Tuesday, November 29, 2022

Wednesday (Season 1)/Chucky (Season 2)

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Wednesday (Season One)                                            G
Welcome back, Tim Burton!  He was the executive producer of this Netflix series and directed the first four of the eight episodes (each around the 50-minute mark, give or take).  He needed a comeback after the awful Dumbo remake (you can read my review for that here---https://vampireclown82.blogspot.com/2019/04/dumbo.html).  This follows the titular daughter of the Addams Family (made famous in the original TV series that ran from 1964 to 1966) as she’s forced to attend a boarding school called Nevermore Academy (where her parents met) after an incident involving piranhas at her other school.  This new school contains “outcasts” consisting of werewolves, vampires, gorgons, and sirens in a Vermont town called Jericho (filmed in Romania though) inhabited by “normies” outside the school grounds.  Sure, we’ve seen the theme of outsiders amongst “non-outsiders” before, especially in Tim Burton creations, but this ultimately takes more of a gothic Nancy Drew approach.  A monster has been attacking people at school and in town and our titular heroine tries to get to the bottom of it.  Jenna Ortega is great as Wednesday, she nailing the stereotypical goth with a deadpan manner while desiring solitude and having a death fixation, but underneath that gloomy veneer lies a smidgen of a heart (no one is born an introvert, after all).  She will likely inspire a new generation of babybats and kindergoths, or at least provide a new image for the subculture.  Now, the series wasn’t excellent; namely I wasn’t particularly a fan of the few creature designs we did get to see (they weren’t horrible though) and I think the ending was a bit feeble, especially after all the build-up.  However, it generally has the signature Burtonesque touch and was engaging enough to make me want to continue (I would’ve finished anyway due to Burton’s name attached, but still), so the pros do outweigh the cons (there’s actually some substance to go with the style).  I think I would be okay with an ongoing series featuring Wednesday Addams figuring out a different mystery each time, as long as Tim stays involved, or the style remains intact.  Say what you will about this new series, but I would definitely call it a decent comeback for Mr. Burton.  11/28/2022

Chucky (Season 2)
There are eight episodes again (all roughly 40-something minutes, again) which you can now binge instead of tuning in weekly like I did.  I didn’t love the first season (you can read my review in here---https://vampireclown82.blogspot.com/2021/12/chucky-season-one.html), nor did I love this one, but I somewhat enjoyed them on different levels than I enjoy the films (namely the first four).  There’s a different feel to this series than the films, in tone and overall production.  Chucky certainly became a fixture of pop culture (which some might label sellout) and some of this is a bit too self-aware (i.e. Chucky appearing on a talk show and the appearance of Jennifer Tilly’s Bound castmates).  As far as whimsical villains go though, I’m Team Chucky over Team Freddy Krueger, that’s for sure.  I do like the appearance of the Kyle and Andy characters (played by Christine Elise and Alex Vincent, respectively) since they tie in with the franchise, and both are part of my favorite entry in the series (Child’s Play 2).  I also like how the title in the beginning of each episode contains specific items in the letters.  Being it’s a Chucky series, there is violence, needless to say, much of it over-the-top (I did like the violence in the last episode, which was also a Christmas one that ironically aired the night before Thanksgiving).  As of now, there is no season three confirmation, but I will continue if there is one.  Even if the property ends up being less than stellar, I’m always going to watch anything with Chucky involved.  I love Chucky and he’s my friend to the end…11/26/2022

Bonus reviews:

Bros                                                                             G
This is allegedly the first rom-com featuring two gay men released by a major studio (that studio being Universal Pictures).  Wow, that really says something about humanity, huh?  2022 is the first time a major studio released a rom-com featuring gay men?  Homophobia should’ve ended 1,000 years ago, but that’s a discussion for another time.  I was a self-loathing gay man for many years, more so before I came out to everyone other than my parents, and that’s likely due to society making me feel ashamed.  I admittedly am not a fan of LGBT films since I feel they are often stereotypical or too fabricated (like much of cinema, I know), but I have liked some (Chasing Amy, Go Fish, and But I’m a Cheerleader come to mind).  It could be I also don’t like being pigeonholed; I actually prefer if a movie just contains gay characters.  I’m not the biggest fan of rom-coms either, but I have liked some (ones featuring Sandra Bullock come to mind).  Here is a gay film, rom-com too, for that matter, emphasis on the gay film, that I actually liked.  It is funny at times, often well-written, and I saw some of myself in both of the leads played by Billy Eichner and Luke Macfarlane (two gay actors).  Angry gays aren’t often portrayed and, trust me, we do exist; plus, cis white gays may look like the “majority,” making us feel like an invisible minority.  That’s another discussion for another time though, and, as they say, you shouldn’t compare suffering.  Now, do I think only gay viewers (namely gay men) will enjoy this?  I know there are plenty of open-minded people out there, and, hey, we’ve been watching entertainment with straight couples all our lives, no?  All I can say is, you know what you’re getting into---I remember seeing a man in the video store (yes, I’m that old) back when Brokeback Mountain came out and he claimed he would’ve never rented it had he known what it was about (apparently he didn’t hear a single person talk about it, and/or he didn’t know how to read the back cover)---so, in case you might be like that guy I met in the video store, this is a film about two gay men, just to let you know…11/22/2022

