Tuesday, March 30, 2021

Game of Death (2020)/Verotika

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Game of Death                                                            OK/G
I guess you can say this is a combination of Jumanji and Battle Royale (ironically there’s a poster for the former hanging on a wall); I was even reminded of The Frighteners at the end.  In it, a group of teenagers end up playing the titular board game at a party and it instructs them a certain amount of people have to die (24) or they all will.  Of course no one takes it seriously at first before finding out one of their heads will explode if someone else doesn’t die.  Now, there are only about 7 of them, so that leaves at least 17 more people.  Oh, the moral dilemma.  The film is very gory, and that doesn’t just involve the exploding heads, and there is a bit of fun in its barely 73-minute run-time (although it felt a little longer than that), but there really is not much more to it than its simple premise, the violence being the sole factor making it a bit distinguishable.  3/27/2021

Verotika                                                                       B
Anthology film written and directed by Glenn Danzig based on a comic book series I never read.  Perhaps you know Mr. Danzig as the original singer of horror-punk band, The Misfits, and/or his own band, Danzig?  You at least had to have heard his one single, “Mother.”  If not, that’s what modern conveniences like Spotify are for.  Anyway, I haven’t heard too many good things about this film.  It only received a 22% rating out of 18 critics on Rotten Tomatoes and was voted worst film of 2020 by Rue Morgue magazine, or, as they label it, “Worst Cinematic Atrocity to Wound Your Retinas.”  Now, even though that publication is one of my favorite magazines, if not the favorite, I don’t always agree with them.  Case in point, they voted His House as the best feature film of last year, a film I didn’t dislike, not at all, but felt was overrated (100% out of 112 critics on Rotten Tomatoes, really?!).  In regards to this film, I don’t disagree with their decision.  This film was bad, it was awful, it was one of the worst anthology films I’ve ever seen.  There are three tales presented by a hostess that fails horribly at trying to emulate Elvira.  The first tale was dopey, there being “boob eyes” and a mutated human spider, and goes on longer than necessary.  The second one involves a scarred woman stealing faces from women, and if Leatherface was supposed to be paralleled, it was another failed attempt; I was also reminded of a much better film I reviewed a couple blogs ago called The Stylist.  The final tale was a horrendous Elizabeth Bathory-type story set in medieval times, or some time in the much long-ago past.  I didn’t enjoy a single moment of this film; the production looks awful, the acting is terrible, and while there may be violence, violence does not a good movie make (as proven here).  Avoid this.  I expected better from you, Glenn!  3/27/2021

Other movies I've seen and their ratings (see above):

After Midnight (2020)  >>>OK

Another Round  >>>EH/OK

Braid  >>>EH

Let’s Scare Julie  >>>OK/G

Lucky (2021)  >>>EH
  (Shudder)

The Pale Door  >>>EH

Stay Out of the F**king Attic  >>>EH
            (Shudder)

Violation  >>>EH/OK
   (Shudder)

---Sean O.
3/30/2021

Friday, March 26, 2021

The Dark and the Wicked/The Mortuary Collection

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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The Dark and the Wicked                                            G
Bryan Bertino also directed The Strangers and The Monster, so he clearly knows how to create mood and atmosphere, and this haunted house film set at a farm in Texas is absolutely no exception.  A keen sense of dread permeates this entire production from beginning to end.  In it, a brother and sister travel to said farm to see their ailing father and let’s just say…stuff happens during their visit.  I could picture a devout religious person, if they even watch it, having something to say on the film’s general themes, but I really don’t care what they’d think; I only cared that I was thoroughly transfixed with this feature that was indeed dark and wicked, there being no happy endings for anyone, which was refreshing to see in a supernatural horror movie.  3/26/2021

The Mortuary Collection                                             G
Anthology film available on Shudder featuring Clancy Brown, known as the evil stepfather in Pet Sematary Two and the evil prison guard in The Shawshank Redemption among many other roles, as a funeral director in a small town called Raven’s End telling stories to a potential new hire (the wraparound segment).  Brown’s character states in the beginning that “it isn’t the length of the story that matters, but the quality of the content.”  That is certainly true for any story, especially short stories, and the first tale is a very short one that wasn’t bad in retrospect, but wasn’t long enough to invest in, it involving a creature behind a mirror.  The second tale involves a world in which men can get pregnant while having unprotected sex.  It may sound asinine in theory, but it actually worked and you can probably only imagine how graphic a birth will be.  The one after that contains a man advised by a doctor of a way to get rid of his ill wife sooner, and I probably don’t need to say that nothing good happens as a result (hint---nothing does).  The final tale involves a babysitter, there’s even a film-within-the-film titled The Babysitter Murders which was actually a working title for the original Halloween, with a twist I actually didn’t figure out until close to the end, and the end reminded me of a short story by Roald Dahl that worked here and made the segment a bit darker.  That last tale ties in with the wraparound segment and leads to a comeuppance that’s delightfully well-deserved.  Overall, it’s not the greatest anthology film I’ve seen, but it’s definitely a worthy collection.  Put it this way, I didn’t dislike any of the segments, even the first one that was too short, and that’s always a plus for anthology films!  3/25/2021

