., it is assumed you’ve seen all the titles discussed, so there are spoilers].  9/24/2024

Other movies I've seen and their ratings (see above):

Amp House Massacre  >>>EH

The Collingswood Story  >>>OK

The Ghost and Mr. Chicken  >>>OK/G

Oddity  >>>OK/G

Rez Ball  >>>EH
       (Netflix)

Sleep (2024)  >>>OK/G
   (In Korean with subtitles)

---Sean O.
10/3/2024