Blood Relatives                                                           OK/G
New vampire film available on Shudder that isn’t a horror movie.  There’s violence at times, but it’s not horror.  It is a road movie and a drama involving a father-daughter relationship.  Noah Segan stars as said father (he also wrote and directed) whose teen daughter catches up with him on the road (she was conceived while he met her mother on the road).  Thus begins the relationship they never had, eventually trying to live as humans (the daughter is only half-vamp and has the ability to walk in daylight with sunblock).  It is a vampire flick---they sport fangs when feeding, they drink blood (human and animal), and the father can’t be in the sunlight, nor can he enter somewhere without being invited---but it’s not horror, not at all.  That doesn’t mean it doesn’t work though; not all movies that feature vampires (or anything unhuman) are horror.  I did enjoy a decent amount of this, but it ended too soon.  Some may say that’s a positive since it was over before I knew it (it’s roughly 87-minutes), but it seemed like it was just getting started when it ended.  I’m not sure if a sequel is planned, but I would actually welcome one since it might make this feel more complete.  11/22/2022

Other movies I've seen and their ratings (see above):

Dead Time Stories (1986)  >>>EH

Don’t Worry Darling  >>>OK

The Inhabitant (2022)  >>>EH/OK

---Sean O.
11/29/2022

Tuesday, November 22, 2022

Slash/Back

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Slash/Back                                                                   OK/G
You’ll be reminded of John Carpenter’s The Thing initially, and one character even describes moments from that film.  Luckily it isn’t too much like it though, a film I find overrated.  I was also reminded of flicks like Slither and Attack the Block, more so the latter; this film involves a group of young girls from an Inuit community in the Arctic called Pang (short for a longer name) banding together to save their town from an alien invasion.  I liked it better as a coming-of-age story, especially since it represents a community we don’t often see in narrative form.  The effects are CGI, but we don’t see too much of it and they actually aren’t awful (the main reason I’m not a fan of John Carpenter’s The Thing is the way the effects look, even though they were practical).  All in all, not a bad addition to the alien invasion subgenre; it just needed a little more meat on its bones and seemed like it ended too soon.  11/18/2022

Bonus review:

Lamb (2021)                                                               G
(haiku review)
Bizarre arty film.
It’s very, very bizarre.
Very unique though.  11/17/2022

*In Icelandic with subtitles*

Other movies and TV show(s) I’ve seen and their ratings (see above):

American Horror Story:  NYC  >>>OK
   (FXNow/Hulu; 10 episodes)

Black Friday (2021)  >>>OK

Demonic (2021)  >>>OK

Raven’s Hollow  >>>EH

The Sadness  >>>OK
   (In Mandarin with subtitles)

Smile  >>>EH/OK

Student Body (2022)  >>>EH/OK

Unhuman  >>>OK

---Sean O.
11/22/2022

Wednesday, November 16, 2022

Terrifier 2

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Terrifier 2                                                                    OK/G
Terrifier is a film that was better the second time.  You can read my review for it in here---https://vampireclown82.blogspot.com/2018/06/mooby-reviews-61318.html.  I probably expected too much from it the first time, but it’s really just a short, mean-spirited bloodbath, and what more could you possibly desire from an evil clown flick?  Art the Clown is one sadistic MFer and certainly has even more fun brutally slaughtering people in this sequel that’s almost an hour longer (138-minutes, to be exact; the first one was roughly 84).  It picks up right after its predecessor, taking place on and around Halloween.  I don’t know if you heard of complaints that this movie was too violent; well, it’s definitely gory, but very over-the-top (much like the first), meaning you know you’re watching a movie.  Trust me, all the violent films I’ve seen in my lifetime, I’ve seen ones that were much more nauseating.  It surely tops the first one in the gore department though, as gory as that one was.  True horror fans are the ones this was made for to begin with, as well as those that are even somewhat fans of the last one (needless to say, like always, why would you want to watch a sequel to a movie you didn’t see, or like?).  Some parts may be a little too over-the-top, and the runtime does make it slightly feel drawn out, but it’s generally a fun sequel (I feel it may age better with more viewings, like its predecessor).  Oh, and this is yet another film wherein someone is watching the original Night of the Living Dead!  11/13/2022

Bonus review:

The Sawyer Massacre                                                 OK
Fan film available on YouTube that’s a prequel to Tobe Hooper’s original 1974 Texas Chainsaw Massacre, taking place in 1965.   Fan films are exactly what they say---films made by fans often without studio help.  You can check out my one blog entry covering a bunch of Friday the 13th fan films here---https://vampireclown82.blogspot.com/2021/08/friday-13th-fan-films.html (you’ll also see links for other fan films).  The original Texas Chainsaw Massacre is one of my favorite movies, so of course I was curious about this fan film available for free after seeing it mentioned via Rue Morgue news.  It entails different groups of people being led to the rural farmhouse in the middle of nowhere where danger in the form of Leatherface awaits.  There are several editing issues, the acting isn’t always the greatest, and many times it feels like a remake (and why will cars still only start when convenient in horror flicks?!!), but it really isn’t too, too bad (far from great) for a fan film made in 2022.  I enjoyed it more than many Texas imitators and even some of the sequels/prequels/whatever.  There is gore too; yes, I know the original Texas doesn’t really have any of the red stuff, but it doesn’t make it any less harrowing and effective.  I don’t think any film in this particular cinematic universe will ever top Tobe Hooper’s original (48 years later it is still one of the best), but if you’re looking for a free film to watch in this specific universe, it really isn’t too, too bad, like I said.  11/15/2022