Bonus reviews:

A Creepshow Animated Special/Holiday Special        G
Two specials part of the iconic Creepshow universe released last year on Shudder in October and December.  The October release, the Animated Special, consists of two tales based on short stories by Stephen King and Joe Hill (his son, for those unaware), both of which I read.  King’s story, “Survival Type,” available in Skeleton Crew was a very disturbing tale from what I remember.  This adapted segment did it a bit of justice and might disturb those that never read the short story, and it was fairly disturbing here, but I didn’t think it ended quite as disturbing as the written tale did (at least it didn’t hit me the same way).  The other segment, “Twittering from the Circus of the Dead,” based on a short story by Hill and available in The New Dead:  A Zombie Anthology (which is the collection I believe I read it from) follows a family on vacation that end up at a “Circus of the Dead” after taking a detour in the desert.  This circus isn’t a play on words as it contains zombies doing “acts” on initially unsuspecting victims and let’s just say things don’t turn out so well for anyone in attendance.  I wasn’t too much a fan of the animation for both, but it was tolerable, both featuring voiceovers amongst the drawings (that tactic would’ve worked best for “Survivor Type” anyway) and both were worth watching.  The other live-action special, Holiday Special, concerns Shapeshifters Anonymous wherein a group of therianthropes gather weekly.  Only one is a werewolf while others transform into a cheetah, tortoise, and boar, and one is just a therianthrope at heart.  Their number one enemy is a certain figure associated with a holiday in December that we learn has a connection to the Lord of the Underworld other than containing the same five letters in their names.  It’s a fun entry although it may be a bit silly at times, especially in regards to when they actually shapeshift (I was seriously reminded of Zoobilee Zoo at first), but at least they were all practical and there is violence.  I think both specials are worth watching (my rating is for both), both being roughly 45 minutes, and, if you haven’t checked them out yet, they’re decent appetizers before the main course release of Creepshow:  Season Two arriving shortly as of this writing and also available on Shudder (I, for one, am looking forward to it and hope it’s as good as the first season).  3/24/2021

Slaxx                                                                            G
(haiku review)
Killer jeans.  Umm…yeah.
Campy?  Obvi.  Novel though.
Bloody, short, and fun.  3/25/2021

*Available on Shudder.  Currently has a 98% rating out of 57 critics on Rotten Tomatoes!*

Other movies I've seen and their ratings (see above):

The Block Island Sound  >>>OK
            (Netflix)

Breaking News in Yuba County  >>>EH

Hack O’Lantern  >>>EH/OK

Into the Dark:  Blood Moon  >>>EH/OK
            (Hulu)

It Cuts Deep  >>>OK

Scare Me  >>>EH/OK
   (Shudder)

---Sean O.
3/26/2021

Tuesday, March 23, 2021

Are You Afraid of the Dark?: Curse of the Shadows

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Are You Afraid of the Dark?:  Curse of the
Shadows                                                          OK/G
I was a bit bummed that the revival of this show (one of my favorite shows of all time) wasn’t going to be in line with the original format.  It looks as if it’s going to be an anthology series, like American Horror Story, as opposed to an anthology show.  I wasn’t too much a fan of the first season, I just remember being disappointed by the end, but I liked this season better, this time containing six episodes as opposed to just three.  Perhaps that’s why the first season failed since it may have felt rushed and there wasn’t as much time to invest in it?  Many of the original show’s episodes under a half hour gave us enough time to invest though, and wouldn’t more episodes this season (all at least 40 minutes) mean it could overstay its welcome?  I don’t know, whatever.  This season wasn’t superb as far as storytelling standards go, but it wasn’t bad in regards to kiddie horror standards while allowing us ample time to get to know all the characters.  Some of the more easily frightened viewers, both young and old, may even, or likely will, be scared of the Shadow Man, a supernatural entity that can only attack in the dark.  Now available to binge since the season just ended (yes, this is one of those shows in which an episode was released weekly---get with the times!).  3/22/2021

Bonus reviews:

The Last Blockbuster
Ah, video stores.  Something any of us old enough to remember going to regularly didn’t appreciate until they gradually went into oblivion.  I mean, yeah, we still have Netflix by mail, Redbox, and countless streaming services at our fingertips, but nothing beats physically going to a store and browsing all the aisles both new and old (I don’t care what the one guy here says either), even if the movie you wanted wasn’t in after several visits (hell, you can’t get movies on Netflix right away either!).  This documentary features (as the title clearly states) the last Blockbuster in existence (in the world) located in Bend, Oregon (I almost want to move out there just to work there!).  We do get to learn a bit about Sandi, the manager, who is so dedicated that she personally goes to buy movies at Target or Amazon or wherever if they don’t carry it and a customer requests it, in addition to buying snacks and candy in bulk to sell.  Other than viewing the store and the people that work there and rent there, we see several famous faces (Kevin Smith being one) talk about their experiences with video stores growing up, which only worked for nostalgic reasons.  I was born in 1982, so of course I have many memories of going to video stores growing up; I used to look forward to going every weekend and, as I got older, would go every weekday when the new releases came out.  I used to frequent a video store called Wow! Video, only because they were cheaper than Blockbuster and had many more deals and discounts, but I also went to Blockbuster because sometimes they carried titles Wow! didn’t, or if a specific movie was unavailable at Wow! I went straight to Blockbuster afterwards to see if they had it.  Wow (!), I’m starting to ramble on about my own personal experiences with video stores.  Like I said, this feature will only make those of us with memories of such places feel nostalgic, as it’s not always the most enthralling film, and for those that think Netflix may have been the driving force behind Blockbuster’s demise, this documentary has some stuff to say on the topic.  3/22/2021

Calls                                                                            G
Imagine The Twilight Zone told through phone conversations.  This 9-episode series (all between 13 and 20 minutes) available on Apple+ is just that---phone conversations displayed amongst a bunch of wave signals one might see on a computer screen gone idle; they are all connected somehow, taking place between February and New Years Eve in different parts of America.  Since there are no images other than said wave signals accompanying the dialogue, how would it be any different simply listening to this as opposed to watching it, or reading it on print since we have to read the entire series anyway, much like a subtitled work?  I don’t think it would make a difference, but I don’t recall seeing a series or movie consisting solely of the concept and somehow managing to work.  It was an undeniably innovative way to present a tired storyline, which is an apocalyptic one involving parallel dimensions and space-time theories, bringing to mind films like The Butterfly Effect and Final Destination (you’ll understand the comparison to the latter if and when you watch) in addition to the aforementioned anthology show.  It did feel repetitive at times, but luckily the episodes weren’t too long, and I actually wanted to continue due to being transfixed for the most part (I don’t recall being bored often, if at all), and, for that, I’m going to recommend it.  3/21/2021

Other movies I've seen and their ratings (see above):

Deadly Illusions  >>>EH/OK
    (Netflix)

Red Dot  >>>OK/G
    (Netflix; In Swedish with subtitles)

Songbird  >>>EH/OK

---Sean O.
3/23/2021

Saturday, March 20, 2021

PG: Psycho Goreman

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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PG:  Psycho Goreman                                                OK
The modern “kiddie horror flick” that isn’t really for kids that I read so much about.  In it, a brother and sister (both young, pre-teen young) unearth a creature in their backyard, eventually dubbed Psycho Goreman, PG for short.  PG is an evil being intent on destroying all walks of life, but is kept in check by a pink gem obtained by the little girl upon digging him up.  There is most certainly an Eighties/early Nineties vibe, its creature designs very much resembling some of the silly creations from that era; hell, I could almost label this an R-rated Power Rangers film.  It’s not rated, but there is gore, cartoonish, sure, but there is gore, a whole lot of it.  I kind of had a love/hate relationship with this film.  I had a bit of fun with it, there being a certain charm to it, and I know I wasn’t supposed to take it seriously at all, which I didn’t to a point, but it was a tad “too kiddish” for me and I am very young at heart (I’m almost 40 and I still read Goosebumps and watch movies aimed at kids---I’m not sure if Disney movies count in that category either).  Perhaps I wasn’t too impressed with the creature designs, and I really wasn’t, and perhaps if I was actually a kid I might’ve enjoyed it more and looked back at it nostalgically (I think those that are the same age as the young protagonists would enjoy this the most, if they’re even allowed to watch it).  Like I implied, part of me enjoyed this and it certainly has its (adult) fans, currently 90% of 61 critics on Rotten Tomatoes, but I’m not sure if I can truly say I’m one of them…at least not yet.  3/17/2021