Other movies I've seen and their ratings (see above):

The Boys Club   >>>OK

Incarnation (2016)  >>>OK

The Last Thing Mary Saw  >>>B
            (Shudder)

---Sean O.
11/16/2022

Sunday, November 13, 2022

The Cellar/Pearl

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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The Cellar                                                                   G
Irish film available on Shudder starring Elisha Cuthbert as a married woman with two kids that just bought a new home.  Her teenage daughter goes missing after walking into (drum roll…) the cellar after a power outage.  There are theories she comes across suggesting an otherworldly presence, eventually learning it is something quite evil.  The title sounds as generic as they come (I came across at least three movies with the same title in a search), and the beginning may appear to hint an indistinctive haunted house flick is coming, but this actually ends up being better than I thought.  It does not disappoint.  At least I didn’t think so (I really am my own critic since it currently holds a 31% rating out of 62 critics on Rotten Tomatoes).  Sure, it does contain familiar tropes (it’s not perfect), but it’s definitely a worthy atmospheric gothic horror film.  [You know that feeling when you ascend basement steps by yourself, especially at night, and there’s that subconscious notion someone or something might be following you and/or grab you?  I think this film does a swell job of evoking that sense of dread at times].  It doesn’t exactly end positively either, concluding adequately enough without suggesting a sequel.  11/9/2022

Pearl                                                                           OK
Prequel to X taking place in 1918, a time when the First World War was coming to an end and a pandemic occurred much like ours.  Mia Goth returns as the younger titular character living on a farm (the same farm, yes) with her parents, her father sick and needing care.  She dreams of dancing in motion pictures, but her mother says it’s a silly dream (you know the drill).  I was disappointed with X (you can read my review for it here---https://vampireclown82.blogspot.com/2022/05/x.html), and while this is a bit different (as I knew beforehand), it really isn’t in terms of themes, just looks (I liked this one a bit better).  It starts off as a psychological thriller, more of a character study, before becoming a slasher film.  Its Technicolor aspect reminded me of The Wizard of Oz and apparently other critics thought so too (there’s also a scarecrow here and Pearl riding her bike into town reminded me of The Wicked Witch of the West, and Dorothy too, for that matter).  It does effectively show how one can become unhinged due to isolation and feeling stuck, and I was sort of impressed with the majority of kills, but I really didn’t think this was anything special (much like its predecessor/“sequel”); it’s often predictable too.  I like these two films as ideas and Ti West (who directed both) definitely earned his stature as a horror filmmaker, and perhaps I will appreciate them more over time as I would really like too (I will watch the planned sequel for X as well), but first impressions tell me that neither one was too extraordinary.  11/10/2022

Bonus review:

Malibu Crush                                                              OK/G
I would never have heard of this indie comedy had director/writer/producer/star James Pratt not reach out to me asking to watch and review it.  I do feel somewhat honored when asked even though I am always upfront in saying I’ll be honest in my review.  I know filmmakers and critics aren’t meant to be friends, but I respect all filmmakers regardless of their finished products since I know the painstaking process of putting something on celluloid.  Like I always say though, and what a professor once told me, content is the ultimate key.  Well Mr. Pratt, for a film you informed me was shot on a $0 budget with a $1200 camera, I’m gonna have to say, not bad!  James stars as an actor in California who travels to Australia with his roommate/best buddy posing as filmmakers to meet up with an old flame he allegedly had a son with.  Things naturally go wrong once they arrive, these two not being the brightest of the bunch, but their idiocy is often funny as opposed to irritating or unfunny.  There are funny moments, some laugh-out-loud, others internal (it was rather funny what happens when they finally meet up with this old flame).  Now, I’m picky as all hell when it comes to comedies, especially if they’re not dark comedies, indie comedies, or are intended to make you laugh.  There have been comedies that didn’t necessarily make me laugh, but were fun to watch and that works (I don’t always have the biggest sense of humor to begin with).  This was fun enough and barely reaches the 72-minute mark, so it doesn’t overstay its welcome.  I will say I liked this better than many Hollywood comedies featuring famous faces.  Thank you, James Pratt, for making a film I didn’t hate.  Oh, but one other thing---I came up with the word ‘pumpkinfucker’ years ago, way before that stupid Deadpool 2 movie as well, and can have several people attest to that, and I can prove it by pulling up posts in my social media history; so, sorry buddy, that is not your word!  11/10/2022

Other movies and TV show(s) I’ve seen and their ratings (see above):

A Friend of the Family  >>>OK
   (Peacock; 9 episodes)

Mystery Spot  >>>B/EH

Resurrection (2022)  >>>B

---Sean O.
11/13/2022

Wednesday, November 9, 2022

This is Gwar/The Long Night

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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This is Gwar
Gwar was often viewed as a joke band in the metal world, kind of like Insane Clown Posse in the rap world.  Many people go to their concerts just for the show itself, probably not always for the music alone.  [If you do happen to attend one of their concerts and are close to the stage, make sure you wear attire you don’t care about because you will get sprayed with something].  I like some of their songs, but never truly followed them as much as I feel I should have.  The only time I saw them live was at Warped Tour and they didn’t play that long (as the majority of bands on that tour don’t).  I remember the stage show more than the actual music, go figure, and I witnessed a fight break out nearby, so my attention was also on that.  My first taste of them was likely in Empire Records back when it came out, even though I heard of them before that.  This documentary covers the band’s beginnings in Virginia during the Eighties up to the present with all the lineup changes and inevitable internal strife in between.  My high school classmate and documentary filmmaker, Tommy Avallone (The Bill Murray Stories; Waldo on Weed; I Love You, You Hate Me), was one of the producers.  Like many documentaries, it is informative at times (I learned a few things I wouldn’t have known had I not seen this), but, also like many documentaries, it does drag at times, especially since it’s almost 2 hours.  I would imagine only those that are fans of the band, or somewhat aware, would be interested, but I can’t tell you what to watch; you know what you’d be getting into and no one is forcing you to watch (needless to say).  You’ll definitely get to witness the human qualities (shockingly emotional at times) of these people behind the costumes.  11/7/2022

The Long Night                                                           G
A New York woman that grew up in a foster home travels to the south with her man in hopes of finding out who her real family is.  The home they stay at is large with an expanse of land in the middle of the woods (perfect setting for a horror film, no?).  The man that owns the home isn’t there on arrival (that’s not suspicious, no?) and by nightfall, a group of people looking like a satanic cult appear on the front lawn and just stand there for a while.  Naturally you do eventually find out what they want.  Now, as far as style goes, this film gets an A; the aerial location shots alone are stunning to behold and a very menacing ambiance thoroughly permeates.  As for substance?  There’s enough of it, I guess.  It doesn’t quite feel like anything I haven’t seen before (like the majority of modern movies, I know), but the substantial amount of style and enough of a story (plus, it doesn’t exactly end on a cheerful note) allow me to give it a slight recommendation.  11/8/2022

Bonus review:

The Killing Tree                                                          EH
A killer Christmas tree.  Literally.  Is it asinine?  Of course it is.  Would you expect anything less?  My expectations may not have been high, but I did expect it to be more fun than this.  A murderer is resurrected into the festive tree by mistake.  This tree now walks, talks, kills, and even drives a car (I actually thought it was going to have sex with another tree at one time, but no luck).  I was reminded of Jack Frost a bit, but that’s a fun holiday horror flick with an asinine concept.  The only way you can likely have fun with this is if high or inebriated.  A scene towards the end wherein two trees briefly duke it out almost made me chuckle (it likely would’ve cracked me up had something been in my system).  It is barely 72-minutes if you are curious though (and free on Tubi), but what open-minded cinephile wouldn’t be?  However, you can spend even less time (just 16-minutes) with another film about killer Christmas trees (yes, plural) that’s a lot more fun entitled Treevenge (which is available on YouTube).  11/5/2022

Other movies I've seen and their ratings (see above):

Dark Glasses  >>>EH/OK
   (In Italian with subtitles)

Hellbender  >>>EH/OK
            (Shudder)

Motherly  >>>OK

My Policeman  >>>OK
   (Amazon Prime)

The Scary of Sixty-First  >>>B/EH

See For Me  >>>OK

Sissy  >>>EH/OK

Slapface  >>>EH/OK
         (Shudder)

What Josiah Saw  >>>G
            (Shudder)

Who Invited Them  >>>EH/OK

---Sean O.
11/9/2022

Friday, November 4, 2022

Speak No Evil

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Speak No Evil                                                              G
A Danish family of three (father, mother, daughter) meet a Dutch couple of three (father, mother, son) while vacationing in Italy (yes, there are subtitles, even when the occasional English is spoken).  The Dutch family invites them to come visit their house in Holland to which they eventually do.  Something is clearly off about this family as we gradually get to know them.  For one, their son is revealed to be missing part of his tongue which the parents explain is a condition he has.  Uh-huh.  The title is only Speak No Evil.  I will say that I didn’t figure out the reveal and I was trying to devise several possible conclusions.  Generally engaging and quite dark when all is said and done.  Recommended.  11/3/2022

Bonus reviews:

Allegoria                                                                     EH
Remember Powerman 5000?  That industrial/nu-metal band from the Nineties fronted by Spider One a.k.a. Rob Zombie’s little brother?  He directed this anthology film of sorts (available on Shudder) wherein a bunch of different artists (such as a painter, actor, screenwriter, and musician) encounter something horrific.  The segments are all connected á la Trick ‘r Treat.  At barely even 70-minutes, it all largely feels pointless, barely giving me enough time to warm up to most of the characters.  Spider, much like his big bro, definitely has style, but if he wants to be known as a musician and filmmaker like his big bro, his next feature needs to be better than this.  11/2/2022

V/H/S/99                                                                      OK/G
(haiku review)
Fifth of the series.
Not wholly original.
Still fun though.  Five tales.  11/2/2022

Other movies I've seen and their ratings (see above):