Bonus reviews:

Dolls (2019)                                                                OK/G
No, this is not a remake of the Stuart Gordon-helmed film from 1987.  In fact, the All Movie Guide website listed at least four other additional films with the same title.  This one comes from Cuyle Carvin (who, according to IMDb, has many more acting credits to his name) and features Dee Wallace as one of the performers; it is currently available on Tubi (meaning free on most, if not all, streaming platforms).  I would’ve never checked out this basically unknown low-budget film had I not viewed a trailer for it after coming up as a suggested title on my fire stick.  There are a decent amount of characters I actually cared about, or at least got to know, and I was quite fond of the “children’s book (Attic Dolls)” featured as a significant part of the entire movie (I’d purchase it, it being an “adult” children’s book involving evil dolls).  The three dolls in question aren’t too bad looking and might even creep out those with pediophobia.  There is violence too, but I was a bit disappointed in the doll action overall, which was the only aspect making the film feel a bit lacking…just a bit.  I’m not entirely sure how I feel about the ending either since it suggested one possible outcome which would’ve been worse (read:  clichéd) than the one I and most others would’ve likely hoped for, but it could be one of those that’s open to the viewers interpretation…I don’t know.  If you have a TV that allows you access to Tubi, this really isn’t a bad entry (of course that doesn’t mean great) in the evil doll subgenre and I’m picky as all hell when it comes to new movies in any genre/subgenre.  3/18/2021

Servant (season 2)                                                       OK
(haiku review)
Another ten eps.
Not as good as first season.
Not as intriguing.  3/19/2021

*Available on Apple+; check out my review of the first season here---https://vampireclown82.blogspot.com/2020/04/servant-season-one.html*

Other movies I've seen and their ratings (see above):

The Burnt Orange Heresy  >>>EH

Hunter Hunter  >>>OK

Monster Hunter  >>>OK

Persona (1966)  >>>OK/G

Promising Young Woman  >>>G

3 Women (1977)  >>>OK

---Sean O.
3/20/2021

Monday, March 15, 2021

Black Pumpkin/Llamageddon

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Black Pumpkin                                                            OK
Let me just say that I love the title.  I also liked the mask donned by the killer, Bloody Bobby, based on an urban legend in a California town in this film, summoned by kids and teens unintentionally on Halloween, thus starting a body count (I wasn’t a fan of the childlike sounds emanating from the killer though).  It is a low-budget film, that is apparent, but it is also apparent they were trying, making this one of those “it probably sounded good on paper and would’ve been better with a better budget” films.  The end credits inform you that Bloody Bobby will return (that doesn’t necessarily mean it will happen, I know), and, if so, perhaps enough people will see this (perhaps I’ll aid in that?), allowing for a better budget next time?  Their hearts are in the right place and all the elements are there…3/10/2021

Llamageddon                                                              OK
I don’t think I need to explain one doesn’t expect a masterpiece with a title like that.  I will say it is the first movie I recall featuring a killer llama from another planet, let alone a killer llama movie.  In fact, the only other movie featuring a llama at all that comes to mind is The Emperor’s New Groove.  Of course this comes off as a Z-movie, featuring “grandparents” that are obviously the same age as one of their kids (perhaps even younger), college-age kids that can’t act for shit, and two horribly (read: laughably) choreographed sequences involving the llama beating people up.  But, I could very well label it a B-movie as well, which was likely the intention.  Let’s see, there was more than one creative animated sequence, a real llama was used (points for practicality), the red eyes added to said llama in post-production looked real enough, the CGI effects used were more passable than not, and there is violence (even if not always of the best quality, but, again, your expectations shouldn’t be so high to begin with).  So, do the pros outweigh the cons here?  All I’m going to say is that it’s not the worst “bad movie” I’ve seen (maybe even a bit entertaining), and I’ve seen my fair share of really bad films (so-bad-they’re-bad, that is), and it’s barely even 68-minutes.  It’s currently available on Tubi and Amazon Prime, meaning free on the former and no ads on the latter.  3/14/2021

Bonus review:

Demon Wind                                                               EH/OK
(haiku review)
Year ’90.  Demons.
Read about it in Rue Morgue.
Script?  Fine.  Effects?  Crap.  3/9/2021

*Currently available on Tubi (meaning free for most streaming services)*

Other movies I've seen and their ratings (see above):

Blind (2020)  >>>EH

Blood Harvest (1987)  >>>EH/OK

The Condemned (2013)  >>>B/EH
   (In Spanish with subtitles)

Kid 90  >>>OK
   (Hulu)

Rent-A-Pal  >>>OK

Weathering with You  >>>G

---Sean O.
3/15/2021

Sunday, March 7, 2021

The Stylist

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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The Stylist                                                                    G
Whereas Leatherface “collected” human faces and wore them over his own, the stylist in question here “collects” scalps and wears them over her own hair on occasion.  Ironically, Jill Gevargizian (the director) stated in an intro that the Tobe Hooper original from 1974 is her favorite movie.  This isn’t quite like The Texas Chainsaw Massacre, but nice homage, Jill.  My description may have made it sound like Maniac, yes, I’m referring to the original, and it did remind me of it a bit, in addition to other films like May and Single White Female.  It’s an arty slasher film in scope while simultaneously a twisted character study.  In other words, completely impatient viewers need not apply.  I can be impatient, yes, especially with many modern films/shows, but I was reasonably transfixed with this simple Missouri-set film currently on Arrow (free trials are available like many other apps/channels).  You sense, or at least expect, something drastic will happen by the film’s conclusion (I’ve seen enough movies), and while it may not have been grand, it was certainly demented and oh-so fitting for this feature.  3/3/2021

Bonus review:

A Ghost Waits                                                             G
After a rather feeble beginning, I kind of grew to like this black-and-white film labeled as a horror/comedy.  Yes, there may be ghosts, but I didn’t find anything particularly horror about it.  [Beetlejuice came to mind at one point, but they’re two different films].  There was some comedy to it, sure, one scene involving the male protagonist conversating with a toilet I found quite amusing (it’s not as bizarre as it sounds), but I just thought of it as simply a movie (lame description, I know).  It becomes a romance of sorts by the end, but, however you want to label it, I can’t deny I was slightly charmed by this low-budget indie feature available on Arrow.  3/4/2021

Other movies I've seen and their ratings (see above):

Creatures from the Pink Lagoon  >>>B/EH

Edge of the Axe  >>>OK

Moxie  >>>OK
   (Netflix)

---Sean O.
3/7/2021

Wednesday, March 3, 2021

Two Sentence Horror Stories (Season 2)

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Two Sentence Horror Stories (Season 2)                    OK
I’ve said it many times before and I’ll say it again---I love short stories, be it visual or literary, as long as they’re long enough to be engaging, and I can never pass up an anthology show or movie.  So, here we are with season two of this anthology show originally airing on The CW but also made available on Netflix after ending on that channel (I say just watch it on Netflix to avoid commercials).  You can read my review for the first season here---https://vampireclown82.blogspot.com/2019/10/anna-and-apocalypse.html---and I’m going to do the same thing in this review wherein I describe each episode in two sentences to be in rhythm with the show.  To reiterate, and for those unaware of this show, a sentence is displayed on screen at the beginning of each segment and another sentence is added at the very end to that first one, pretty much summarizing what you just saw (hence the two sentence in the title).
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Bag Man
Teenagers in detention, although it’s not quite The Breakfast Club; those teenagers had it easier.  Should’ve been longer.
Elliot
Transgender male is provided with an instrument that makes his tormentors suffer, but, like always, there’s a catch.  Could be vicariously cathartic for some, but it’s rather silly in execution.
Instinct
A female writer works another job to pay rent.  Never know whether she’s imagining shit or it’s actually happening, but I didn’t really care either way.
Imposter
Worker tries to impress his future in-laws at the job.  I’m guessing the “doppelganger” he tries to destroy is the stereotypical version of himself he doesn’t want to be known as?
Quota
Zombie-ish film set at a warehouse.  Nothing special about it at all.
Fix
Brother and sister reunite at cabin.  There’s a demonic possession of sorts, but The Evil Dead this is not, not by a long shot.
Essence
Body horror at a salon.  Much-deserved comeuppance for the villain.
El Muerto
After The Sixth Sense, the whole notion of “dead people not knowing they’re dead at first” hasn’t been fresh.  Especially if it’s predictable.
Ibeji
The title, I learned after researching, means twins in a West African dialect, and this does involve twin sisters.  It also involves a practical creature whose design didn’t make me recall an entirely similar one.
Manifest Destiny
Production involving a re-enactment between Europeans and American Indians that is, like many such tales, fabricated to a degree.  Some end up possessed by the spirits of those being portrayed and I think you can deduce that doesn’t mean anything good.
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Like the first season, I wasn’t the biggest fan of this collection as a whole.  There were definitely more misses than hits; I do include segments that are just okay as leaning more towards misses.  I think I liked “Bag Man,” “Ibeji,” and “Manifest Destiny” the best, but even they weren’t extremely notable entries.  For those that don’t really care for anthology shows/movies, I wouldn’t tell you to watch this, but for those that do (like yours truly), all I can say, if you have absolutely nothing else to watch, is that they are all short (19 and 20 minutes each without commercials, so watch them on Netflix if you can) and the season as a whole totals a little over 3 hours.  Even though I can’t say this is my favorite anthology show after just two seasons, yes, I will watch a third season and so on, but I just hope they’ll contain more hits than misses, thank you very much!  3/1/2021