Glorious (2022)  >>>OK/G
            (Shudder)

The Innocents  (2022)  >>>OK
   (In Norwegian with subtitles)

Offseason  >>>EH/OK

So Vam  >>>OK

Watcher  >>>OK

---Sean O.
11/4/2022

Sunday, October 30, 2022

High School/Wendell & Wild

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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High School (Season One)
Tegan and Sara, if you didn’t know, are a Canadian pop duo that are twin sisters, and also both lesbians.  I am a fan of some of their music; they gots some catchy tunes.  This Freevee series is based on a memoir of the same name by them, created by Clea DuVall, a lesbian actress from films such as The Faculty, Identity, and But I’m a Cheerleader (she wrote and directed some of the episodes here).  It’s a coming-of-age series following the twin sisters as they begin high school and navigate the typical teen waters as they learn who they are.  Each episode focuses on more than one character, not just them (friends, parents, etc. are also featured).  I generally enjoyed these 8 episodes that go by quickly (all under 30-minutes; more shows need to be that way), and I’m not sure if it’s partly because I’m aware of the people it’s based on, or the nostalgia it evoked since I too was a teenager in the Nineties (even though it took place in Canada, much of it felt familiar---a time before cell phones and excessive Internet usage).  The story obviously isn’t over and I actually hope it’s not over!  10/28/2022

Wendell & Wild                                                           OK/G
New stop-motion film available on Netflix directed by Henry Selick, the man behind other great stop-motion flicks like The Nightmare Before Christmas, James and the Giant Peach, and Coraline.  Key and Peele voice the titular demons from the underworld (Jordan Peele also produced and co-wrote the screenplay) that are brought to the land of the living after promising to do something for a girl names Kat.  Naturally things go awry for everyone at first.  Although it may be dark thematically, its tone is largely whimsical.  While I didn’t like it as much as the other Selick films mentioned, although it may be too soon to tell (I do feel this may age better), I enjoyed it enough.  Like the aforementioned films, it is very imaginative at times and stunning to look at.  [For those that care about representation, it seems like mostly everyone was featured, even an American Indian].  Perhaps I expected more from it the first time (I do feel it could’ve gone more places given the subject matter) and didn’t truly get to appreciate it yet.  I’ll definitely watch it again, eventually.  10/30/2022

Bonus review:

Guillermo del Toro’s Cabinet of Curiosities
Anthology series available on Netflix wherein 2 episodes were released over 4 days (the first instance I’m aware of a show not all available the first day on the channel; you can binge them all now), all but two roughly an hour.  Guillermo del Toro just created it and introduces each of the 8 episodes (he only wrote 2 of them) directed by different filmmakers (they being Guillermo Navarro, Vincenzo Natali---Cube, Splice, In the Tall Grass, David Prior---The Empty Man, Ana Lily Amirpour---A Girl Walks Home Alone at Night, Keith Thomas---The Vigil, Firestarter remake, Catherine Hardwicke---Thirteen, Twilight, Panos Cosmatos---Mandy, and Jennifer Kent---The Babadook).  It generally wasn’t a bad series, definitely not grand, each episode giving a feel for the characters and the environment they live in before ending up in horrifically bizarre, often Lovecraftian, territory (ironically only 2 segments are based on Lovecraft’s work).  The foreboding “Lot 36” involves a man winning the titular storage unit after a bid, said storage unit containing more than meets the eye.  “Graveyard Rats” is about a graverobber that comes across bigger problems (literally) than rats in the graves he robs; contains a Tales from the Crypt-like comeuppance.  “The Autopsy” ends up being very strange about a parasitic alien, but it is tied up rather cleverly.  “The Outside” is very strange, occurring around Christmas, and depicts a woman deemed unattractive developing a rather unorthodox relationship with this lotion promising to make her “attractive.”  Although truly outlandish, it was definitely compelling (I was reminded of The Tommyknockers at one time although it’s not like that film at all).  “Pickman’s Model” was a slow burn before culminating quite brutally.  “Dreams in the Witch House” was also part of the Masters of Horror series, directed by Stuart Gordon; I think I liked that version better, but this one, which was quite different with some similarities, was fine too.  “The Viewing” was probably my least favorite, being very slow about a group of people summoned to a gathering wherein the eventual introduction of an obelisk leads to deadly consequences (I wasn’t a fan of the creature effects either).  Lastly, “The Murmuring” is a gothic-lite ghost story with tons of atmosphere that finishes a bit too upbeat (and bland) as many ghost stories often tend to (“Rick” from The Walking Dead stars).  Most of these tales probably looked better on paper which is likely what made most of them intriguing on a script level.  The majority of creature designs, obviously CGI (boo!), weren’t terrible, but I was never the biggest fan of most otherworldly beings influenced by Lovecraft/Giger/etc.  I will tune in if another season is created, yes, since I love horror anthologies.  Well, at least I look forward to them…10/28/2022

Other movies I've seen and their ratings (see above):

The Good Nurse  >>>EH
            (Netflix)

Pumpkins  >>>B/EH

Run Sweetheart Run  >>>EH/OK
            (Amazon Prime)

---Sean O.
10/30/2022

Wednesday, October 26, 2022

Spirit Halloween: The Movie

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Spirit Halloween:  The Movie                                     OK/G
As much as I love Halloween and any memorabilia associated with it, Spirit Halloween stores contain ridiculously overpriced items.  I’ve obtained neat spooky stuff at the dollar store and Wal-mart, and even scored some good items with coupons at CVS.  In this film, three middle school boys (eventually joined by one of their older sisters) agree to spend Halloween night in one of the stores after it closes.  A ghost (played by Christopher Lloyd) possesses items in the store while trying to possess one of the kids (you’ll learn why if you watch).  This was mostly a fun gateway horror flick (it’s rated PG-13 which I’m guessing is because some scenes may frighten the younger ones) that doesn’t overstay its welcome at barely 81-minutes (I actually wanted more).  The effects, mostly practical (points), were generally passable.  Perfect for the holiday season.  10/25/2022

Bonus reviews:

Terror Train                                                                EH
The original Terror Train was never one of my favorite slasher movies, and I wasn’t much a fan of this remake (available on Tubi) at all.  I recalled the original as I was watching this, therefore it’s likely more of a replica than a re-imagining.  Sure, there may be a few things altered, but I didn’t watch the original recently so I’m not exactly sure.  The story involves a group of college students having a costume party aboard a train wherein a masked killer begins offing them throughout the night.  There was a cool clown mask here, which I don’t remember in the original, but it wasn’t utilized the majority of the time.  Some of the kills were okay here, but this film was largely a bore.  Add this to the pile of unnecessary remakes (to a film I don’t deem a classic anyhow), or just unnecessary movies period.  10/21/2022

Sewer Gators                                                              EH/OK
(haiku review)
Laughably bad?  Sure.
What the hell do you expect?
Barely an hour.  10/25/2022

Maneater                                                                     EH
(haiku review)
Another shark flick?!
Another one not that great!
Bloody?  Sure.  Still sucked.  10/25/2022

Other movies and TV show(s) I’ve seen and their ratings (see above):

Bodies Bodies Bodies  >>>B/EH

The Ghost Lights  >>>EH

The Invitation (2022)  >>>EH

Mid-Century  >>>EH

Significant Other  >>>OK/G
            (Paramount+)

Torn Hearts  >>>OK/G

Trick or Treat Scooby-Doo!  >>>EH

Under Wraps 2  >>>OK

The Watcher (2022)  >>>EH/OK
            (Netflix; 7 episodes)

Where the Scary Things Are  >>>EH

---Sean O.
10/26/2022

Monday, October 17, 2022

Halloween Ends/Jeepers Creepers: Reborn

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Halloween Ends                                                          OK
[SPOILERS IN THIS REVIEW]
This may be the “end” of David Gordon Green’s trilogy on the franchise (currently streaming on Peacock in addition to theaters), but I don’t think we’ll ever see the end of the fictional Michael Myers.  Like the majority of cinematic villains, he can seemingly never die no matter how someone tries to obliterate him.  Writers will always find a way to bring him back.  The way he’s destroyed in this film (I won’t reveal how) is absolutely impossible to return from, at least in physical form.  Anyway, I really thought this entry was going to be a different take than what we’re used to and what was expected, kind of like Halloween III:  Season of the Witch was to the original franchise, or like Friday the 13th Part V:  A New Beginning was (sort of) to that franchise, which I would’ve kind of been okay with considering there isn’t much to expect from these films anymore (let alone the subgenre), but it is a Halloween film wherein Michael Myers is largely absent.  I actually may have liked it better had the main killer here, affected by a life-ruining accident, been influenced (or “possessed”) by Michael and Michael not appearing at all (at least physically).  Part of me kind of wished that was how it would end up, but that likely would’ve been even more polarizing for the fans (a description already proposed by a critic).  I didn’t hate this film; there are good characterizations, as Stephen King said it was character driven, and, like I said, I liked how something different was attempted (I kind of credit it for sidestepping expectations), but it ultimately isn’t that great of a film on its own.  Horror fans and/or those that saw the preceding two entries---my review of Halloween is in here (https://vampireclown82.blogspot.com/2018/10/mooby-reviews-102818.html) and my review of Halloween Kills is here (https://vampireclown82.blogspot.com/2021/10/halloween-killsslumber-party-massacre.html)---are obviously going to watch this and it will likely be polarizing (as mentioned), but you never know how you feel until you check it out for yourself, no?  10/16/2022

Jeepers Creepers:  Reborn                                          B
Part 4 that’s labeled a reboot and allegedly the beginning of a new trilogy, according to the All Movie website.  I hope not based on this steaming pile of elephant excrement.  Yes, it stinks that bad!  As of this writing, it has a 0% rating out of 11 critics on Rotten Tomatoes and I wholeheartedly agree.  I liked Jeepers Creepers, eventually grew to appreciate Jeepers Creepers 2 on a trashy level (it’s a masterpiece next to this reboot), and don’t remember much about Jeepers Creepers 3, but apparently I gave it a decent review which you can read in here---https://vampireclown82.blogspot.com/2018/01/mooby-reviews-1418.html.  After almost an exact replica of the beginning of Jeepers Creepers with Dee Wallace in Gina Philips’ role, the film just becomes an uninspired mess.  A couple attend a horror convention in Louisiana and end up going to a haunted house (after “winning” a raffle) with a group of others where the Creeper inevitably starts offing them one by one.  There’s also a subplot wherein the Creeper wants a pregnant woman’s baby, or something like that.  The locations were perfect---Louisiana, horror convention, cemetery, haunted house.  There was just no style to any of it and I didn’t even enjoy it on a so-bad-its-fun level.  Waste of time!  If they are making at least two more, they obviously don’t have much to live up to.  10/11/2022