Bonus reviews:

The House (A Hulu Halloween Anthology)                OK/G
As the subtitle states, this was an anthology series exclusive to Hulu released in 2017 around Halloween.  There are 6 segments totaling roughly 32 minutes, the longest ones being 7 minutes (3 are that length), the shortest being just 2 minutes.  “The Projectionist” involves a movie theater that does more than just show the same movie.  “Unexplained Phenomena, Part 1” comes off as a “true story” show providing us with an instance of a journalist in a haunted house; you’ll recognize a face from the original Pet Sematary (“Unexplained Phenomena, Part 2” is in the extras).  “Let Us In” revolves around home invaders getting more than they bargained for (hint---it’s not by the hands of other people).  “The Tree” is a brief animated sequence that is darkly poetic, while “Origins” is even shorter, depicting a photographic montage of what you’ve seen in the previous episodes as well as some famous haunted houses in cinematic history.  The episode in between those two, “Seven Moons,” was a futuristic tale (set at the end of the 25th century) featuring a creature which, when revealed at the end, ties in with the rest of the series.  All in all, wasn’t a bad series for all the episodes being really short and you could do worse; “Unexplained Phenomena, Part 1” and “Origins” were my least faves, although I do recommend watching “Part 2” of the former in the extras to make the segment feel more whole and a little less average on its own.  2/27/2021

Bite Size Halloween
I can never stress enough my love for anthology films/shows.  Ones featuring extremely short segments, much like their flash fiction literary equivalent, i.e. The ABCs of Death, I was never as fervent about.  As I mentioned above in the review for season two of Two Sentence Horror Stories, I like my short stories (visual or literary) to be long enough in order to be somewhat engaging.  Really short stories, or “bite size” as this anthology series available on Hulu labels them, often don’t end up being engaging.  I am always curious though to see what kind of tales can be crammed into such short time periods, and I did know what I was getting into before watching.  There are 28 episodes here and my loser ass added them all up to be a total of roughly 95 minutes; 17 of them are 3 minutes, 5 are 4 minutes, 3 are 2 minutes, and there are individual 5-minute, 6-minute, and 7-minute segments (boy, I really do have  no life, do I?).  So, you can either binge the entire series in one sitting since it’ll be the length of an average movie anyway, or you can watch them in segments if you don’t have that much time, or you’re looking to kill time.  Since there are 28 episodes and I’m not the biggest fan of really short anthology shows to begin with, you can bet there are plenty of misses, or ones that are simply okay; some silly entries included “Mondays,” “Landline,” “Summoned,” and “Baby.”  Some of my favorites ones included “Visible,” “Devil Vac,” “The Mime,” “Thirst (which was a unique undead tale),” “Costume Change,” and “Missing,” the latter two containing endings I didn’t expect.  So, if you like your anthology show stories really short, there’s bound to be some episodes to your liking here.  If you like them a bit longer (like yours truly), well, like I said, you know what you’re getting into if you decide to take a peek…3/2/2021

Other movies I've seen and their ratings (see above):

Archenemy  >>>OK

Home with a View of the Monster  >>>EH

Hosts  >>>EH

Into the Dark:  The Current Occupant  >>>EH
            (Hulu)

Into the Dark:  Delivered  >>>EH
            (Hulu)

Into the Dark:  Good Boy  >>>EH
            (Hulu)

Into the Dark:  Pooka Lives!  >>>OK/G
            (Hulu)

---Sean O.
3/3/2021