Bonus review:

The Midnight Club (Season One)                                OK
I read the book of the same name by Christopher Pike not that long ago and knew it was more dramatic than scary.  You think I would’ve been prepared for the same thing here, but adaptations don’t always need to be faithful.  This is the fourth Netflix series created by Mike Flanagan and apparently he often merges drama with horror, emphasis on the drama, especially with The Haunting of Hill House (you can read my review for that in here---https://vampireclown82.blogspot.com/2018/11/mooby-reviews-11718.html).  I liked his other two series, The Haunting of Bly Manor and Midnight Mass, better, but even they weren’t always focused on horror (my review for Bly is here---https://vampireclown82.blogspot.com/2020/10/the-haunting-of-bly-manor.html, Mass is here---https://vampireclown82.blogspot.com/2021/09/midnight-mass.html).  Now, there’s nothing necessarily wrong with mixing genres, but there is something wrong when the tones don’t always seem compatible, like it occurred here and in Hill House.  If you never read the book or know nothing about this series, a group of terminally ill teenagers stay at a hospice and gather in a room at midnight to tell stories.  It sometimes felt like there was an Are You Afraid of the Dark? vibe going on, but it never reached the potential I felt it truly could have.  Some of the stories told were fine (most of the horror variety, luckily all shown instead of told), myself only recalling some parts of the book as they occurred, and I liked the general camaraderie amongst the cast (it definitely made for a unique, albeit depressing, kind of teen entertainment), but there were only occasional moments of fright and the ending of the last episode exposed an entirely new subplot that likely won’t be too surprising if explained in another season (as cliffhangers often tend to provide false promises).  Plus, there are ten episodes all ranging roughly between 50 and 60-minutes with many of them actually feeling that long.  I guess you can say I had a love-hate relationship with this.  I just had higher expectations, that’s all.  10/16/2022

Other movies and TV show(s) I’ve seen and their ratings (see above):

The Curse of Bridge Hollow  >>>OK
            (Netflix)

I Love You, You Hate Me  >>>OK/G
            (Peacock; 2 episodes)

---Sean O.
10/17/2022

Saturday, October 8, 2022

Beast/Dahmer/Hellraiser

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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Beast                                                                           G
In case you didn’t see a preview, Idris Elba plays a man taking his two daughters (one teen, one younger) to Africa near the village their late mother was from.  They eventually go on a ride with a friend into an area that’s closed to the public (never a good sign) and come across a lion gone rogue that begins to pursue them.  The night before his entire pride was slaughtered by poachers, so do you really blame the lion for going rogue?  Unfortunately all humans in his territory become prey though.  I remember thinking the lion looked crappy in the preview, but it actually looked fine when I watched it.  This movie ended up being better than I thought it would be.  Sure, it may not seem too distinguishable from other films in the natural horror subgenre (Orca and 2007’s Prey came to mind the most---the latter another killer lion flick I recommend), and it started to feel a bit padded out towards the end (even at roughly 90 minutes), but for simply being exactly what it intended to be and nothing more, and for enjoying it enough, I’m going to recommend it.  Currently available on Peacock.  10/7/2022

Dahmer – Monster:  The Jeffrey Dahmer Story          OK/G
I heard several people say they stopped watching this Netflix series because it was too gruesome.  Well, if you know anything about Jeffrey Dahmer (played here by Evan Peters), he was a serial killer that often ate his victims.  For the younger crowd that may never knew of him before this, okay.  Some parts may be gruesome to the average viewer, yes, but it’s nothing I haven’t seen before and I had somewhat of an idea what I was getting into.  I’ve seen at least two movies that come to mind on the serial killer, one being My Friend Dahmer, which you can read my review for in here---https://vampireclown82.blogspot.com/2018/03/mooby-reviews-31818.html.  As you’ll see in my review for that film (if you read it), I said this about visual media involving real-life serial killers---On one hand, you’re promoting them and basically telling modern serial killers they’ll too be made famous one day.  On the other hand, you can’t deny they’re part of history and do make for morbidly compelling sociological studies.  It is true, even though you never have to support anything you don’t want to.  History is rife with violence though, so one should argue whether anything horrific that happened in the past should be depicted.  I’ll admit this series did make me want to keep watching in the beginning.  It does lose a bit of steam towards the end, but there are ten episodes all roughly between 50 and 60 minutes, so it was bound to happen.  One thing I do like that they did was shine some light on one of the victims (the deaf kid) in an episode, which I think should occur more often in serial killer-related pictures as the killers are often glorified and the majority of victims rarely remembered; plus, that sort of makes it more disturbing knowing what happened to these people that are humanized.  They also showed how his actions affected others around him, like his one next door neighbor and his father.  Will real-life serial killers ever stop being promoted?  Likely not, but, again, you never have to promote anything you don’t want to.  Currently there is a new 3-episode documentary series also released on Netflix entitled Conversations with a Killer: The Jeffrey Dahmer Tapes.  Is this the year of Dahmer?  10/7/2022

Hellraiser                                                                    EH
I was never the biggest fan of the original.  I did watch it a couple times when I was younger, I’ll admit, and I did meet the original Pinhead, Doug Bradley, more than once (while expressionless, he’s a pretty chill dude).  I actually thought parts of it were, dare I say, gross (yes, I do get sickened by some gore).  There are ten films other than this one and I believe I’ve only seen up to part three (that’s how much I care about the franchise).  This Hulu update may contain some of the same concepts as the original, but it is a quite different film (Pinhead played by a woman has nothing to do with it either; the character here is pretty androgynous anyway).  It was worse though, as remakes/re-imaginings often are.  Even though it was 2-hours, it hardly felt like there was much substance to it (it seemed like it could’ve lead somewhere compelling in the beginning too).  It may not be as gory as the original, but it definitely has its moments (I wasn’t a fan of the gore here either; not so much on a repulsed level, more on an ‘I wasn’t impressed’ level).  I just wasn’t a fan.  Again, it was never one of my favorite franchises to begin with.  10/7/2022

Bonus reviews:

Mr. Harrigan’s Phone                                                OK
I did read the story from Stephen King’s 2020 collection, If It Bleeds, and according to my review of the book, I said it was “simple with an air of predictability.”  That’s pretty much how I would describe this adaptation available on Netflix (I didn’t remember much from the story before watching).  It’s largely a coming-of-age drama with a dash of thriller involving a boy given the task of reading books to the man of the title due to his diminishing eyesight.  He does this from a young age all the way through high school until the old man passes.  Before he died, the boy gifted him a cell phone and he appears to still receive messages from him posthumously, among other things.  It does contain that cozy ‘small town in New England’ vibe common for a Stephen King tale (here, it takes place in Maine, as they often do).  One of my dreams is to live in such a town; the harsh winters being the main reason preventing that dream.  Anyway, the narrative feels rushed at times, it doesn’t get as ominous as it could be, and it felt incomplete by the time it was over.  Ultimately, like my description of the story, it’s simple with an air of predictability.  Part of me did enjoy that cozy ‘small town in New England’ vibe though (perhaps why my rating may seem a tad too kind).  Not one of the best King adaptations.  10/6/2022

Phantom Pups (Season One)                                      OK
(haiku review)
Corny but cute-ish.
Fine for the entire fam.
Perfect season too.  10/6/2022

*Netflix; 10 episodes*

Other movies I've seen and their ratings (see above):

Cosmic Dawn  >>>EH

No Exit (2022)  >>>OK
            (Hulu)

The Summoned  >>>OK

---Sean O.
10/8/2022

Sunday, October 2, 2022

My Best Friend's Exorcism/Hocus Pocus 2

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In case you haven’t seen the intro from my entry dated 1/26/19 (it’s in my archives whenever you want to read it), I’m no longer going to review every single movie I see.  I’m going to review one, with the occasional bonus, and just give ratings for the rest from now on (unless I decide to pick it up again in the future).  You can always ask me why I gave the ratings for the films without reviews though (via comments or the e-mail addresses under the ‘About Me’ section).
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My Best Friend’s Exorcism                                         EH/OK
I was interested in checking out the book written by Grady Hendrix, but never got around to it.  Judging by this adaptation, available on Amazon Prime, it probably looked better on paper.  It takes place in the Eighties---entertainment set during that decade is old hat by now, but it’s still fun to watch as that time period was very unique and put out some of the best films and music (I was born in 1982 so I wasn’t old enough to appreciate those years)---and contains elements of Mean Girls and The Exorcist.  The high school scenes generally never felt fresh, the exorcism in question felt poorly executed, and the special effects were subpar, especially the demon we see at the end (he kind of reminded me of Smeagol from The Lord of the Rings films).  All the elements for a good story are here, so maybe one day I will check out the book as long as this movie wasn’t an entirely faithful adaptation.  10/1/2022

Hocus Pocus 2                                                                        OK
I saw the first film in the theater back when it came out in 1993, and while I definitely don’t dislike it, I think it is highly overrated.  Don’t get me wrong, I do still watch it occasionally, partially for nostalgia, and for being one of those semi-fun family-friendly films containing horror elements.  I believe many can agree with me how annoying the witches are at times.  While I didn’t hate this sequel released 29 years later, currently available on Disney+, as much as I thought I would, it still very much felt like a sequel.  In other words, it’s obviously a cash grab for the many fans it seems to have and doesn’t seem to contain nearly as much substance as its predecessor did.  The musical numbers (very few thankfully), while corny, weren’t as cringe-worthy as they initially appeared to be (I guess), and some may say the ending is a bit poignant (I guess).  I haven’t heard too many fans of the first one complain yet, and those are who this sequel will truly be for anyway.  10/1/2022

Other movies I've seen and their ratings (see above):

The Amityville Moon  >>>EH/OK

Emergency (2022)  >>>EH/OK
            (Amazon)

13 Fanboy  >>>EH

---Sean O.
10/2/2022